Arcola Theatre, 2016
© Lidia Crisafulli
  • Theatre | Private theatres
  • Dalston

Arcola Theatre

East London's new writing stronghold is a bit erratic but much appreciated

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Time Out says

Situated slap bang in the middle of east London's vibrant Turkish community in Dalston, the Arcola Theatre was here before the hipsters and – despite one enforced venue change, to its present former paint factory site – remains a bastion of interesting work in theatre-light east London.

In recent years the programme has tended to be unpredictable if occasionally brilliant: show have often been announced late in the day and it’s tricky to really put your finger on what the artistic policy is actually supposed to be. Still, expect revivals of 'serious dramas', new plays from fresh voices, and plenty of work with a political, international outlook. Its biggest constant is Grimeborn, an irreverent and influential festival of new opera writing that takes place in the summer. And there's also a real focus on community work, with occasional stagings of Turkish language plays sitting alongside dramas by the Arcola's Queer Collective. 

Tickets are cheap as chips and comparable to the fringe. The ramshackle bar is a cosy place to sink a pint before or after the show; it serves tea and coffee during the day, and generally fills up with artsy types on a Friday or Saturday night. The Arcola also has an admirable commitment to becoming the greenest theatre in the UK, with a goal of becoming completely carbon neutral that's demonstrated in its rather advanced-looking toilets. 

Details

Address
24 Ashwin St
London
E8 3DL
Transport:
Dalston Kingsland or Dalston Junction Overground
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What’s on

Grimeborn Opera Festival

The Arcola Theatre's alt-opera festival Grimeborn returns for its seventeeth year in 2024 and it’s as eclectic as ever, from a gory feminist reworking of Heinrich August Marschner’s nineteenth century opera ‘Der Vampyr’ (Aug 14-17) and the return of Logan Lopez Gonzalez and Eleanor Burke’s Paul Verlaine opera ‘555: Verlaine en Prison’ (Sep 4-7) to ‘Mr Punch at the Opera’ (Aug 21-24) a family-friendly remix of Pergolisa’s ‘La Serva Padrona’. See theatre website for schedule.

  • Classical and opera

The Band Back Together

3 out of 5 stars

Memories of yesterday shine in Barney Norris’s new play about youth, nostalgia and the paths we choose not to take. After 20 years apart, three school friends from Salisbury are back in their old band rehearsal room, to reform, for a one-off charity gig. Their lives have moved in different directions. Joe (James Westphal), the drummer and the brains behind the reunion, has stayed in Salisbury, gone through a catastrophic divorce and got a job at a Games Workshop. Ellie (Laura Evelyn), the singer, is in the process of moving back to Salisbury and trying for a baby, after years in London. And Ross (Royce Cronin), the ‘most famous’ of the three, is still a guitar player, but has wasted away his adult years clinging on to a dream. The post-pandemic and post-Novichok poisonings Salisbury we find them in has grown up from the one they knew, too. Neighbours have left, the shops they used to visit daily are owned by new faces. Their community now feels weirdly unfamiliar. But, even though the decades have passed, they still feel a strange pull to the place that made them. Norris, who also grew up in Salisbury and recently ran as the Green Party candidate there, makes the city as large a character as his people. And so, the three bandmates have reluctantly come back for one last taste of almost stardom - back in their heyday they had a song played on Radio 2. The early scenes of Norris’ play show them re-establishing their lost connection and are full of awkward exchanges and droll re

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