February 2026 events calendar for Los Angeles

The Hammer Museum’s excellent, ongoing series of biennial exhibitions ups the ante with each edition of its spotlight on emerging and under-recognized L.A. artists. This October’s exhibition—the seventh such show—brings together works from 28 artists, spanning film, painting, theater, photography, sculpture and video, that engage with the city of Los Angeles. Highlights include Kelly Wall’s penny press and wishing well, plus racks of postcards of L.A. skies fabricated out of glass; Patrick Martinez’s East L.A.–inspired cinder block wall, adorned with Mayan murals and neon trim (as well as another neon sign that reads “Agua is LIFE, NO ICE”); and re-creations and photo documentation of the late Alonzo Davis’s freeway murals from the 1984 Olympics. Before you even step inside, you’ll notice Alake Shilling’s Buggy Bear Crashes Made in L.A., which, yes, is a giant inflatable bear driving a car that’s careening toward the Glendon Avenue corner of the Westwood museum.

Robert Therrien’s Under the Table has long been one of the most popular pieces in the Broad’s collection (you know the one—the giant table and chairs that you ask your friend to snap a photo of as you stand underneath). Well now the museum is hosting the largest-ever solo exhibition of the artist’s work, displaying more than 120 pieces, including many that have never been shown in museums before. Expect more huge housewares and striking works, plus some intimate drawings and surprises from the late L.A.-based artist. The specially ticketed show will fill the first-floor galleries through April 5, 2026.

When I first stepped foot inside of this exhibition of decommissioned Confederate monuments and reflective contemporary art pieces, I was taken aback by the scale of it all. I’d seen the installation photos of the side-by-side statues of Confederate generals Stonewall Jackson and Robert E. Lee on horseback, but as I craned my neck up at these towering tributes, they felt awe-inspiring in the most dreadful meaning of the phrase. Most Angelenos don’t need to be convinced of the immoralities of the Confederacy—but most likely haven’t been forced to come face-to-face with such Civil War iconography either. “Monuments,” displayed almost entirely at MOCA’s Little Tokyo warehouse with a single Kara Walker installation at the Brick in East Hollywood, presents tangible proof that these monuments removed from public view over the past decade were not simple, somber remembrances for the recently deceased, these were larger-than-life celebrations of the Confederacy forged in the Jim Crow era and often financed by folks seeking to twist its history. Works from 19 artists respond either directly or thematically to the many statues on display, or in some cases physically alter them: Bethany Collins’s Love is dangerous chisels pieces of the granite pedestal of a Stonewall Jackson monument into Carolina rose petals. Other graffitied or paint-splattered statues speak for themselves: The Robert E. Lee monument at the center of 2017’s Unite the Right rally in Charlottesville, Virginia resides...

Anonymous feminist art collective the Guerrilla Girls—whose members gained notoriety for donning gorilla masks and fighting the patriarchy—is coming up on its 40th anniversary, and the Getty Center is marking the occasion with a behind-the-scenes look at the group. See photography, protest art and the group’s famed posters—sporting statistics, bold visuals and satirical humor—that showcase the tactics the members used to demand recognition for women and artists of color. The Guerrilla Girls have even created a newly commissioned work for the exhibition. And you can add your own mark on the “graffitti wall” installation, giving visitors a creative outlet for their complaints about the world today.  Accompanying programming throughout the run of the show will include a conversation between the Guerrilla Girls and author Roxane Gay, a feminist Valentine’s Day mail art workshop, cocktail receptions with the exhibition curators, tours and more.

Don’t go in the water, but do go to the Academy Museum to see the largest exhibition ever dedicated to Steven Spielberg’s original summer blockbuster, Jaws—which is celebrating its 50th anniversary. The museum was already home to the last surviving model shark from filming, but now you can go behind the scenes and see some 200 original objects from the film across multiple galleries. Some highlights: a re-creation of the Orca fishing boat, the dorsal fin used both in Jaws and its sequels, costumes worn by the central trio and a room full of vintage film posters and merch promoting the film. There are interactive elements, too: You can have your own Chief Brody dolly-zoom moment (and see the lens used to film the famous shot), play the iconic John Williams two-note score and control a replica of the mechanical shark.

The Skirball’s latest pop culture exhibition takes a deep dive into the six-decade career of legendary comic book artist Jack Kirby. You might know him as the co-creator of Captain America, Black Panther, the Hulk, Thor, Iron Man, the Fantastic Four, the X-Men and some of the Marvel universe’s most cosmic characters. But did you know he was also a first-generation Jewish American born to immigrant parents, World War II veteran and family man who split his time between New York and Los Angeles? The exhibition only occupies a few small galleries, but it’s stuffed with information about Kirby’s life, as well as pristine prints of issues plus his original comic illustrations—many on view for the first time. It’s not just a Marvel showcase, either: You’ll find some of the work Kirby did for DC, plus personal collages, a drawing he gave to Paul and Linda McCartney, and a fantastic reproduction of a costume he designed for a UC Santa Cruz production of Julius Caesar. Though not explicitly framed this way, the exhibition also presents a clear-as-day retort to any contemporary fans who decry comic book stories today as too “political”: Marvel has been political from the very start. Kirby’s cover for the first issue of Captain America features Cap punching Hitler—a full year before America would break its isolationist policies and enter WWII. The fifth issue follows Captain America in a battle against the German American Bund, a domestic Nazi organization that staged an infamous...

The California Science Center is inviting kids to get in the game with a new 17,000-square-foot exhibition about the power of play and the human body in motion. Besides teaching about the science behind sports, it also offers interactive challenges and video coaching from a team of Los Angeles-based mentor athletes including dancer Debbie Allen, the Dodgers’ World Series hero Freddie Freeman, Olympic medalist softball player Rachel Garcia and more. And for the first time ever, the center has commissioned public art—all by local artists—to complement the exhibition, including a Dodgers mural by Gustavo Zermeño Jr. The free exhibition will run at the Science Center through the Los Angeles 2028 Olympic and Paralympic Games.

“Let’s hang out at the Pier” is something Santa Monica locals probably say next to never, but this monthly series is trying to change that. Every third Thursday from September to May, you’ll find everything from live music to storytelling to a classic car show on the Santa Monica Pier, all free to attend. 

Right on the heels of the release of his new film, Mickey 17, director Bong Joon Ho steps into the spotlight at the Academy Museum’s latest “Director’s Spotlight” exhibition (past subjects have included Spike Lee and Agnès Varda). The first-ever museum show dedicated to the Oscar-winning South Korean filmmaker will trace Ho’s career, creative process and cinematic influences. See over 100 storyboards, research materials, posters, concept art, creature models, props and on-set photos from the director’s archive and personal collection. On opening day, March 23, catch screenings of Okja (2pm) and Parasite (7:30pm) in the David Geffen Theater—Ho himself will be there in person.

More than 50 works on display at the Autry showcase how indigenous artists have crafted visions of alternative futures in the face of enduring colonial trauma. The bottom-floor exhibition opens with a semicircle of high fashion, including remarkable crow attire from Cannupa Hanska Luger, which is paired with video footage from his accompanying performance piece. Star Wars plays a surprisingly large role in the vibrant show, including Andy Everson’s Northwest Coast-inspired take on stormtrooper helmets. The exhibition spills into the upstairs galleries, too, with a surreal spacescape from Wendy Red Star and a multimedia installation from Virgil Ortiz, who’s reimagined the Pueblo Revolt of 1680 through a Dune-meets-MCU film-like lens. Also, make sure to check out the museum’s other PST ART show, which opened back in May and runs through January 5, 2025; “Out of Site: Survey Science and the Hidden West” tackles everything from mining surveys to nuclear blasts in its examination of documenting and surveilling Western U.S. landscapes.