Are people who FaceTime while walking down the street literally insane?

This annual cans-for-a-cause competition pits architecture teams against each other to create larger-than-life art installations using thousands upon thousands of cans of food, all in the name of ending hunger (every can is donated to City Harvest to help feed those in need).

Head to Brookfield Place in Manhattan (230 Vesey Street) from October 30-November 10 (10am-7pm) to see the unveiling of these engineering spectacles, all built after months of planning. Then check back to see if your favorite takes home any titles in judges’ categories like Best Use of Labels, Best Meal and Structural Ingenuity. You can even vote for your favorite sculpture once the sculptures are unveiled. 

Every year, teams go all out with creativity. Expect to be wowed by 23 differents sculptures. Past sculptures have included a hot air balloon, a bodega cat, baby Yoda, Winnie the Pooh, Mario, Buckingham Palace, a pigeon sipping a coffee, and lots more.

Admission is free, but do your part by donating some canned goods to the cause.

A century ago this fall, Robert Rauschenberg was born in Texas. He went on to become a Pop art pioneer and one of the most renowned American artists of this era. Now, museums and galleries across the globe are planning shows that honor the late artist's expansive creativity, spirit of curiosity and commitment to change.

For its part, Museum of the City of New York is highlighting the artist's time in New York City. "Robert Rauschenberg’s New York: Pictures from the Real World" explores Rauschenberg’s integration of photography and found objects into his art, reflecting his deep engagement with "the real world" and his complex relationship with urban life in NYC. He was a photographer with a bold creative vision which was essential to his art making, and this exhibition celebrates that. 

Leave the gray of the city behind and step into a colorful world of Korean folktales at Genesis House in the Meatpacking District. The venue just launched its latest immersive installation, this one called CHROMA: Tales Between Hues.

The exhibition was inspired by the Obangsaek color spectrum, Korea's traditional palette representing the five cardinal directions, elements and cosmic balance—and it's an absolutely transfixing sight to see. The team at Genesis collaborated with actress and singer Ashley Park who brought her own Korean heritage and her passion for storytelling to the exhibition.

See CHROMA: Tales Between Hues for free at Genesis House (40A 10th Ave. in the Meatpacking District) through December 14. It's open Tuesday to Sunday from 11am-7pm. 

This Halloween, two gothic icons are coming together for a reimagined, campy and electrifying new performance: Dracula and Frankenstein are hitting the stage with comedy. 

Put on by The Mechanicals, The Brooklyn Music Kitchen is hosting a series of Programs on October 31 and November 1. The night kicks off with an opening stand-up comedy show, "Dracula: A Campy Remix," a playful spin on the legendary vampire. Then there's "Frankenstein: A Twisted Reboot," a parody stitched together with shock, wit and laughter. Finally, there's an afterparty to close off the night, making it a true "monster's ball."

Doors open at 7:30pm and costumes are highly encouraged. Tickets are on sale now for $20. 

Shhh... an unbelievable, exclusive four-night Halloween Masquerade Party is taking over the former McKittrick Hotel at the end of October. Every floor of this historic location will be transformed into a multi-level, immersive nightlife production, each night offering a unique theme inspired by Hieronymus Bosch’s oil painting "The Garden of Earthly Delights."

More than 250 artists, performers and musicians are coming together to make this experience unlike anything the city has ever seen, inviting guests to wander through six levels of hidden chambers, forbidden gardens and surreal stages, all with live music, art and interactive installations. Each night is a living labyrinth where worlds collide, offering a one-of-a-kind experience that evolves with every visit.

Guests are encouraged to dress to seduce in "a decadent masquerade that blurs boundaries and heightens fantasy." Events run on October 24, 25, 31 and November 1. October 31, Halloween night, promises to be one of the largest gay Halloween parties in NYC. 

Don't miss out, get your tickets now. 

The Met's first major exhibition of Egyptian art in over a decade is on its way. From October 21 until January 19, 2026, "Divine Egypt" will focus in on images of gods in ancient Egypt. The exhibit considers how these physical tools brought the gods to life for daily worship, offering ancient Egyptians a vital connection between the human and divine worlds.

Spanning more than 3,000 years, the Egyptian people's belief system grew to include more than 1,500 gods with many overlapping forms and traits. At the exhibit, expect to see statues and small elegant figurines that represent 25 of ancient Egypt's main deities. Look for subtle visual cues, like what a figure wore, how they posed or the symbols they carried to help identify each one.

"The ways in which the ancient Egyptian gods were depicted are vastly different from the divine beings in contemporary religions and therefore are intriguing to modern audiences," said Diana Craig Patch, Lila Acheson Wallace Curator in Charge of Egyptian Art in a press release about the exhibition. "The identity of an ancient Egyptian god may at first seem easy to recognize but looks can be deceiving, as one form can be shared by many deities. Across more than 3,000 years of history, gods, attributes, roles and myths were rarely dropped from use, yet the Egyptians of the time had no difficulty understanding and accepting the resulting multiplicity. Through hundreds of spectacular objects, 'Divine Egypt' will allow visitors to understand the complex nature of these deities and help translate the images that were needed to make the inhabitants of the celestial realm available to ancient Egyptians."

The exhibition will conclude with artifacts relating to the transition to the next life. 

Many New Yorkers know about the Harlem Renaissance, but a new exhibit opening this fall explores a more unknown facet of the era—the Gay Harlem Renaissance. The New York Historical will host a new exhibit examining the Black LGBTQ+ artists, writers and performers vital to the Harlem Renaissance and everyday Black gay life in the early 20th century. 

"The Gay Harlem Renaissance" runs until March 8, 2026. This unique exhibit traces queer creativity, friendship circles and mentorships that once flourished in Harlem's salons, social clubs and thriving nightlight. The show also highlights specific Harlem Renaissance poets, novelists and artists—many of whom were gay or bisexual.  

A century ago this fall, Robert Rauschenberg was born in Texas. He went on to become a Pop art pioneer and one of the most renowned American artists of this era. Now, museums and galleries across the globe are planning shows that honor the artist's expansive creativity, spirit of curiosity and commitment to change.

For its part, NYC's Guggenheim Museum on the Upper East Side will host a major show called "Robert Rauschenberg: Life Can't Be Stopped," running through April 5, 2026. The show will feature more than a dozen historic pieces, including Rauschenberg's monumental painting "Barge," all which reflect the artist’s radical legacy. 

Heather Christian's divine Oratorio for Living Things welcomes you to worship. To call this genre-nonconforming show a musical would be reductive: It's a sui generis meditation on time and existence, a classical choral masterwork infused with pop, blues and gospel. A dozen superlative vocalists and six marvelous instrumentalists make sense and aural spectacle out of Christian's compositions.

Because the lyrics are dense and can be difficult to parse (some parts are in Latin, sometimes it builds into cacophony), librettos are distributed at the door. You can use them as hymnals to follow along, but engaging fully with Oratorio in all its mysterious glory is a transcendent experience. 

The beloved production has returned for an encore run at the Signature Theatre in 2025. 

In the year 2025, how we dress is still the highest form of free self expression—and the role that gender plays in fashion has broken norms, especially in the last decade. In a new exhibit from The Museum at Fashion Institute of Technology, the road to this gender fluid fashion is examined, beginning in the 1900s. 

Explore body image, dreams, desires, sexuality and the unconscious in almost 100 items of dress as part of the new, free exhibition "Dress, Dreams and Desire: Fashion and Psychoanalysis" on view for free through January 4, 2026. This work explores the history of designers such as Azzedine Alaia, Gabrielle "Coco" Chanel, Willy Chavarria, Bella Freud, John Galliano for Christian Dior, Vivienne Westwood, Gianna and Donatella Versace, Alexander McQueen and more.