Lyric Hammersmith
Photo: Jim Stephenson

Lyric Hammersmith

Leftfield theatre remains at the heart of this striking Hammersmith arts hub
  • Theatre | Private theatres
  • Hammersmith
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Time Out says

The Lyric Hammersmith is closed due to the coronavirus epidemic. The programme is technically due to resume with ‘Antigone: The Burial at Thebes’ on April 18.

Emerging in 2015 from a multimillion pound makeover, the Lyric Hammersmith is less a simple theatre, more a multipurpose community hub that includes everything from recording studios to digital development rooms.

But plays remain at the heart of it all, thanks to the singular artistic directorship of Sean Holmes, who has turned the Lyric Hammersmith into a venue both avant-garde and accessible, marking it with his own, very European directorial style. He's leaving in 2019, to be replaced by incoming artistic director Rachel O'Riordan, who's had an impressive run of success at the helm of Cardiff's Sherman Theatre.

Exploring the Lyric's interior is a play of two halves; the front of house areas are all shiny concrete-floored modernity. But step inside the theatre's auditorium and you're suddenly transported into a carefully preserved 1895 Frank Matcham-designed roccoco interior of rare splendour, complete with an unusual, curved proscenium arch. That's because when the original Lyric Theatre was demolished in 1969, its auditorium was painstakingly removed and carefully preserved in a new theatre down the road, which opened in 1979, before being thoroughly revamped and expanded in the 21st century. 

The Lyric Hammersmith's tickets are cheaply priced, with many major shows staging a free preview for local residents. It's never fuller than at panto season, when the auditorium is packed out with families, and its regular Little Lyric strand of programming lures in kids during the school holidays. 

It's also arguably one of the best spots in central Hammersmith to grab a pint and a bite to eat, not least on its first floor roof terrace, which is a green and pleasant oasis in the middle of gritty W6.

Details

Address
Lyric Square, King St
London
W6 0QL
Transport:
Tube: Hammersmith
Price:
Various
Opening hours:
Check website for show times
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What’s on

Ghosts

3 out of 5 stars
Not even the world’s most slavish Ibsen junkie will ever be able to fully appreciate the impact Ghosts had upon its London debut in 1891. ‘A dirty act done publicly’ thundered an infamous Telegraph review, genuinely horrified by the Norwegian dramatist’s dabblings with STIs, incest, adultery, euthanasia and a lil’ bit of good old blasphemy. Still, even if your jaw no longer drops that it would ‘go there’, Ghosts has hardly lost its edge: STIs, incest, adultery, euthanasia and blasphemy haven’t become twee. And I’d say playwright Gary Owen has bitten off a bit more than he can chew in trying to aggressively modernise a play that is, at heart, extremely modern.  Following in the footsteps of his excellent Iphigenia in Splott and Romeo and Julie, Ghosts is his third radical update of a major classical tragedy in collaboration with Lyric Hammersmith boss Rachel O’Riordan (presumably nobody could think of a cute new name for this one). But although it’s a solid production with an excellent cast, it feels like Owen has ripped out some of its character in an effort to logically set it in the present.  Helena (Victoria Smurfit, fresh from her caged tiger turn in Rivals) is a widow who has used her late husband Captain Alving’s vast fortune to fund the creation of a children’s hospital on the unspecified English island the play is set on. But a series of dark truths about the deceased are set to come to light and shatter the measure of happiness Helen and her actor son Oz (Callum...
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