Elizabeth Bay House

Elizabeth Bay House

  • Museums
  • Elizabeth Bay
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Time Out says

No expense was spared on this handsome Greek Revival villa, designed by John Verge for NSW colonial secretary Alexander Macleay in 1839: it boasted the first two flushing toilets in the country, the finest staircase in Australian colonial architecture, and breathtaking views of Elizabeth Bay and the harbour. But Macleay’s extravagance proved fatal, and his debt-ridden family were forced to move out. Over the years the grand old house was vandalised, partly demolished and finally divided into 15 studio flats, garrets for the artists who flocked to Kings Cross. From 1928 until 1935 it acted as a kind of cheap boarding house for the Sydney ‘Charm School’ artists, who included Wallace Thornton, Rex Julius and Donald Friend. The gardens, on which Macleay lavished so much love, have long since gone to property developers, but the beautiful house (now run by the Historic Houses Trust) still breathes noblesse, wealth and good taste. Rooms are furnished as they would have been in its heyday, 1839-45. CityRail Kings Cross/bus 311, 312.

Details

Address
7 Onslow Avenue
Elizabeth Bay
Sydney
2011
Price:
$8-$12
Opening hours:
Daily 9.30am-4pm

What’s on

House/Music

It’s old meets new this winter when some of Sydney’s most historic houses will be transformed into intimate live music gig venues. Say hello to the six experimental artists shaking Sydney up from June to August in the House/Music series presented by Museums of History NSW.  It all kicks off at Hyde Park Barracks on June 19 with loscil, a Canadian electronic artist whose 20-year discography spans the genres of ambient, classical and electroacoustic. Next up is Andrew Tuttle and Darren Cross performing in the Clerk’s Room upstairs at The Mint on July 3. Cross is best known for his Australian take on the solo instrumental guitar while Tuttle’s exploratory sounds feature everything from the five-string banjo to electronics.   Head to Elizabeth Bay House on July 17, where Canadian-American musician, composer and artist claire rousay performs musique concrète, layering voicemails, iPhone field recordings, whispers and conversations with autotune vocals. On July 31, jazz supergroup Believe will fill the Justice and Police Museum with their improvisational sounds. Hear the electronic soundscapes of Wytchings, the music project of artist Jenny Trinh, performing at Elizabeth Farm on August 14. To round out the series, Australian guitarist and composer Hiary Geddes Quartet caps off the series on August 28, with a showstopping performance of her latest album at the Justice and Police Museum. Tickets to all performances are on sale now, head here for more info.
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