This month's best Chicago concerts
Just when we thought that the classic, Rumours-era lineup of Fleetwood Mac was back together for good, the group recently announced that founding member Lindsey Buckingham was kicked out of the band. He'll be replaced on tour by Tom Petty guitarist Mike Campbell and Crowded House frontman Neil Finn—two experienced musicians who certainly know their way around tracks like “Gold Dust Woman” and “Tusk.” Of course, Stevie Nicks, Mick Fleetwood, John McVie and Christine McVie are still in the group, so hopefully their soaring vocal harmonies are enough to cover up Buckingham's conspicuous absence.
After Kiss embarked on its farewell tour in 2000, guitarist Paul Stanley described the shows as an attempt to "put Kiss out of its misery." The self-imposed retirement didn't stick, which is why—nearly two decades later—the face-painted heavy metal act is once again trying to stop rock 'n' rolling all night on its End of the Road Tour. With the band's two remaining original members (Stanley and figurehead Gene Simmon) in their late 60s, it's probably the right time to stop trotting around stages in heavy costumes and platform boots. It's (probably) your final chance to witness the tongue-wagging, explosions and sing-alongs of a Kiss concert—if you're in to that kinda thing, don't miss out.
Set amid the lavish surroundings of Paris at the beginning of the 19th century, La Traviata follows courtesan Violetta as she falls in love with a young man named Alfredo. But the romance is not meant to be, as Alfredo's father forces him to leave Violetta, setting the stage for a tragic romantic tale. Featuring detailed costumes, oversized puppets and Giuseppe Verdi's rousing score, the Lyric's production of this classic opera seems extravagent in all the right ways.
On her 2015 debut, Me, Empress Of mastermind Lorely Rodriguez looked inward with a self-produced collection of R&B-tinged electro-pop anthems. Her latest album, Us, finds the Los Angeles singer-songwriter working with the likes of Blood Orange frontman Dev Hynes and hip-hop production duo DJDS, exploring the floating beats and dreamy synths of contemporary pop music. In concert, Rodriquez is a whirlwind of infectious energy who dances to beat whenever she's not behind her keyboards and samplers. New York synth-pop duo Slat Cathedral opens the show.
It's been eight years since Robyn's last solo album, Body Talk, introduced tracks like "Dancing on My Own" and "Call Your Girlfriend" to club soundsystems and late-night playlists across the globe. The Swedish pop superstar's follow-up, Honey, is a sweet concoction of catchy electronica and heartfelt refrains that place Robyn's voice and emotions at the forefront. Expect some fresh permutations of her latest songs when Robyn shows up in Chicago and, rest assured, even if you're riding solo, you won't find yourself along on the dance floor.
After the departure of longtime pianist Ethan Iverson (and the addition of pianist Ethan Iverson), jazz trio the Bad Plus readjusted its course once again with Never Stop II, a sequel to the group's first album of original music. Still, the Bad Plus is best known for its quirky covers of pop and rock songs, so expect at least a few indie rock anthems (Yeah Yeah Yeah's "Maps") and '80s pop hits (Tears of Fears' "Everybody Want to Rule the World"). Guitarist Kurt Rosenwinkel joins the the Bad Plus for its latest stop at Symphony Center, accompanied by an opening set from vocalist José James who will perform a tribute to R&B legend Bill Withers.
Chicago rapper Cupcakke is best known for her extremely raunchy rhymes and one-liners, but her recent album, Eden, finds ways to move beyond sex and offer a more intimate look at her beliefs. Between quips about genitalia, Cupcakke promotes body positivity, lashes out against abusers and dedicates an entire track to celebrating individuals with autism. If you're a fan of quick-witted flow and don't mind a few graphic references to bodily fluids, this hometown concert should be a real treat. Australian dance-pop trio Haiku Hands and local footwork producer DJ Taye open the show.
Going from a grocery store bagger with a SoundCloud account to a featured artist on Cardi B's smash hit "I Like It" in just a matter of years, Benito Antonio Martínez Ocasio (a.k.a. Bad Bunny) has become the face of the bugeoning Latin trap scene. The Puerto Rican artist with a penchant for shaving intricate patterns into his buzz cut and wearing wacky sunglasses recently released his debut album, X 100pre, which featured collaborations with Diplo and Drake. If you dig hip-hop en español, you should probably catch Bad Bunny at Allstate Arena before he moves on to even bigger stadiums.
Hailing from Texas, singer-songwriter Kacey Musgraves made a name for herself with twangy tunes about small-town living, romance and staying true to yourself. On Golden Hour, Musgraves frequently moves beyond country music, experimenting with bouncy disco arrangements and vocoder-aided vocal melodies that exhibit her usual pristine pop sensibilities. The catchy hooks and harmonies are infectious, but the most striking element of Musgraves' music is its raw emotional honesty.
Once known for writing banjo-picking, foot-stomping folk-rock anthems, the lads of Mumford & Sons have comfortably settled into their new identity as radio-friendly rockers. The group's latest album, Delta, takes Marcus Mumford's vocal harmonies and places them atop moody electronic compositions that wouldn't sound out of place on a Coldplay record. It's an obvious direction to take for a band that can easily fill arenas, but at least it will be interesting to hear how Mumford & Sons integrates the twangy choruses of smash hits like "I Will Wait For You" and "The Cave" into a set of sleek new tunes.