The Tate Modern is one of London - and the world’s - most iconic art galleries. The venue boasts an international collection of modern and contemporary artworks that few can beat, plus a historic piece of architecture worth visiting in its own right. Tate Modern is one of four Tate venues in the UK, and it welcomes a stonking 5 million visitors through its doors each year.
The gallery opened in 2000, making use of the old Bankside Power Station. The imposing structure on the banks of the Thames was designed after WWII by Sir Giles Gilbert Scott, the same architect behind Battersea Power Station. It was converted by Herzog & de Meuron, who returned to oversee a massive extension project. This started with the opening of the Tanks in 2012, and ended with the brand-new Switch House extension in 2016.
The twisted pyramid-like structure marked the most significant new opening of a cultural institution since the British Library on Euston Road. Like the rest of Tate Modern, it’s well worth having a gander at its super-stylish outside - but for the real treats, you need to head indoors. The Switch House gave Tate Modern an additional 60% of space, and they’ve used it wisely. Their international focus means their collection of over 800 works are by artists hailing from over 50 different countries. They’ve also tackled the gender debate in a much more pro-active way than most art galleries, with their solo displays split 50-50 between male and female artists.
Along with their permanent collection (featuring big names including Pablo Picasso, Henri Matisse, and Barbara Hepworth), Tate Modern’s blockbuster temporary exhibitions never fail to pull in the crowds.
|Venue name:||Tate Modern|
|Opening hours:||Mon-Thu, Sat, Sun 10am-6pm; Fri 10am-10pm (last adm 45 mins before closing)|
|Price:||Free (permanent collection); admission charge applies for some temporary exhibitions|
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Anni Albers review
Despite its name, modernism sure had some old school failings. When Anni Albers got through her first year at experimental German art school the Bauhaus in 1923, she was kept away from disciplines like painting and sculpture and was shoved roughly towards...Until Sunday January 27 2019
Artist Rooms: Jenny Holzer
There’s nothing more revoltingly pointless than an inspirational quote. The kind of thing your aunt posts on Facebook: ‘Life’s not about the destination, it’s about figuring out how to use the touchscreen ticket machine at the station’ or some nonsense,...Contemporary art Until Wednesday July 31 2019 Free
Magic Realism: Art in Weimar Germany 1919 - 1933
Tate Modern's major new free exhibition does a number on reclaiming the term 'magic realism'. Commonly used to describe the stories written by South American authors including Jorge Luis Borges and Gabriel García Márquez, this exhibition remembers that...Until Sunday July 14 2019
Tania Bruguera review
Art has done a lot for the world over the years, but it’s never cured the common cold. Until now, because political Cuban artist Tania Bruguera has filled a room at the Tate with menthol and it’s the best thing my sinuses have experienced in months. Apparently...Until Sunday February 24 2019
Pierre Bonnard: The Colour of Memory
It's been 20 years since UK art fans last got a chance to enjoy a major exhibition of Pierre Bonnard's delectably, delicately coloured artworks. Tate Modern have taken the title of this 2019 blockbuster exhibition from the French artist's preferred practice...Wednesday January 23 2019 - Monday May 6 2019
Art galleries can be scary places. The walls are so white, the rooms are so silent and the eagle-eyed gallery attendants are just there to bark orders at you like 'PLEASE DON'T TOUCH THE ARTWORKS.' Enter Franz West and his Passstücke (Adaptives): papier-mâché sculptures...Wednesday February 20 2019 - Sunday June 2 2019
In her lifetime, Russian artist Natalia Goncharova helped found avant garde modern art movements, worked with Sergei Diaghilev at the Ballet Russes, designed dresses, created theatre set designs and much, much more. This exhibition at Tate Modern is overdue...Thursday June 6 2019 - Sunday September 8 2019
In 2003, visitors to Tate Modern went mad for Olafur Eliasson's Turbine Hall installation 'The Weather Project'. The artist is now back at the same galley with a big exhibition and an outside artwork. He's even taking over the Terrace Bar, turning it...Thursday July 11 2019 - Sunday January 5 2020
Average User Rating
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I'm not one for modern art, give me a Rembrandt over a Warhol any day. Even if you're like me, or even if you don't like art at all, you'll enjoy the Tate Modern. Before I even entered the building I knew I was in for a treat, and after finding out it was an old power station I couldn't think of a better use for the space.
With floor after floor of rooms to explore, it is a great place to wander around, even if you only have a few free hours. The mediums range from video, to photographs, to statues, to neon signs. I found myself being drawn into some pieces, and when I was talking with the people I went with, we seemed to all have had very different experiences when interacting with the art.
How lucky are we that we have galleries like the fabulous Tate Modern on our doorsteps and we don't need to spend a penny to wander around at our own pace gazing at the artwork? I normally only manage an hour and a half, as there is so much to take in, but going there makes me feel cultured and proud to be a Londoner! A lovely way to spend an afternoon...
Having previously been to MOMA in New York, my expectations were high. The selection of art at the Tate is vast, housing works from the likes of Claude Monet to Marcel Duchamp. It provides stables such as Picasso, Mondrian and Warhol, however, it offers only a single or small amount of works from each.
The vastness of the Tate Modern is impressive, and allows works of art to be presented sparingly. This avoids crowding and allows whole rooms and specific lighting for individual artworks or bodies of work such as Mark Rothko's 'The Seagram Murals', Cildo Meireles' electronic 'Babel' and progressive 'Embryology' by Magdalena Abakanowicz.
Yes, some of the artwork my just look like a urinal or a sown up potato, but if you read the artists' denotation you will surely be impressed.
Nice building just next to the river. One of the best museums in London. If you have some visiting you in the city just take it here also for a nice view of the city from the terrace
Going to Tate Modern on a saturday has always seemed to me a terrible idea however I've decided to adventure myself and get over the fear. I was more interested in knowing and seeing the buzz about the new Tate Modern extension: the Switch House. The Switch House is both the perfect extension and the perfect compliment to the original building the Boiler House. The war and industrial feeling in the Switch House is overpowering and this does not change as you go up the building (no wonder the ground floor has been named the Tanks). The rawness of the live performances and the exhibitions in the building not only match this overpowering sense but also give a certain sensuality to the Switch House experience. These are particularly felt in the Tanks, where instruments just lay on the floor and where a group of five people move randomly across the room and in Louise Bourgeois’s exhibition where sex, death, love and vulnerability are the main themes in a very intimist journey. I attempt to say let's forget the Boiler House for a while and explore the infinity possibilities in the Switch House.
I've always regarded the Tate Modern as a big middle finger sticking out, both in terms of architecture and content. Yesterday I went to check the new extension and was very pleased to see how it blends in nicely with the original power station where the museum has been housed since 2000. The artwork on display was very varied and interesting, with art from South America, Africa and Asia which is very refreshing indeed. A lot of the art required the viewer's interaction but some of it was there only to be displayed, such as Marina Abramovic's Rhythm 0 table, which was originally part of a performance. This certainly alters the original impact and meaning of the artwork, a challenge that the institution has not been able to overcome yet. This also confirms Tate Modern's role a museum in the traditional sense, with the aim of educating and informing the viewer. My friend said that some of the art on display was unworthy of such an important museum but I enjoyed it all thoroughly!
Great temporary exhibitions however the permanent collection hasn't changed in a long time! The building alone is worth a visit, the turbine hall is particularly impressive!
I do like visiting, the exhibitions are always sublime and well curated but I would like the main bulk of the exhibits to change every once in a while. I do feel like they have been the same the whole time I lived in london (8 years)
After not having been for a while (which is a disgrace considering I only live a 10min walk from the museum) I ventured back across the Millennium Bridge to see if any of the permanent exhibitions had been updated and was I in for a treat! It started with the very interesting art project in the turbine hall by Abraham Cruzvillages. The artist pretty much created a suburban allotment on stilts. The biggest surprise however was to be found on the first floor which had been re-curated entirely. On one half it still had the Citizens and States with the likes of Picasso, but with a lot of new works from for example Mondriaan which I had never seen at Tate Modern before. The most interesting exhibition however was the "Making Traces" show in which Mark Rothko's works found a new home. I have missed those pieces since the took them away from the public eye a while ago. Please do me a favour and go visit Tate Modern to discover the new first floor! You'll Love it!
We loved visiting the Tate Modern, my daughter always loved art, so it was by chance we visited on a wet day, but what a memorable experience. So much to look at and admire, paintings, photography, this museum is one the best things to see in London, lovely shop, and lots for children to participate in.
One art critic described this place as "whatever it is, it's not an art gallery". I agree; it's like a soulless art theme park. Art needs intimacy to work
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