February 2026 events calendar for Los Angeles

The Hammer Museum’s excellent, ongoing series of biennial exhibitions ups the ante with each edition of its spotlight on emerging and under-recognized L.A. artists. This October’s exhibition—the seventh such show—brings together works from 28 artists, spanning film, painting, theater, photography, sculpture and video, that engage with the city of Los Angeles. Highlights include Kelly Wall’s penny press and wishing well, plus racks of postcards of L.A. skies fabricated out of glass; Patrick Martinez’s East L.A.–inspired cinder block wall, adorned with Mayan murals and neon trim (as well as another neon sign that reads “Agua is LIFE, NO ICE”); and re-creations and photo documentation of the late Alonzo Davis’s freeway murals from the 1984 Olympics. Before you even step inside, you’ll notice Alake Shilling’s Buggy Bear Crashes Made in L.A., which, yes, is a giant inflatable bear driving a car that’s careening toward the Glendon Avenue corner of the Westwood museum.

The Skirball’s latest pop culture exhibition takes a deep dive into the six-decade career of legendary comic book artist Jack Kirby. You might know him as the co-creator of Captain America, Black Panther, the Hulk, Thor, Iron Man, the Fantastic Four, the X-Men and some of the Marvel universe’s most cosmic characters. But did you know he was also a first-generation Jewish American born to immigrant parents, World War II veteran and family man who split his time between New York and Los Angeles? The exhibition only occupies a few small galleries, but it’s stuffed with information about Kirby’s life, as well as pristine prints of issues plus his original comic illustrations—many on view for the first time. It’s not just a Marvel showcase, either: You’ll find some of the work Kirby did for DC, plus personal collages, a drawing he gave to Paul and Linda McCartney, and a fantastic reproduction of a costume he designed for a UC Santa Cruz production of Julius Caesar. Though not explicitly framed this way, the exhibition also presents a clear-as-day retort to any contemporary fans who decry comic book stories today as too “political”: Marvel has been political from the very start. Kirby’s cover for the first issue of Captain America features Cap punching Hitler—a full year before America would break its isolationist policies and enter WWII. The fifth issue follows Captain America in a battle against the German American Bund, a domestic Nazi organization that staged an infamous...

Don’t go in the water, but do go to the Academy Museum to see the largest exhibition ever dedicated to Steven Spielberg’s original summer blockbuster, Jaws—which is celebrating its 50th anniversary. The museum was already home to the last surviving model shark from filming, but now you can go behind the scenes and see some 200 original objects from the film across multiple galleries. Some highlights: a re-creation of the Orca fishing boat, the dorsal fin used both in Jaws and its sequels, costumes worn by the central trio and a room full of vintage film posters and merch promoting the film. There are interactive elements, too: You can have your own Chief Brody dolly-zoom moment (and see the lens used to film the famous shot), play the iconic John Williams two-note score and control a replica of the mechanical shark.

Dealing with a difficult subject head-on, the Geffen Contemporary at MOCA’s new show, “Monuments”—co-presented by the museum and nonprofit the Brick (formerly LAXART)—juxtaposes both intact and vandalized Confederate monuments with contemporary artwork. The show looks at the recent wave of monument removals from a historic perspective and encourages discourse about challenging topics amid an ongoing national debate about the role of these statues and what they represent. Tickets for the special exhibition are $18, though if you book far enough ahead of time, you can take advantage of free admission on the first Friday of every month.

Right on the heels of the release of his new film, Mickey 17, director Bong Joon Ho steps into the spotlight at the Academy Museum’s latest “Director’s Spotlight” exhibition (past subjects have included Spike Lee and Agnès Varda). The first-ever museum show dedicated to the Oscar-winning South Korean filmmaker will trace Ho’s career, creative process and cinematic influences. See over 100 storyboards, research materials, posters, concept art, creature models, props and on-set photos from the director’s archive and personal collection. On opening day, March 23, catch screenings of Okja (2pm) and Parasite (7:30pm) in the David Geffen Theater—Ho himself will be there in person.

More than 50 works on display at the Autry showcase how indigenous artists have crafted visions of alternative futures in the face of enduring colonial trauma. The bottom-floor exhibition opens with a semicircle of high fashion, including remarkable crow attire from Cannupa Hanska Luger, which is paired with video footage from his accompanying performance piece. Star Wars plays a surprisingly large role in the vibrant show, including Andy Everson’s Northwest Coast-inspired take on stormtrooper helmets. The exhibition spills into the upstairs galleries, too, with a surreal spacescape from Wendy Red Star and a multimedia installation from Virgil Ortiz, who’s reimagined the Pueblo Revolt of 1680 through a Dune-meets-MCU film-like lens. Also, make sure to check out the museum’s other PST ART show, which opened back in May and runs through January 5, 2025; “Out of Site: Survey Science and the Hidden West” tackles everything from mining surveys to nuclear blasts in its examination of documenting and surveilling Western U.S. landscapes.

The Natural History Museum’s taxidermy dioramas turn a century old this year, and to celebrate the museum is reviving an entire hall of displays that’ve been dark for decades. Expect some fresh approaches to these assembled snapshots of the wilderness, including alebrijes made of recycled materials, a crystalline depiction of pollution and a tech-driven display of the L.A. River.

Robert Therrien’s Under the Table has long been one of the most popular pieces in the Broad’s collection (you know the one—the giant table and chairs that you ask your friend to snap a photo of as you stand underneath). Well now the museum is hosting the largest-ever solo exhibition of the artist’s work, displaying more than 120 pieces, including many that have never been shown in museums before. Expect more huge housewares and striking works, plus some intimate drawings and surprises from the late L.A.-based artist. The specially ticketed show will fill the first-floor galleries through April 5, 2026.

The California Science Center is inviting kids to get in the game with a new 17,000-square-foot exhibition about the power of play and the human body in motion. Besides teaching about the science behind sports, it also offers interactive challenges and video coaching from a team of Los Angeles-based mentor athletes including dancer Debbie Allen, the Dodgers’ World Series hero Freddie Freeman, Olympic medalist softball player Rachel Garcia and more. And for the first time ever, the center has commissioned public art—all by local artists—to complement the exhibition, including a Dodgers mural by Gustavo Zermeño Jr. The free exhibition will run at the Science Center through the Los Angeles 2028 Olympic and Paralympic Games.

Now that her astonishing Coachella set and the first leg of her tour are behind us, Angelenos can partake in the mayhem once again: Lady Gaga will return her Mayhem Ball tour to the Forum in February. Expect Mayhem’s dance-pop return to work its way into much of the set alongside plenty of old favorites.