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On his 1828 Broadwood fortepiano, the pianist and musicologist David Owen Norris reveals how familiar music sounded when it was first performed and explains how Mendelssohn's 'Songs without Words' relate to rhetorical speech. Plus, Haydn's Sonata in E flat, H.XVI.28; and Beethoven's Sonata in C sharp minor, Op 27 No 2 ('Moonlight').