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The American mezzo-soprano Joyce DiDonato elebrates her love of the baroque and nineteenth-century bel canto, but extends it outwards in a programme themed around another of her passions, Venice. Vivaldi's 'Ercole sul Termodonte': 'Onde chiare che sussrrate'; 'Amato ben'; Fauré's Cinq mélodies 'de Venise'; Rossini's 'La regata veneziana'; Schubert's 'Gondelfahrer'; Schumann's 'Myrthen: Zwei Venetianische Lieder'; Head's 'Three songs of Venice'; and Hahn's 'Venezia – Chansons en dialecte vénetien'.
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