1. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  2. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  3. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  4. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  5. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  6. The Barbican theatre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  7. Barbican theatre's stage (Rob Greig for Time Out)
    Rob Greig for Time Out
  8. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  9. The Barbican  (Nigel Tradewell for Time Out)
    Nigel Tradewell for Time Out
  10. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out
  11. The Barbican Centre (Photograph: Laura Gallant for Time Out)
    Photograph: Laura Gallant for Time Out

Barbican Centre

  • Cinemas
  • Barbican
  • Recommended
Alex Sims
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Time Out says

What is it? 

The Barbican Centre lures fans of serious culture into a labyrinthine arts complex, part of a vast concrete estate that also includes 2,000 highly coveted flats and innumerable concrete walkways. It's a prime example of brutalist architecture, softened a little by time and some rectangular ponds housing friendly resident ducks.

The focus is on world-class arts programming, taking in pretty much every imaginable genre. At the core of the music roster, performing 90 concerts a year, is the London Symphony Orchestra (LSO), which revels in the immaculately tuned acoustics of the Barbican's concert hall. The art gallery on the third floor stages exhibitions on design, architecture and pop culture, while on the ground floor, the Curve is a free exhibition space for specially commissioned works and contemporary art. The Royal Shakespeare Company stages its London seasons here, alongside the annual BITE programme (Barbican International Theatre Events), which cherry-picks exciting and eclectic theatre companies from around the globe. There's a similarly international offering of ballet and contemporary dance shows. And there's also a cinema, with a sophisticated programme that puts on regular film festivals based around far-flung countries or undersung directors. 

As if that wasn't enough, the Barbican Centre is also home to three restaurants, a public library, and some practice pianos. This cultural smorgasbord is all funded and managed by the City of London Corporation, which sends some of the finance industry's considerable profits its way. It's been in operation since 1982; its uncompromising brutalist aesthetic and sometimes hard-to-navigate, multi-level structure were initially controversial, but it's getting increasingly popular with architecture fans and Instagrammers alike.

Why go? 

As the UK's leading international arts centre, this is the place to get cultured.

Don’t miss: 

The huge, succulent-filled Barbican conservatory is a must-see on your London bucket list. It’s one of the biggest greenhouses in London, second only to Kew Gardens and houses 2,000 plant species, including towering palms and ferns, across an extensive series of concrete terraces and beds. There are even koi carp and terrapins. The atmosphere is almost post-apocalyptically peaceful. It’s open on Sunday and bank holiday Monday afternoons, as well as selected Saturdays. You can even book in for an afternoon tea among the plants. 

When to visit: 

Mon-Friday 8am11pm, Sat-Sun 9am11pm

Ticketing info: 

Free entry, some events and exhibitions are ticketed. 

Time Out tip: 

If I had a pound for every time I’ve tried and failed to find the entrance to the Barbican Centre among its maze of concrete walkways… If you don’t want to risk being late for the performance you’re seeing, look up the entrance you need in advance. Trust me. 

Find more culture in London and discover our guide to the very best things to do in London.

Details

Address
Beech Street
Barbican
London
EC2Y 8AE
Transport:
Tube: Barbican; Rail/Tube: Moorgate
Price:
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What’s on

1996: A Celebration of the Wildest Year of Britain’s Wildest Decade – 30 Years On

Cast your mind back to 1996. The Spice Girls released Wannabe, the Macarena was one of the biggest tunes in the charts, England reached the semi-finals of the Euros, and Dolly the sheep became the first cloned mammal. Relive it all (or experience it for the first time, if you weren’t born then) in this free exhibition at Barbican, celebrating the era of Cool Britannia.  Mel B’s leopard print catsuit, Gerri Halliwell’s Union Jack print boots and Liam Gallagher’s tambourine are some of the items on display, curated by former Sun editor and its ‘Bizarre’ columnist, Dominic Mohan. 
  • Exhibitions

Delcy Morelos: origo

3 out of 5 stars
Delcy Morelos spent a month filling the Barbican’s Sculpture Court with earth and clay. Working by hand, the Colombian artist and her team layered more than ten tonnes of the stuff to create origo, a mammoth, multi-sensory installation stretching 24 metres wide and 12 metres high, named after the Latin word for ‘origin’.  For more than a decade, Morelos has asked viewers to rethink their relationship with soil; not just as the brown stuff shaken from boots or scrubbed from under our fingernails, but as the substance from which all life emerges and depends. Growing up in Tierralta, northern Colombia, Morelos is influenced by an Andean view that sees landscapes not as resources to be extracted, but deserving of care and protection.  And so here, in the Barbican’s circular courtyard, we earthlings are invited to burrow through Morelos’ ovular structure, weaving through one of six entrances before arriving in the belly of the beast. Inside, you are plunged into near-total darkness, feeling your way along softly curving corridors lined with compact, hair-like roots. And unlike the dank, musty odour one might expect from a mound of soil, Morelos’ beast smells unexpectedly good: infused with clove and cinnamon and softened by the cool scent of earth after rain.   Then you emerge into the centre of the installation: the doughnut’s hole, open to the elements and flooded with light. Here, meditative activities such as tai chi are planned to take place, beneath the Brutalist tower...
  • Sculpture

High Society

3 out of 5 stars
High Society is, of course, a pure joy, the stage incarnation of a ludicrously frothy Golden Age Cole Porter musical that has a plot you could blow over with a feather, plus some of the greatest songs of the twentieth century. ‘Who Wants to be a Millionaire?’, ‘I Love Paris in the Springtime’, ‘Well Did You Evah’, ‘Let’s Misbehave’, ‘I’ve Got You Under My Skin’ – the banger level is off the chart. But at the risk of being an old bore, my biggest problem with this new Barbican Cole Porter revival is that five years ago the Barbican did another Cole Porter revival that was simply much better. Admittedly, the 2021 production of Anything Goes – which was brought back the following year – really benefitted from London opening up from the pandemic before New York, meaning the show was stocked with stratospheric Broadway talent, notably director-choreographer Kathleen Marshall and world-class musical theatre star Sutton Foster. And this is, by comparison is… a really adequate production from Rachel Kavanaugh. The Brit director has gathered together a perfectly agreeable group of stage actors who nicely animate this story of a love pentagon between boozy good-time divorcee Tracy Lord (Helen George), her ex-husband Dexter Haven (Julian Ovendon), her fiancé George Kitteridge (David Seaton-Young), and undercover reporters Mike Connor (Freddie Fox) and Liz Imbrie (Carly Mercedes Dyer). In an unashamedly retro production, Ovendon is the standout as Dexter, charismatic in a way that’s...
  • Musicals

Liam Young: In Other Worlds

4 out of 5 stars
This immersive exhibition from Australian filmmaker and architect Liam Young is impressively audacious, taking up multiple spaces in the Barbican, including a rather pungent underground carpark. What is In Other Worlds? Well, it’s not an art exhibition in the classic sense, but a sort of multimedia hybrid of visual art, storytelling, and speculative sci-fi, combined to make the point that while humanity has famously screwed up the planet, the means to un-screw it are within our grasp if we embrace radical solutions. If that sounds a bit worthy for you, then sure, it is kind of worthy. At the same time, it’s weird, psychedelic and vividly imaginative, offering more a sort of fever dream of a possible future than an actual pragmatic solution for climate change et al. At its centre is the mad vision of the Planet City, an unimaginably dense single urban environment in which all ten billion of Earth’s inhabitants live, while the rest of the planet is effectively allowed to rewild, with visits to nature confined to a sort of annual opportunity for every citizen on the planet to be dropped randomly somewhere on the planet. This is obviously an insane idea, but the vision Young and collaborators present is nonetheless really weird and cool. Physically, we’re presented with taller-than-a-person scale models of gargantuan tower blocks comprising of individual homes madly piled on top of one another, while a giant screen projects a Young-directed digital film shows us a vision of...
  • Exhibitions

Project a Black Planet

The Barbican is shining a spotlight on Pan-Africanism in contemporary art, cinema, music and performance in this summer-long creative series which will feature more than 30 events as well as an art exhibition running from June to early September.  The season will cover a range of geographies and cultures from within Pan-Africanism – coined in the early 1900s, the umbrella term encompasses political and philosophical movements advocating for self-determination, anti-colonial resistance and transnational solidarity among peoples of African descent. Legacies including Creole culture in Cape Verde, Black Rights in the USA, and Carribbean reggae and dub music will be explored, alongside much more.  Highlights from the season include the central exhibition, Project a Black Planet: The Art and Culture of Panafrica. Spanning thr 1920s to the present day, 300 works including paintings, installations, posters, journals and film will showcase Pan-African ideas from Africa, the Caribbean, Brazil, North America and Europe. A film programme will bring together landmark films, rare archival works, and contemporary moving-image practices across 15 different sccreenings.  There will also be Carnival dance workshops, Carnival costume-making workshops, late-night parties and live music performances. 

Venus & Adonis

Surely our foremost Shakespearean, the great Simon Russell Beale narrates the return of former RSC boss Greg Doran’s lovely puppet-driven 2004 staging of Shakespeare’s great poem about the tragically unrequited love of goddess Venus and hunt-loving young man Adonis. The show features puppets designed and created by Lyndie Wright, cofounder of the Little Angel Theatre. 
  • Drama

Death Note the Musical

This is a fun one: Death Note the Musical is an adaptation of the hit manga that tells the story of one Light Yagami, a brilliant student who is given a notebook by a capricious magical being. The book has one very specific function: anyone whose name is written in it will die within 40 seconds. The power goes to Light’s head, as he comes to see himself as a god tasked with eliminating evildoers from the planet. But the world’s governments hire a secretive detective – whose real name is unknown – to try and find the person responsible for the inexplicable deaths. It’s not your everyday story, that's for sure, but that goes for a lot of musicals, and you can actually kind of see it working. The original manga was written by Tsugumi Ohba and illustrated by Takeshi Obata; the musical is written by a Western team of Frank Wildhorn, Jack Murphy and Ivan Menchell. It has, however, had various Asian productions over the last decade, but this new one from director Stephen Whitson is easily its biggest Western outing to date.
  • Musicals
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