Troubadour Wembley Park
© Gary Nash

Troubadour Wembley Park Theatre

Massive new north London theatre
  • Theatre | Off-West End
  • Wembley
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Time Out says

This massively ambitious large-scale theatre (1,000-plus seats) is part of the even more ambitious 2019 plans for Troubadour, a new company that will also open a similar size theatre in White Palace this year. Wembley Park is not an area otherwise blessed with anoy other theatres at all so there should hopefully be an audience, but any new large-scale theatre is a tough sell and it’ll be interesting to see how all this pans out. 

Details

Address
Troubadour Wembley Park Theatre
Fulton Rd
Wembley
London
HA9 8TS
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What’s on

Dinosaur World Live

3 out of 5 stars
This review is from the 2018 Regent’s Park Open Air Theatre run for Dinosaur World Live.  The last time the beasts of the Mesozoic era descended upon Regent’s Park it was for Dinosaur Zoo, a puppet-based dino romp that was a lot of fun, albeit somewhat defined by its obstinate refusal to feature dinosaurs that weren’t from Australia (the show was in fact Australian, but dinosaur nationalism is a pretty weird concept). Anyway, Dinosaur World Live is a not dissimilar idea, except that the British show, written and directed by Derek Bond, isn’t afraid to give the audience what it wants – that is, a T-rex. In fact, there are two T-rexes, an adult and a baby, plus a brace of Triceratops and some semi-obscure additional dinos (Giraffatitan, Segnosaurus, Microraptor) that parents may or may not have heard of depending upon the extent of their children’s dino-love. There’s a framing plot, which goes on a bit and may sail over the heads of smaller audience members, wherein perky Miranda (Elizabeth Mary Williams, with the squeaky-clean pep of a Butlin’s Redcoat) recounts how her family discovered a mysterious island full of living dinosaurs, which they are now exhibiting across the breadth of the UK in a larksome roadshow. It’s a set-up to introduce us to a succession of lovably unruly puppet dinosaurs, beautifully designed by Max Humphries and manipulated by a versatile team of puppeteers overseen by Laura Cubitt. There’s a spot of audience interaction – feeding, grooming – and the...
  • Children's
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