Bridge Theatre

London's newest major theatre is a shiny-floored home for director Nick Hytner's dreams and schemes
  • Theatre | Drama
  • Tower Bridge
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Time Out says

Occupying a spot of prime real estate opposite Tower Bridge, this brand spanking new London theatre is a 900-seater space that's been dreamt up by Nicholas Hytner and Nick Starr's London Theatre Company. During his long reign over the National Theatre, Hytner found a winning formula of updates on classics and blockbusting new writing, and he's tried to apply the same approach to his new gaff, albeit with less immediate success. His rabble-rousing interactive take on 'Julius Caesar' wowed critics, but although this new space has attracted a roster of leading playwrights like Barney Norris, Martin McDonagh and Richard Bean, they haven't always done their best work here. 

Still, the Bridge Theatre does excel in providing a level of comfort and spaciousness that you won't get at the West End's charming-but-cramped historic playhouses. It has a grassy terrace with views of the Thames, a vast foyer perfect for sipping wine in a leisurely fashion, and a cafe-bar that makes much of its freshly baked madeleines. Oh, and if you've ever spent the whole interval waiting to spend a penny, know that Bridge Theatre has the most commodious toilets in all of theatreland.

Its 900-seater auditorium is fully flexible, meaning it can swap from a trad proscenium arch set-up to a promenade arrangement that lets audiences members move around. With some of the UK's most exciting writers under commission, there's still room for Bridget Theatre to brew a hit to rival Hytner's old stamping ground the National Theatre, just a few miles upstream.

Bridge Theatre says
The Bridge transforms for one of the greatest musicals of all time. It has more hit songs, more laughs and more romance than any show ever written.

The seating is wrapped around the action while the immersive tickets transport you to the streets of Manhattan and the bars of Havana in the unlikeliest of love stories.

Join us on Broadway for the explosion of joy that is Guys & Dolls.


Tickets are now on sale for Richard II starring Jonathan Bailey!
10 February – 10 May
Book now for Shakespeare’s subtle, ambiguous and beautiful play, directed by Nicholas Hytner.

Details

Address
Bridge Theatre
3 Potters Fields Park
London
SE1 2SG
Opening hours:
Performances: Mon – Sat 7.30pm; Thurs & Sat 2.30pm
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What’s on

A Midsummer Night’s Dream

4 out of 5 stars
This review is from 2019. A Midsummer Night’s Dream returns to the Bridge Theatre in 2025 with a cast that includes JJ Feild as Oberon/Theseus, Susannah Fielding as Titania/Hippolyta, Emmanuel Akwafo as Bottom and David Moorst returning to the role of Puck/Philostrate. ‘For fuck’s sake,’ mumbled a member of the Bridge Theatre crew as he sprinted past me. It was three hours since Nicholas Hytner’s production of ‘A Midsummer Night’s Dream’ had begun and it was unclear as to whether it had technically finished or not. But it probably had, as the unfortunate staff member was trying to retrieve one of the two enormous glowing moon balls that the audience was still furiously punching around the theatre. Meanwhile, to my right, the actual Brienne of Tarth was having a boogie. It’s quite possible that she’s still there now. A weird dream? Nope: just Hytner finally tackling Shakespeare’s beloved comedy. Usually his modern-dress takes on the Bard are precise and revelatory, and certainly he applies *some* of his usual rigour here; but then there’s the feeling that he just got stumped by what is effectively a story about some fairies banging in a wood and decided that – screw it – he might gobble a couple of pills for inspiration (NB I am sure that Sir Nicholas did not actually do this). The results are messy, sprawling and quite glorious. Integral to Hytner’s vision is the effective swapping of the roles of fairy king Oberon (Hytner regular Oliver Chris) and queen Titania (towering...
  • Shakespeare

The Lady from the Sea

Ibsen’s 1888 play about a woman named Ellida at the heart of a love triangle between her safe husband Edward and a dangerous ex-lover referred to only as The Stranger gets staged relatively frequently: the last major London production was at the Donmar back in 2017. But it rarely gets the full West End celebrity Hedda Gabler/A Doll’s House/The Master Builder treatment – you’re probably lookig at a late-’70s production at the Roundhouse starring Vanessa Redgrave for its last and really only really big outing in this country. Until now. In a year otherwise dominated by musicals and Shakespeare plays, the Bridge’s big autumn show is a new version of Ibsen’s play but Aussie auteur Simon Stone, that will mark the professional stage debut of Swedish screen star Alicia Vikander as Ellida, joined by big name Brit Andrew Lincoln as Edward (his first show in front of an audience in 16 years, although he did the Old Vic’s A Christmas Carol to a webcam and an empty theatre in 2020). It’s hard to know exactly what to expect: Stone’s adaptations are modern, radical and often rather blunt – his Yerma for the Young Vic was explosively good; his Phaedra for the National Theatre was a bit silly; much of his prolific output simply hasn’t been seen in this country. Whatever the case, he’s a good get for the Bridge and if this production could probaby go either way, then that’s part of the Stone magic. 
  • Drama

Into the Woods

When Nicholas Hytner’s Bridge Theatre launched in 2017 it was pretty much a new writing only theatre with a bit of Shakespeare tossed in for good measure, with no musicals at all on the agenda. Still, it’s not like any of this constituted a rule of physics: Hytner’s landmark 2023 revival of Guys & Dolls both broke the musicals omerta and (for now) ended the run of new writing at the theatre. Following the two-year-run for Guys & Dolls and a couple of Shakespeare productions, next up is a revival of the late, great Stephen Sondheim’s Into the Woods, his puckish musical subversion of the Brothers Grimm fairytales.  The show will be directed by Jordan Fein, an American making a serious name for himself over here thanks to his excellent 2024 Regent’s Park Open Air Theatre revival of Fiddler on the Roof. There’s no word on casting yet, though typically the Bridge can be relied upon for a few decent names. The show will run for 20 weeks only – a good chunk of time, but not a run as monolithic as that of Guys & Dolls.
  • Musicals