Time Out says
The one that started it all. White Cube brought us Tracey Emin, Damien Hirst and loads of other YBAs. After moving into its huge Bermondsey space, it became one of the first museum-quality commercial galleries in the world. Seriously impressive.
144-152 Bermondsey St
|Opening hours:||Tue-Sat 10am-6pm; Sun noon-6pm|
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Mona Hatoum review
Mona Hatoum’s world is filled with cages and concrete, charred homes and inescapable prisons. It’s not just her world that’s like that, obviously, it’s all of ours. Because written through the Palestinian artist’s work is all the conflict, oppression,...Until Sunday November 3 2019
Overlapping with the staging of a year-long free exhibition at Tate Modern, this show focuses on the works Dóra Maurer made between 1999 and today. Overlapping with the overlapping theme are works from Maurer's 'Overlapping' series, a collection of paintings...Until Sunday November 3 2019
Harmony Hammond was an important member of feminist art movements in 70s New York. This small exhibition at White Cube Bermondsey - the first European solo show for the artist - focuses on her thick, textured canvases perforated with splits, holes and...Until Sunday November 3 2019
Users say (15)
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4.1 / 5
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This is one of my favourite galleries to pop into. It's tucked away on a hilariously hip little street in Bermondsey (opposite a 'lifestyle' store and a coffee shop called 'Fuckoffee'). It's a big space for small exhibitions. It's quite adventurously curated so the art's inevitably a bit hit and miss, but it's always worth a visit for a taster of contemporary art with zero crowds. Love the fact that they have a sofa in the well-stocked bookshop.
There were 2 exhibitions running simultaneously: Sarah Morris' video and paintings in the South and Marcius Galan's sculptures, installations, photos and video in the North. Marcius Galan's structures and installations were interesting, if rather minimalist. 'Three Sections' was definitely my favourite piece, watching people walk inside, it you had the feeling of watching people walk into a mirror, It presents a reality that cannot be possible, and is possibly the easiest piece to appreciate, It is rather welcome after the pieces in 'Intersection 0' and 'Folded Flag' which suggested to me absences that could not be made whole (or should not be?) and delineation from the norm, that may not and will not be corrected. Along with Eclipse, 9 x 9 x 9, and Erased Composition. The collection appears to be an observation on how life, nature, and even man made forms, are not as whole, as unchanging, and as predictable as we wish them to be, and a question mark over our desires and preconceptions. I particularly enjoyed Sarah Morris' work as I have just returned from traveling and her work accurately captures the wonder of observing a culture that is both alien and incredibly familiar. The disparity of the scenes shown throughout the video capture the surrealism of traveling and a sort of voyeuristic fascination with her subject. The video shows scenes of Brazil from the glossy and beautiful, to the mundane and sometimes even grotesque, but it imposes no meaning, either positive or negative. At the same time the exhibition as a whole seems like a celebration of a vibrant and bewitching nation that is fizzing with life. The canvases perfectly complement the film and vice versa, the collection is seamless and feels balanced. Enjoyable and thought provoking.
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