In the Heights

Theatre, Musicals
  • 4 out of 5 stars
  • 4 out of 5 stars
(49user reviews)
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 (© Johan Persson)
© Johan Persson
 (© Johan Persson)
© Johan Persson

Antoine Murray-Straughan (Graffiti Pete)

 (© Johan Persson)
© Johan Persson

Cleve September (Sonny) and Lily Frazer (Nina)

 (© Johan Persson)
© Johan Persson

Jade Ewen (Vanessa), Victoria Hamilton-Barritt (Daniela) and Sarah Naudi (Carla)

 (© Johan Persson)
© Johan Persson

Jade Ewen (Vanessa)

 (© Johan Persson)
© Johan Persson

Sam Mackay (Usnavi)

 (© Johan Persson)
© Johan Persson

Sam Mackay (Usnavi)

This hip fringe musical makes a joyous transfer

The hottest ticket on Broadway right now is ‘Hamilton’, a hip hop musical about the life of founding father Alexander Hamilton in which cabinet meetings are staged as epic rap battles. Its creator, Lin-Manuel Miranda, is being hailed as the most electrifying force in musical theatre for a decade.

Too bad we’re in London. But some of the buzz has rebounded on this UK production of Miranda’s earlier, 2008 show, the Tony and Grammy-winning ‘In the Heights’. A rap-meets-salsa musical set in the Latino community of Manhattan’s Washington Heights, it remains as colourful, refreshing and full of Puerto Rican zing as a frozen fruit Piragua slurped between lovers on the sidewalk.

While Quiara Alegria Hudes’s book remains curiously gritless, the transfer from Southwark Playhouse to King's Cross Theatre does bring something. You enter the traverse, with its single-street set, via the train tracks of main resident show ‘The Railway Children’. There’s a palpable sense of curvaceous Latin spirit straining against narrow urban confines – and that’s before you factor in Drew McOnie’s vigorously sexy choreography and the microscopic dresses.

At the show’s heart is Sam Mackay’s Usnavi, a Bodega owner who dreams of returning to his parents’ birthplace in the Dominican Republic. His chatty raps take sudden flight in the syncopated slipstream of the Latin numbers. But when Vanessa struts over for coffee (‘very sweet, little bit of cinnamon’) he’s lost for words.

In the Heights’ is really a soap opera. Themes of immigration, heritage and gentrification play second sax to hope, home and young love, and cheesey metaphors abound. There are sunrises and sunsets, a heatwave and a power cut, and fireworks at the interval kiss. But you’re irresistibly caught up in the comings, goings and blazing interactions of the individual characters, through to David Bedella’s conflicted patriarch and his fearsome wife (during her solo, Josie Benson manages to stamp two heels at the same time).

But on press night it’s Victoria Hamilton-Barritt, as Vanessa’s melodramatic boss Daniela, who provides the defining image. Heavily pregnant in real life and still working the bodycons, she hurls a leg over the top of one of two freewheeling fire escapes and has at the high note with everything she’s got. This is musical theatre bursting with new life.

By: Bella Todd


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Average User Rating

4.1 / 5

Rating Breakdown

  • 5 star:25
  • 4 star:14
  • 3 star:4
  • 2 star:4
  • 1 star:2
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2 of 2 found helpful

brilliant, a modern love story being told in a really engaging manner with an ultra talented cast. I'd highly recommend seeing this

Lisa B
2 of 2 found helpful

Thought this was brilliant. Being that close to the cast was excellent, especially during the chorus parts. The singing was absolutely fantastic, there was one song by Nina close to the beginning which didn't get as much of a clap as it deserved because it was so mesmerising. Thought that the whole cast did a great job and they were clearly loving being on stage together which makes such a difference to some of the long running musicals. I'm not a great musical lover but this was upbeat, modern and brilliantly performed, i'm booking tickets to go again! Also didn't notice any issue with the accents, but i'm no New Yorker. Definitely a go see production.

Jolynn K
1 of 1 found helpful

I enjoyed it! The show was vibrant and full of energy! Unlike the usual West End musical, there wasn't any exaggerated reaction and unnecessarily emotional scene, hence much more real and relatable. Songs and choreo were refreshing and catchy (they're so good!). The venue is much smaller than and very much different from the usual theatre setting, but I love how it establishes a much cosier atmosphere with the audience! The cheapest tickets are just as good as the first row. Can't wait till Miranda's other brainchild- Hamilton hits West End! 

1 of 1 found helpful

We got really cheap tickets for In The Heights at the King’s Cross Theatre and decided to give it a go.The theatre is really interesting as set-up goes.Regardless of how much you pay you will always have a good view of the stage as it is a small and cosy venue, so the cheapest tickets were are not a problem and offer great views.

The play was a big surprise!  It is vibrant, energetic and full of colour. The music was excellent and the choreographies were absolutely amazing! It made me want to stand up from my seat to dance! They cleverly mixed the cast skills with a great use of space, lighting and sound. Overall a great experience! Would definitely watch it again and I am even listening to the soundtrack these days!

Get there before the show. The bar at the entrance plays really cool music to set up the atmosphere and has fairly priced drinks and food! 

Edward S
1 of 1 found helpful

With only 10 rows of seating on both sides of the stage, everyone is up close to the performers. David Badella deserved his Oliver Award. Good singing, acting and dancing throughout. Excellent story line.

Vicky H
1 of 1 found helpful

It was awesome! Fast paced and feel good! Everyone should go see this! 

Jenny B
1 of 1 found helpful

Took the family to see this last night 16.1.16. We all loved it. I've got teenage kids (boy and a girl) both thought it was awesome. High energy from the start. Whole cast were excellent. Great dancing singing and the acting was superb. Thanks for a great night.

1 of 1 found helpful

As two middle aged ladies, we wished we had bought some young people along with us to enjoy this amazing, vibrant, well sung, well choreographed, well......brilliant show. Cannot recommend highly enough.

1 of 1 found helpful

I can quite honestly say that if you watch this fantastic show you will not be disappointed. It is one of the stand out fringe shows this year and I would even put it in the same A* list as the more expensive West End shows currently out there.

The Kings Cross theatre is the perfect backdrop, the waiting area and bar has been transformed into Latina style festival speakeasy with reasonably priced drinks and bard snacks. To get to the theatre itself, you pass along train tracks :) all fun !

The singing of the cast is absolutely cracking and every song is memorable, mesmerizing, emotional and guaranteed to make you laugh and weep.

I loved every second of it, I even cried !

1 of 1 found helpful

Amazing, is the most beautiful musical I ever see, I jus a wow. Was really a Wonderful show and everything was perfect. Was a pleasure to be there.

Ayesha B
1 of 1 found helpful

This show does not disappoint! We were ready to go out dancing after it. I absolutely loved the energy and colorfulness of the performance. It's at Kings Cross theatre which is a lovely thearte and makes a nice change from some of the normal west-end ones. I also liked how the performance took place in the middle of the audience seated either side. Go and see it before it goes! 

Markella S
1 of 1 found helpful

Nice, uplifting, easy on the mind. Guaranteed to put a smile on your face after the performance. It's very energetic with 2-3 storylines running that are guaranteed to keep you interested. 

Michael M
1 of 1 found helpful

Great performances from a talented cast. The show is well paced with an interesting story line weaving together entertaining song and dance. High energy, there is no lull in the proceedings. I highly recommend this show.

Kevin H
1 of 1 found helpful

What an amazing night ! The choreographies were absolutely amazing and made me want to start salsa classes. A lot of songs were catchy. The storyline was not too cheesy and I really enjoyed having this mix of cultures in such a small and well studied and used space. It was also a very original setting and the whole show reflected the amount of effort, determination and work the whole of this musical crew has put behind. Congratulations for this fresh, tonic, spicy, energetic and wonderful evening !

Thuy S
1 of 1 found helpful

Energetic performance. Mostly excellent music but maybe a bit too much rap. All in all very enjoyable to watch. Would recommend.

Asya K
1 of 1 found helpful

Wonderful show, great energy, wonderful dancing and lovely singing! I enjoyed every moment.

Dean L
1 of 1 found helpful

A very good and well balanced show. The performances, script, stage and delivery were all excellent and overall was a highly energetic, rhythmic and engaging performance. It's also very different to what is available in London's West End in a very positive way. Highly recommended.

dominique B
1 of 1 found helpful

It was amazing! The choreography was impressive, the music made me want to dance with the ensemble (who were insane) and the songs were sung well by all. I enjoyed the storyline, it was amusing and insightful. I loved it and wish there were more productions like this one!

sam j
1 of 1 found helpful

It was refreshing to see a well-directed production about a minority community, and the show was vibrant. The actors were very talented. But I have one major problem: the story takes place amidst a summer heat wave near American Independence day (4th July) -- hence the characters wearing short shorts and skimpy clothing. But this central fact got lost in the direction and performance. 

So after the show, many male punters said they liked the show including the "hot Latin women" in their "sexy revealing clothing". And review after review, like this one ("slinky-hipped production") mentions stereotyped adjectives like "sexy", "steaming", "sensual" etc. 

It is a show taking place in summer, amidst a community with no doubt a complex history and culture. But unfortunately, audiences come away satisfying their stereotypes of "sexy Latins."

Gabriel S
1 of 1 found helpful

I saw this production last week and thought it was one of the most refreshing productions I have seen in a long time. I thought the casting was authentic and the production values were second to none. Every role was cast perfectly and I loved it so much I've just booked to see it again.

2 of 3 found helpful

Hugely energetic and enjoyable production at the very atmospheric King's Cross Theatre.  Fantastic music and some excellent performances (beyond one or two characters, I didn't have a problem with the accents but I'm no expert) - I'm not usually a musical fan but I would happily recommend this to anyone.

Polly R
3 of 5 found helpful

I enjoyed the production values, but the American accents were often dodgy, and sometimes AWFUL. Some of the actors attempted a New York Latino accent, but within a few minutes, devolved into stereotype. This lack of attention detracted from the show's authenticity. Would it have been so difficult to find more American actors?

Livvi AT

Having learnt all the raps to Hamilton and emptied by bank account to get tickets for its West End transfer in November, I thought it was time to see what Lin Manuel Miranda had to offer before the American Revolution came calling. And boy, it did not disappoint; In the Heights was my favourite West End show of the year.

In the Heights, which was at the Kings Cross Theatre, is set in New York’s largely Dominican- American neighbourhood, Washington Heights and is based around the community coping with the gentrification of the area. This show is bursting with colour, energy and vivacity; an extremely versatile and tight cast take you through a rollercoaster journey, including moments where you want to jump from your seat and join the carnival, to moments of tender emotion.  The vocals are all exceptional, and the choreography is outstanding; taking inspiration from Latin dance to 90’s hip hop to create really distinctive style.

The story really gives an insight into this community, with a range of characters who all bring their own personalities to the fray. The song 99600 allows you to really see the differences throughout the cast, both musically and as characters. This is a stand out number which has you in awe at the end, with lots of layering and tons of energy. Carnival del Barrio is another number which begs you to get up from your seat and salsa your way onto the stage.

The stage is not quite in the round, it has two viewing platforms on either side. The cast were great at playing to all points in the theatre and although we had restricted view seats, we felt completely absorbed in the show, never wanting each song to end. The music, alongside the dance, is a mixture of traditional salsa and samba rhythm fused with hard hitting raps. The lyrics are funny, relevant and witty which adds another level of ingenuity to the production.

I simply cannot rave about this show enough. My only regret is that I didn’t get my butt into gear and see it earlier in its run, so I can could have gone multiple times. The show is now finished, but due to its 5 starred littered success, I can imagine it will be returning or touring soon, and I urge you to get tickets! 

Diana T

This show is phenomenal. Jaw-dropping, rendering you speechless, phenomenal. The actors are brilliant and the writing is incredible. I've already bought tickets to see it two more times. There are so many amazing things about it I don't know where to start. The set is perfect, I love how they are able to perform with the audience seated on both sides of the set. The colours are great, the storylines intertwine amazingly, everything is so good you end up feeling transported to NYC and being part of the community. 

Tara P

In The Heights is West Side Story meets Ugly Betty - a lively slice of soap opera-style life in a Dominican-American New York neighbourhood by Hamilton creator Lin-Manuel Miranda. Themes of immigration, home and ambition are set to a rap and salsa soundtrack. The resulting musical is infectious fun that never gets boring, with an ensemble cast that have so much infectious energy you'll want to bound up from your seat and join them. The traverse staging is different and immersive, with every audience member having a decent view and the opportunity to be sucked into this colourful story. There's perhaps a lack of true drama, with family feuds and love affairs never really bubbling over into anything more serious than a lively rap argument. All of the characters on stage are pretty likeable, and the antagonists are motivated by familial love rather than anything more malicious. The hard side to such neighbourhoods is not shown onstage - the audience isn't privy to a shop raid during a blackout, whilst one character's addict mother is only referred to and never introduced ('I will not fund your mother's dysfunction!') This isn't necessarily a negative, as this musical has so much heart you'll leave with a big grin on your face - and you certainly won't be bored. In The Heights has a vibrancy and soundtrack that's quite different than from anything I've previously seen on the London stage...bring on Hamilton!

c b

I saw in the Heights in the summer with my daughter all seats are great views . We  were lucky and received an upgrade to front rows. This is an amazing show with a dedicated professional cast . We loved it . Same theatre as the railway children which was also amazing . Ticket prices very reasonable thankyou 

Daniel L

This is by far my favourite musical of 2016. This is the same musical as the creator of Hamilton, the genius who is Lin-Manuel. He was the lead of In The Heights in broadway and was a main draw, but the west end leads are equally good as well. A whole host of big names have been casted in this musical, and each of them brings something special for an overall amazing production. The set is so simple but the strength of the show is the movement and the rap. I really think this is one of the most underpriced tickets in the theatre world, just because it is slightly off west-end. In fact, being in Kings Cross is so much better a location. Granted, the seats are tight and you are practically sharing a seat with the person next to you, but you get what you pay for. The bar is designed in a very fitting way and is the perfect place for pre and post show drinks. Ushers are especially friendly as well in this venue which is a plus. Highly recommended show! This is why I have watched it 3 times already!

John S

I loved it. I have been to loads of plays and musicals over the years, this is more enjoyable an experience than all, other than perhaps les Mis. Go see it, leave your stuffiness behind you, if you are under 60 you will find something in it that will grasp your soul!

Luisa G

Really lovely story set in Washington Heights, about the gentrification of the area, and how much money and relationships can mean to some people. I really enjoyed this!


Fun and fast-paced, this NYC import is playing in a great space near King's Cross and really brings the bustling neighbourhood of Washington Heights to life. A simple but moving story with some choreography that will blow you away!

Nina m

Very nice show ! So colorful and energic ! the storyline was interesting and not only "happy", we were 2 Frenchs and it wasn't too hard to understand. Go see it !


Into the Heights is a real foot-stomping, uplifting, hot, frenetic and passionate show, performed by awesome talent. It's not hugely original in its storyline but I don't think that matters too much - after all it's hard to be truly original these days and as a dance and musical it's more about the interpretation through movement and song than the story itself that really matters.

I loved the fact that the stage was very long and as an audience you sit extremely close to the stage - on either side - even in the cheap seats. At the theatre they've also got a lovely pop-up bar, so even in the interval you can enjoy the atmosphere.

This doesn't feel like a West-End musical - but it's not trying to be. It's a small theatre, a modest cast and a simple storyline. But it does what it says on tin - entertaining you from beginning to end so you almost feel you're part of the show by the time the curtain is called. Well of course, there is no actual curtain, being fringe and seeing as you exit via the stage itself - charming indeed.

Tirick il

This was especially enjoyable as I attended university in Puerto Rico and I was born in new York. It compares in spirit very favorably to " West Side Story"al  though I never saw it performed on stage.I do frequently mention that Natalie Wood was my favorite actress most times I am asked especially recently. Cuba which may be more relivent very recently became accessible to my fellow bilingual Florida resident's without retiring through Canada or Haiti because you have no relatives there.p.s an anecdote other bilingual, s may appreciate the most my stepmother of Spanish descents did once state she had to go into the kitchen to cook the chicken "

Sonny C

This was my first time at the Kings Cross Theatre & I was impressed. It has real character & is a quirky addition to the fringe theatre scene. Loved this show- the music was modern & original with sprinklings of rap & Latin American beats. The cast were uniformly brilliant with great characters, voices & energy. A feel good show & highly recommended

Simon C
Staff Writer

It's great when you go to see a show with no expectations and it completely blows your socks off. The singing and choreography were superb, the set and stage, although simply laid out, are uniquely designed with the audience sitting either side. The effect of this is to draw the audience in, you feel part of the community and the story being played out in front of you. A contemporary, high energy production, portraying the tension in a minority community, with joy and pain in equal measures. Definitely see this one, you'll be pleasantly surprised.

Tatiana N
Staff Writer

not too original story line - just people going to chase American dream, Parents doing sacrifices for their kids, poor kid that has a brain and goes to a awesome Uni etc etc ... nothing originally really. I did fancy the set, it's original and different from your normal theatre. If you're into latin music (which i am)  you'll have a fun night i guess but if you don't i wouldn't recommend it really! Not a wow effect at all but still better than Cats ;) 


Amazing show, one of the best I saw in London. It's the excellent idea to put the stage in the middle. Don't expect to go in a proper theater, it's more underground. You must like street music and dance (Hip Hop, Rap...) otherwise you won't like the show.

Staff Writer

In the Heights is a fun, energetic and uplifting show that left me wanting to learn how to salsa and how to rap. The cast are all very talented triple threats, in particular Victoria Hamilton-Barritt, who was heavily pregnant when I saw it, is hilarious and stole the show for me. Created by Lin-Manuel Mirando, the guy behind the smash hit on Broadway, Hamilton, this has the same rap style and lyrical feel to the story. I felt like it could have stood to be a little shorter, not least becuase Kings Cross Theatre is not the most comfortable place to sit for three hours! Really worth catching this, especially if you like the sound of a telenovela brought to life. 

Alex H

Kings Cross Theatre on 05/10/2015 - 

Excellent choreography and a tuneful band make it enjoyable at times but a weak plot and average songs combined with varying vocal ability and some atrocious accents undermine this musical. I can imagine the Broadway production packed with actors from PR and the Dominican Republic giving some much needed credibility. The vocal work is patchy, ranging from excellent in the case of Benny and Sonny, to downright awful in the case of Kevin. Nina and Vanessa are competent but rely too heavily on the sound engineer to give them a lift with judicious amounts of reverb. Usnavi performs his spoken word sections with aplomb and is likeable. The cast try hard with what they have been given, however, the songs themselves are not world beaters and I didn't leave the theatre humming any of the tunes. The dance sections are a different matter, all the performers move well and the choreography is energetic and at times acrobatic. This kept me from leaving at the interval but unfortunately isn't enough to make me recommend the show to others.

Luciana T

The storyline was ordinary, the acting was bad, the songs were annoying, the singing was the only part that was ok. Had to leave just after the first half as it was too painful. The set up (Kings Cross Theatre) was good though. I would not recommend it.

Ignacio R

Great musical and nice surprise. Hugely energetic and entertaining. Nothing bad to say about it and can't understand why someone would be so fussy about the accents, who cares? It doesn't really matter and it does not affect the story or anything else... I totally recommend


A nice musical to spend a lovely evening. The set design was somehow plain, the songs weren't so memorable and the choreography was exactly what it was expected/break dance throughout the whole show. All the actors were excellent but I wasn't impressed at all by the story. I would recommend it only if you are fan of musicals and have already seen all the popular ones.


l enjoyed it, it was a great refreshing musical. l don't understand how people can give it 3 or 2 stars just because accents were not American enough? Jokes. Look at the entertainment value, at talents of people performing. Great singers. Great dancing. Story - yeah it was cheesy and obvious but in a middle of gray October we got some Latino heat on Saturday night in London! 

Peter B
1 of 3 found helpful

Performance Friday 26/003/2016 - Please dont waste your money on front row seats as I did . Awful , left half way through

Leandro G
0 of 1 found helpful

Ohhh Lord I absolutelly hated, the story is boring, music horrible.. I almost left in the middle. the theater was half empty, just wondering why... place too noisy a lot of 'cracks' from the structure. Don't waste your money!

Lucy G
0 of 1 found helpful

good but mic quality was low and it was in basically a tent

O. Gordon
0 of 1 found helpful

I have never been wild about musicals. I find story telling through multiple songs (individual songs have their own story arc) can damage both the narrative and end up leaving the song lyrics bland or absurd. In The Heights does not escape this. The addition of rap works well and helps keep the narrative on track. Sam Mackay does a great job of keeping the rhythm punchy and story audible, which could be quite tricky given all the the action happening on stage. Some of the more comedic characters add a wonderful lightness and are clear crowd favourites. The choreography is tight, the set design works well and the ensemble do a good job of keeping the energy up. The score is well put together and performed with gusto. 

I couldn't help shake the feeling I'd seen it before but this is purely down to the story arc most musicals tend to have. Some of the acting could be tightened up but as a whole, the show is perfectly watchable. It may have won a few Tony awards in 2008 but it does come across as a little dated. If you love musicals, add another star.

Jose R
0 of 2 found helpful

It was a rousing production with wonderful singers and dancers in the cast. But the very wandering American accents made it very obvious that none of the cast (aside from one) was American. 

New York raised Puerto Rican and Dominican Americans from Washington Heights have a range of accents, but NONE of these accents was reflected in this production. They hired a cultural consultant, and an accent coach, but that didn't seem to help. Victoria Hamilton-Barritt's accent was particularly disruptive to hear.

For any New Yorkers or American Latinos watching, hearing the actors speak was painful. Every actor really tried, but their accents wandered all over the place. This made it very very unbeleivable. I know it's a musical and not a documentary. But if you go through the trouble to pay money to a cultural and accent coach, and make the effort to get other cultural nuances right, it would help to make the accents beleivable too. Is that too much to ask?