Entrance to the Savoy
Photograph: The Savoy theatre

Savoy Theatre

This ritzy theatre, attached to famous Savoy hotel, is pure class
  • Theatre | West End
  • Strand
Advertising

Time Out says

Savoy Theatre's dazzling 1929 art deco interior is embellished with blindingly bright panels of gold and silver, and boasts theatre seats decked out in jazzy abstract patterns. It's like no other theatre in London both for its substantial interior design flair, and because it's tucked away in the basement under famous hostelry The Savoy. 

Today, Savoy Theatre is all quintessential Jazz Age glitz, but it's not quite as authentic as it looks. In 1990, the entire theatre was gutted by a fire, and had to be painstakingly restored to its original glories by experts who studied old photographs and fragments gleaned from the ashes. In an unexpected silver lining, the reconstruction also allowed the architects to add a swimming pool on the floor right above the stage, where hotel guests swim oblivious to the musical spectaculars unfolding below. 

The present day Savoy Theatre stands on the site of an older venue of the same name. In the late 19th century, this Savoy became synonymous with Gilbert & Sullivan, the composing duo who unleashed (very silly) operetta after operetta onto its stage. These productions were masterminded by D'Oyly Carte, the theatre manager, who bought the theatre in 1880. Under his regime, it became the first theatre in London to be lit by electric lighting, and audiences flocked to the so called 'Savoy Operas'. His legacy was continued first by his son, then by his granddaughter Bridget, who died in 1985 and finally brought an operatic dynasty to an end.  

Savoy Theatre has 1,158 seats, and welcomes audiences in with a programme that flits between the light opera that originally made its name and musical theatre, including recent hit 'Dream Girls'.

Details

Address
Savoy Court, Strand
London
WC2R 0ET
Transport:
Rail/Tube: Charing Cross
Do you own this business?Sign in & claim business

What’s on

Paddington the Musical

4 out of 5 stars
It’s difficult to pinpoint why the moment Paddington walks on stage at the start of his new musical is quite so moving.  Spoiler alert: ‘Paddington’ is a small woman (Arti Shah) in a bear costume (by Tahra Zafar), with a regular-sized man (James Hameed) doing the voice and remote controlling the facial expressions from backstage. Which doesn’t sound groundbreaking but it’s enough to make us believe that Paddington is really in the room with us. Which is surely the point of the endeavor. He’s not the Paddington of the films: he looks different, more teddy-like, and Hameed’s voice is much younger and more boyish than Ben Whishaw’s. He looks more like the Paddington of Michael Bond’s books, but he’s not really him either, on account of all the singing he does and how much more wordy that makes him. He is a new Paddington. But he is, fundamentally, Paddington, right there in the room with us. Does that make it a good performance? I mean sure, he’s a triple threat: adorable, polite and also a bear. The normal rules for a musical theatre lead are suspended here. But Hameed can sing well, and there’s enough expression in both face and body for Paddington to feel genuinely alive to us. Shah doesn’t really dance, but a couple of elaborately choreographed sequences in which our hero pings around causing chaos are impressively physical. Main attraction aside, a fine creative team led by director Luke Sheppard has created a very enjoyable show indeed. It’s by and large a stage...
  • Musicals
Advertising
London for less
    Latest news