Aldwych Theatre

I genuinely don’t think I’ve ever heard proper walk-on applause in this country before. But the Shadowlands audience erupted as soon as star Hugh Bonneville walked out on stage. Either our stiff upper lipped standards are slipping, there were a load of Americans in, or Bonneville fans are simply very, very thirsty people. Of course I choose to believe the latter, and it’s emblematic of Bonneville’s peculiarly English middle aged charm that the role that’s getting his base so hot under the collar is that of the extremely low thirst CS Lewis. A revival of Wiliam Nicholson’s 1989 play, Shadowlands stars Bonneville as the devoutly Christian Chronicles of Narnia author, and traces his real life romance with the younger American poet Joy Davidman. And it’s largely delightful, not an odd couple meet cute, but a story about a genuine, real connection between two somewhat lost souls. He is a man in his late fifties who lives a life of scholarly bachelorhood, in rooms he shares with his doddery older brother Major WH Lewis (Jeff Rawle). But Lewis – or ‘Jack’ to most people, though his real name was Clive – is also kind and amusing. He’s hardly a monk, and indeed we learn that his inability – or lack of desire – to form attachments with women can in part be traced to trauma at the early death of his mother. Maggie Siff’s Davodman is self-possessed and fiercely intelligent. She is brave but vulnerable, travelling the world with her sweet young son Douglas, her promising start as a...

This glossy Frank Sinatra bio-musical may have had its original try out run in Birmingham last year, but Sinatra the Musical follows the increasingly common path of a big new American show working its kinks through in the more forgiving UK before chancing Broadway. Directed and choregraphed by Broadway big name Kathleen Marshall, and with a book by Broadway big name Joe DiPietro (best known for the smash hit Memphis), it of course concerns arguably the most iconic American singer of the twentieth century: Ol’ Blue Eyes himself. As is the way with a lot of modern bio-musicals (Tina, MJ) it shows Sinatra not at a moment of triumph, but vulnerability and adversity. It’s set in 1942, and follows a 27-year-old Frank as his career seems to be on the rocks. Having left the Tommy Dorsey Orchestra where he made his name, his initial solo releases have flopped and his affair with rising Hollywood starlet Ava Gardner has tarnished his name. But a New Year’s Eve gig at the Paramount Theatre in New York is an opportunity to not only make a comeback, but to turn himself into the biggest name in showbiz. Joel Harper-Jackson will play Frank Sinatra, with Ana Villafañe as Ava Gardner and Phoebe Panaretos as Nancy Sinatra (Frank’s first wife).  Despite being set years before Sinatra’s biggest hits occurred, you can rest assured that they’re basically all included.