FOOD_KingsHead_C_AndrewBrackenbury_TOpic.jpg
© Andrew Brackenbury | The King's Head

King's Head Theatre

Storied fringe venue with distinct queer leanings
  • Theatre | Musicals
  • Islington
Advertising

Time Out says

Started in the 1970s as London's first pub theatre on a spectacularly lean budget, the King's Head Theatre was a tiny space tucked away at the back of a Victorian boozer on Islington's Upper Street. In the past, it's helped launched a raft of stars, among them Hugh Grant, Steven Berkoff and Alan Rickman. In 2024 it moved to new, purpose-built premises just behind the pub. Currently without an artistic director – seemingly a permanent decision – its programming is eclectic but leans heavily towards queer work.

Details

Address
115
Upper Street
Islington
London
N1 1QN
Transport:
Tube: Angel/Highbury & Islington
Do you own this business?Sign in & claim business

What’s on

Jack and the Beanstalk

4 out of 5 stars
This is the (new) King’s Head Theatre’s second go at panto after a luke-warm Cinderella in 2024. By all accounts their first one (written and directed, as is the case this year, by Andrew Pollard) was fine, if a little lacking in the ‘fun’ department. I’m glad to say the team working away four floors below Upper Street got the memo, as this year’s Jack and the Beanstalk is absolutely bursting with berserk energy (and fart jokes) from the word go.  Nominally set in Islington, there isn’t anything hugely conceptually different about this retelling of the fairy tale. What it does have is bags of vim. The whole thing is supercharged with anarchic, Saturday-morning telly kineticism. The boy and girl actors (Elliot Baker-Costello and Priscile Grace) emanate the energy of a thousand Labrador puppies. Even the fact the theatre is so damn deep underground helps generate an atmosphere. As you descend into what feels like the bowels of the earth to reach the stage, there’s a tangible sense of mounting excitement. By the time the kids are in their seats, gathered in what feels like a cross between a school gymnasium and the Manhattan Project, it’s all a bit febrile.  The two children I brought along were properly engrossed for 90 percent of the two-hour run time, which is good going. In fact, the intimacy of the venue means that not paying attention is actively difficult. The cast of six hurl themselves around Jake Evans’ brutally colourful (and dynamically lit) stage, gurning at the...
  • Panto
Advertising
London for less
    You may also like
    You may also like