Theatre & Dance

This Australian icon sits on Bennelong Point and is Sydney’s premiere venue for classical and contemporary music, opera, theatre and dance. As peaceful as it looks now, the House had a controversial beginning: while it was designed by Danish architect Jørn Utzon, by the time the building was completed in 1973 its architect had been fired. Many have pondered the building’s design over the years, comparing it variously to shells, waves and even a family of swans. Utzon never revealed his vision, only that it involved spheres. The Opera House offers different tours that allow you to get intimate with the building, including some hosted in different languages and full ‘experience' packages. If you don't feel like shelling out, it's still free to sit on the steps for a quick lunch and walk by the water and gaze in marvel at those 1,056,000 pearly, self-cleaning Swedish tiles. Where to eat and drink near Sydney Opera House For the ultimate Opera House dining experience, book a pre-theatre dinner at Bennelong, or just pop in for a drink and a snack at the raw and cultured bar. Check out the Opera Kitchen, a harbourfront dining area that features a host of Sydney food identities including John Susman. Meander around to Bulletin Place for cocktails. Later in the evening kick the glamour up a notch at Hemmesphere and enjoy matched cigars and more cocktails into the morning. Backstage tour With access into areas normally reserved for stars and their minders, this tour will have y

It’s Andrew’s final season, so one might expect him to throw caution to the winds and get some wish-list i tems out of the way. Overall it’s a rather demure season as far as Big Names, with the exception of Rose Byrne, who will be fronting Andrew’s production of David Mamet’sSpeed-the-Plow. But there’s plenty of top shelf local thesp talent – like Robyn Nevin, Sarah Peirse and Helen Thomson; and there are actors made popular on screen returning to the STC stage – including Lisa McCune, Ryan Corr, John Howard and Lachy Hulme. But there's no William Hurt, Phillip Seymour Hoffman or Steven Soderbergh. And we’ll miss Hugo, Rox and Cate.  The big international star of the season is British director Rupert Goold (Enron, Macbeth), now artistic director of London’s Almeida Theatre. He’ll be bringing his hit West End production of Mike Bartlett’s King Charles III to Sydney. Also heading down under from the UK are 1927, with their take on the Golem myth. For an Australian classic, we get Louis Nowra’s Golden Age; for new work, there are premieres by Sue Smith (Kryptonite), Angela Betzien (The Dark Room), and a portmanteau of new works by emerging playwrights Melissa Bubnic, Michele Lee, Nakkiah Lui and Debra Thomas – with a fifth from veteran Hannie Rayson. The Secret River, arguably Cate and Andrew’s greatest programming achievement in their tenure, returns. For new international work: besides King Charles III from the UK, Upton is bringing Pulitzer Prize winner Disgraced, from the