Lyric Hammersmith
Photo: Jim Stephenson

Lyric Hammersmith

Leftfield theatre remains at the heart of this striking Hammersmith arts hub
  • Theatre | Private theatres
  • Hammersmith
  • Recommended
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Time Out says

The Lyric Hammersmith is closed due to the coronavirus epidemic. The programme is technically due to resume with ‘Antigone: The Burial at Thebes’ on April 18.

Emerging in 2015 from a multimillion pound makeover, the Lyric Hammersmith is less a simple theatre, more a multipurpose community hub that includes everything from recording studios to digital development rooms.

But plays remain at the heart of it all, thanks to the singular artistic directorship of Sean Holmes, who has turned the Lyric Hammersmith into a venue both avant-garde and accessible, marking it with his own, very European directorial style. He's leaving in 2019, to be replaced by incoming artistic director Rachel O'Riordan, who's had an impressive run of success at the helm of Cardiff's Sherman Theatre.

Exploring the Lyric's interior is a play of two halves; the front of house areas are all shiny concrete-floored modernity. But step inside the theatre's auditorium and you're suddenly transported into a carefully preserved 1895 Frank Matcham-designed roccoco interior of rare splendour, complete with an unusual, curved proscenium arch. That's because when the original Lyric Theatre was demolished in 1969, its auditorium was painstakingly removed and carefully preserved in a new theatre down the road, which opened in 1979, before being thoroughly revamped and expanded in the 21st century. 

The Lyric Hammersmith's tickets are cheaply priced, with many major shows staging a free preview for local residents. It's never fuller than at panto season, when the auditorium is packed out with families, and its regular Little Lyric strand of programming lures in kids during the school holidays. 

It's also arguably one of the best spots in central Hammersmith to grab a pint and a bite to eat, not least on its first floor roof terrace, which is a green and pleasant oasis in the middle of gritty W6.

Details

Address
Lyric Square, King St
London
W6 0QL
Transport:
Tube: Hammersmith
Price:
Various
Opening hours:
Check website for show times
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What’s on

Jack and the Beanstalk

4 out of 5 stars
Cementing the Lyric Hammersmith’s place at the top of the London panto pantheon, here’s a wonderfully inventive new take on Jack and the Beanstalk for 2025.  I’ve seen some high-concept pantomimes take a swing and a miss, but returning writer Sonia Jalay and director Nicolai La Barrie are impressively assured as they relocate the bean-centric action to a strict Hammersmith school concealing a sinister secret. Siblings Jack (Joey James) and Jill (Sienna Widd) are newly enrolled at the ultra strict Fleshcreep Academy, and while John Patridge’s meat-obsessed (he even wears a meat-pattered suit) Fleshcreep bears zero resemblance to the rather scarier Katherine Birbalsingh, it’s not hard to see see the whole enjoyably unruly spectacle as a satire on the fetishisation of ‘strict’ modern schooling.  The imperious grandeur of regular Lyric dame Emmanuel Akwafo is somewhat missed, although replacement Sam Harrison is great fun when he’s allowed off the leash – his best moment is cracking himself up by ad libbing about the Lily Allan album to an audience of bemused primary schoolers. But there’s something fundamentally amusing about the plot point of his Momma Trott being worked in as the flamboyant new Fleshcreep Academy dinner lady, much to the mortification of her kids.  James is nice as socially anxious Jack who communicates with most people via a lairy sock puppet. And in her first named stage role, recent graduate Widd is scene-stealing good as the fearlessly bolshy Jill, a...
  • Panto

Raymond Briggs' Father Christmas

3 out of 5 stars
This review of the show is from 2014. Raymond Briggs's Father Christmas returns to the Lyric for Christmas 2025, as it does every Christmas. This Lyric Christmas staple brings Raymond Briggs’s Father Christmas to enchanting life. The author of The Snowman is known for his beautiful depictions of the season – and this adaptation by theatre company Pins and Needles is equally charming. Zoe Squire’s hand-painted set has an old-school appeal to it, complete with gorgeous wooden animal puppets by Max Humphries. Santa’s sleigh is a spectacle: his huge reindeers gallop through the dry ice that slowly fills the stage. And the twinkling fake snow gives a truly chilly atmosphere. In an original twist, Kate Adams performs the music and sound effects live on stage, perched in an attic-style room above the action. She rattles maracas when Father Christmas (Vic Llewellyn) shakes salt on his breakfast, whistles when the kettle boils and becomes a well-spoken radio voice reporting snowy weather. In the spirit of the book it’s based on, Llewellyn – who’s the spitting image of Briggs’s drawing – is a rather grumpy Santa, moaning about the ‘bloomin’ cold’ and ‘bloomin’ chimneys’ as he performs his Christmas duties.  All good, but although you’d hardly expect a complex plot in a play for the under-sixes, the complete lack of storyline means it’s not really going to be that stimulating for accompanying adults and older children. A large section of the play is simply Father Christmas’s morning...
  • Children's
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