Ambassadors Theatre.JPG

Ambassadors Theatre

This chocolate-box-pretty theatre is one of the West End's tiniest spaces
  • Theatre | West End
  • Seven Dials
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Time Out says

For aeons known as the home to bin-lid-smashing dance sensation ‘Stomp!’, the Ambassadors Theatre is now pottering on as a useful transfer house for dramas that aren't quite big enough to hit up Theatreland’s larger venues. With only 444 seats, it's one of the smallest venues in the West End, and was designed from its opening in 1913 to provide a more intimate alternative to the vast, extravaganza-hosting theatres that surround it. 

Ambassadors Theatre's biggest claim to fame is as the place where the 'Mousetrap' magic began: Agatha Christie's record-breaking play opened there in 1952, before transferring to the neighbouring St Martin's Theatre in 1977, where it's still pulling in punters galore.  

In 2018, the Ambassadors Theatre was bought out by Ambassador Theatre Group, thwarting Cameron Mackintosh's long-cherished plan to buy the venue and rename it the Sondheim Theatre. Their long-term plans aren't clear but for now, it's a place to catch some of the biggest hits from off-West End theatres, including the Almeida's 'The Twilight Zone'. 

Details

Address
West Street
London
WC2H 9ND
Transport:
Rail/Tube: Charing Cross; Tube: Leicester Square
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Paranormal Activity

Horror and the West End have a mixed recent history: The Woman in Black had a very good innings, and Inside Number 9’s Stage/Fright worked a treat. 2.22 – A Ghost Story was a nice idea that ended up being done to death. The Enfield Haunting was unspeakably awful. It’s with some trepadition, then, that we approach Paranormal Activity, a theatrical adaptation of the 2007 sleeper screen hit. Found footage horror isn’t the obvious genre to put on stage by a long shot. But this adaptation has a real USP: it’s directed by Felix Barrett, aka the brains behind immersive theatre legends Punchdrunk, his first non-Punchdrunk theatre show in over a decade. If anyone can inject some menace and atmophere into a show that is nominally about two people buying a house, it’s him. And he’s got a pretty good writer too: playwright Levi Holloway isn’t much known over here, but he sounds eminently qulified having scored a Broadway hit recently with the spooky drama Grey House. His adaptation of the film sounds pretty ‘free’: rather than a stage retelling of the misadventures of the original film’s demon-haunted San Diego couple Micah and Katie, this once concerns James and Lou, a couple who quit Chicago for London in the hope they can escape their past (spoiler alert: they can’t).
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