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Hot Blood

  • Art
  1. Installation shot Lu Yang 'Elecromagnetic Brainology', 2017. Photograph: Supplied
    Installation shot Lu Yang 'Elecromagnetic Brainology', 2017. Photograph: Supplied
  2. Installation shot of Chen Zhe’s 'The Bearable' and 'Bees' series. Photograph: Supplied
    Installation shot of Chen Zhe’s 'The Bearable' and 'Bees' series. Photograph: Supplied
  3. Hot Blood Liang Tao (Liang Tao, 'Luofu Dream–Pink Pink, 2006. Photograph: Supplied)
    Liang Tao, 'Luofu Dream–Pink Pink, 2006. Photograph: Supplied
  4. Installation shot of Mia Liu 'A Route of Evanescence' and 'Guggen’ Dizzy'. Photograph: Supplied
    Installation shot of Mia Liu 'A Route of Evanescence' and 'Guggen’ Dizzy'. Photograph: Supplied
  5. Installation shot of Chen Zhe’s 'The Bearable' and 'Bees' series. Photograph: Supplied
    Installation shot of Chen Zhe’s 'The Bearable' and 'Bees' series. Photograph: Supplied
  6. Yin Xiuzhen, 'Life', 2007-11. Photograph: Supplied
    Yin Xiuzhen, 'Life', 2007-11. Photograph: Supplied
  7. Installation shot Patty Chang 'Glass Urinary Devices', 2016. Photograph: Supplied
    Installation shot Patty Chang 'Glass Urinary Devices', 2016. Photograph: Supplied
  8. Miao Ying 'Problematic GIFS–No Problem at All', 2016. Photograph: Supplied
    Miao Ying 'Problematic GIFS–No Problem at All', 2016. Photograph: Supplied
  9. Huang Hua-Chen 'The Family Album–So See You Later', 2009-12. Photograph: Supplied
    Huang Hua-Chen 'The Family Album–So See You Later', 2009-12. Photograph: Supplied
  10. Leung Mee Pung 'Expected Departure', 2004-16. Photograph: Supplied
    Leung Mee Pung 'Expected Departure', 2004-16. Photograph: Supplied
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Time Out says

This exhibition of Chinese artists is sure to confront in a number of ways

White Rabbit Gallery promises their latest exhibition is “not for the faint of heart”. Bringing together 23 contemporary artists, all of whom are unafraid of taking risks and refuse to be limited by gender, age or national identity, the works explore subjects as diverse as sexual desire, body frailty, spiritual ecstasy and traumatic memory, often in disturbing or deliberately confronting ways. Artists include Macau-based artist Peng Yun’s multimedia work, 'Miss Melissa and Mr Fish at 2.31pm', Leung Mee Ping’s collection of sick bags-turned light boxes, 'Expected Departure', and new work from controversial artist Xiao Lu, who made headlines when she fired a gun into her own artwork at Beijing’s National Art Museum.

Written by
Polly Simons

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