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Unicorn Theatre

London's finest kids' theatre
  • Theatre | Off-West End
  • Tower Bridge
  • Recommended
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Time Out says

This light, bright children's theatre has two performance spaces and an increasingly formidable reputation. Over her eight years at Unicorn Theatre, its previous artistic director Purni Morell reenergised the venue with a boldness rarely associated with this sort of work. She's made astute use of the Unicorn's hefty ACE grant, bringing many 'grown-up' playwrights and directors on board to offer fare that's routinely praised by forward-thinking theatre buffs.

The Unicorn's new artistic director Justin Audibert looks set to keep the theatre's programming in similarly forward-looking shape: he's been behind a run of successful kids' versions of classic stories, as well as directing work for adult audiences at the RSC.

Today, Unicorn Theatre sits in a modernist concrete-and-glass building in London Bridge that has two separate performance spaces, and is full of quirky flourishes, including scratchy wall illustrations, a piano, and a kid-tempting range of snacks sold at its Unicornershop. But it's only been in situ there since 2005. Unicorn Theatre's history stretches right back to 1947, when it was known as Mobile Theatre, a theatre company that toured post-war Britain bringing performances to culture-strapped young people.

There's still a seriousness to its regular programming, with shows tackling gory Greek myths, exploring opera, or bringing in the most exciting experimental theatremakers around. But the venue also comes into its own with its joyful string of hit Christmas shows, as well as long-running favourites like 'Baby Show', which gets the next generation of theatregoers started very, very early.  

Find more shows for kids of all ages with our guide to children's theatre in London

Details

Address
147
Tooley St
London
SE1 2HZ
Transport:
Tube: London Bridge
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What’s on

A Midsummer Night’s Dream

This is fun: the Unicorn Theatre joins forces with the RSC for a 90 minute version of Shakespeare’s beloved comedy, aimed at ages seven plus. To what extent it’ll feel different to a ‘regular’ production is TBC: you still get a good chunk of Bard in 90 minutes,and the plot synopsis suggests the faeries, lovers and Mechanicals are all present and correct. But certainly it should be a great place to get the wee ones started on our national poet. Rachel Bagshaw and Robin Belfield co-direct a production of a text edited down by Belfield.
  • Shakespeare

Your Toys

Bring along a toy and watch it come to life on stage in this new show from Slot Machine Theatre – created in collaboriation with children – in which every ‘puppet’ in this tale of unlikely friendship is in fact a toy. For ages five to nine.
  • Children's

Toto Kerblammo!

4 out of 5 stars
This review is from 2024. Toto Kerblammo! returns for May 2026. Don’t be fooled by the jaunty name, or that Toto Kerblammo! is a kids’ show about a dog: avant-garde theatre maker Tim Crouch’s latest is unsettling and existential and I would be pretty serious about enforcing the nine-plus suggested age rating. It’s also brave, moving, inventive and steadfastly emotionally truthful, an exploration of both unconditional love and the inability to accept love, told via the story of one girl and her faithful hound. Oh, and also Toto Kerblammo! is a headphones-based work, with the cast of two augmented by sophisticated binaural sound design from Helen Skiera that both amps up the atmosphere and sense of intimacy, and allows for the inclusion of additional pre-recorded actors to play a trio of secondary adult roles – Crouch has roped in some decent names for this, notably the reliably brilliant Sinead Matthews who really puts some heart into the role of troubled protagonist Effie’s mum. To the almost constant sound of driving, oppressive rain, the story starts in the middle, with Peyvand Sadeghian’s 12-year-old Effie and Felipe Pacheco’s Toto hit by a car, apparently as a result of her being in some considerable emotional distress. It then diverges into two threads. In one Effie and Toto are in some otherworldly space – represented by Lily Arnold’s fluffy carpet set – after the accident, with him able to speak, and us gradually understanding that she is in a coma. In the other,...
  • Children's

Planet Omar

Playwright Asif Khan and director Sameena Hussain bring Zanib Mian’s beloved book series to the stage for the first time. Planet Omar follows an eight-year-old boy – naturally called Omar – who uses his prodigious imagination to help him surmount various challenges as he moved to a daunting new neighbourhood. For ages seven-plus.
  • Children's
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