Six the Musical
You should know the premise by now – divorced, beheaded, died, divorced, beheaded, survived all set to a fiery, feminist live band. Henry VIII’s six ex-wives reclaim their stories and their thrones in the worldwide sensation that is Six the Musical.
This is the fourth time in (wouldn’t you know it) six years that the queens have graced Sydney stages, the second at the Theatre Royal. So has Toby Marlow and Lucy Moss’ Tony- and Grammy-nominated electrifying pop-concert hit lost some of its glam?
The short answer is “No Way”.
What is the plot of Six?
What started as an Edinburgh Fringe hit went on to capture the hearts of the West End, Broadway, and beyond. At its core, Six retains those fringey roots in its tight 80-minute, one-set, one-act pop-concert musical in what is a song-cycle of the Tudor Queens turned Pop Princesses who remix five hundred years of history to win their crowns. Who had it the worst under Henry’s reign? Who deserves the most sympathy? And is it all about his-story or is it time for a bit of herstory?
The beauty of Six is that it’s a star vehicle for female and gender diverse talents. Thankfully, the creative team have offered up six of the best to fangirl over, from young veterans of the stage through to mainstage debuts: Sarah Murr as Catherine of Aragon, Mia Paris Scalise as Anne Boleyn, Cara Bessey as Jane Seymour, Kadesa Honeyhill as Anna of Cleves, Angela Brischetto as Katherine Howard, and Lorinda May Merrypor as Catherine Parr.
Alongside them...