The Other Palace

Devised and peformed by the hugely in demand young playwright Jack Holden, this one-man-show dramatises the death of Ken Rex McElroy, a hated Missouri man who was gunned down in public in 1981. Yet nobody was ever convicted of the crime as nobody would say they’d seen it happen. Holden plays multiple roles in the acclaimed transfer from Sheffield Theatres, which played at Southwark Playhouse earlier this year. It’s co-written with Ed Stambollouian, who directs.

This review is from Southwark Playhouse in 2024. Unfortunate transfers to The Other Palace in 2026. ‘Unfortunate’ is a musical parody upon which your childhood innocence will be shipwrecked. Ursula the sea witch was the villain in Disney's 1989 classic ‘The Little Mermaid’ (and its recent remake). But this musical retelling of her story is crude, camp and extremely horny.  Following a sell-out run at the Edinburgh Fringe 2022, the not-safe-for-Mickey musical – written by Robyn Grant and Daniel Foxx and composed by Tim Gilvin – tells the ‘untold’ story of Ursula. Landing at Southwark Playhouse Elephant, ‘Orange is the New Black’ star Shawna Hamic has been recruited as the drag-inspired witch, while River Medway from ‘Drag Race’ picks up the baton as a basic bitch-ified Ariel, with an ensemble cast helping to hammer home that this is as much a celebration of queerness as a rehashing of the classic fish tale. Hamic delivers a series of cutting and comic one-liners early on to set the tone. She mentions her ‘lesbian haircut’ and how her little corner of the underworld is the ‘intersection between the Barbie movie and the Hitler Youth’. It’s a bit like drag brunch bingo, without the mimosas, which makes a lot of sense given the original Ursula was inspired by Divine, the iconic ’70s drag queen. There’s also a queer-ification of the plot, with Ursula and a latexed-out Triton (Thomas Lowe) performing a will-they-won't-they duet, while a fun same-sex shakeup throws a dinglehopper...