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Unicorn Theatre

London's finest kids' theatre
  • Theatre | Off-West End
  • Tower Bridge
  • Recommended
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Time Out says

This light, bright children's theatre has two performance spaces and an increasingly formidable reputation. Over her eight years at Unicorn Theatre, its previous artistic director Purni Morell reenergised the venue with a boldness rarely associated with this sort of work. She's made astute use of the Unicorn's hefty ACE grant, bringing many 'grown-up' playwrights and directors on board to offer fare that's routinely praised by forward-thinking theatre buffs.

The Unicorn's new artistic director Justin Audibert looks set to keep the theatre's programming in similarly forward-looking shape: he's been behind a run of successful kids' versions of classic stories, as well as directing work for adult audiences at the RSC.

Today, Unicorn Theatre sits in a modernist concrete-and-glass building in London Bridge that has two separate performance spaces, and is full of quirky flourishes, including scratchy wall illustrations, a piano, and a kid-tempting range of snacks sold at its Unicornershop. But it's only been in situ there since 2005. Unicorn Theatre's history stretches right back to 1947, when it was known as Mobile Theatre, a theatre company that toured post-war Britain bringing performances to culture-strapped young people.

There's still a seriousness to its regular programming, with shows tackling gory Greek myths, exploring opera, or bringing in the most exciting experimental theatremakers around. But the venue also comes into its own with its joyful string of hit Christmas shows, as well as long-running favourites like 'Baby Show', which gets the next generation of theatregoers started very, very early.  

Find more shows for kids of all ages with our guide to children's theatre in London

Details

Address
147
Tooley St
London
SE1 2HZ
Transport:
Tube: London Bridge
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What’s on

The Three Little Pigs

3 out of 5 stars
This review is from 2015. The Three Little Pigs returns to the Unicorn Theatre in 2025. If your sprogs are freaking out over the fact we’ve still got five months left until panto season  then ‘The Three Little Pigs’ might just tide you over. This pocket-sized musical is a pantomime in all but name: a cheery, cheesy modernised adaptation of a fairy story, plus songs and a minor celebrity – in this case Blue’s Simon Webbe – gamely playing the villain.The ditties are by George Stiles and Anthony Drewe: oddly enough their last West End musical, ‘Betty Blue Eyes’, was also about a pig. In all other respects, though, we’re in much more cheap ’n’ cheerful territory here: the cast of five do everything, and there are moments when you can sense everyone involved longing for some dancers, or a live orchestra, or a set-change.But the young (ages three-plus) target audience aren’t going to know that, and they seem to respond well to a lively, upbeat show packed with jolly – if slight – songs across a spread of genres. And though Drewe’s book shamelessly pads out a story that could be told in about five minutes, his production should keep the adults entertained. The show’s tongue remains firmly in its piggy cheek, with heaps of wantonly awful puns, jokey contemporary references and knowing glances across the fourth wall. Webbe’s Big Bad Wolf is more smoothie than scary, but he and the rest of the cast work hard to win us over, and win us over they do.
  • Performance

Anansi the Spider

4 out of 5 stars
This review is from 2019. Anansi the Spider returns in 2025.  Anansi the trickster spider went global a long time ago. But Justin Audibert’s inaugural production in charge of the Unicorn takes folklore’s most famous arachnid right back to his roots. Under Sadeysa Greenaway-Bailey’s sprawling tree set, performers Afia Abusham, Sapphire Joy and Juliet Okotie file on clutching djembe drums, wearing West African clothes and accents as they launch into a funny, energetic trio of tales. In the first act, Anansi steals the world’s wisdom, only to reflect that this might have been a rather unwise decision; in the second he blags some vegetables from a green, er, fingered snake and cons a series of unfortunate other animals into paying the steep price demanded for the veg; the third hops to modern London – this time Anansi is a chancer who concocts an elaborate scheme to bag himself two dinners and ends up falling flat on his face. The three women divvy up three Anansi roles for a funny and lively show for ages three to seven that’s essentially old-fashioned storytelling, done with pace and care. There are no splashy spider costumes, but they’re not necessary – the young audience get that each woman is a different facet of Anansi. And if it’s mostly about the power of their words, then engaging music and lighting switches up the mood when small attention spans threaten to wander. There’s also some sublime physicality, be that Anansi teetering precariously up the enormous tree...
  • Children's
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