1. Photo: Manuel Harlan
    Photo: Manuel Harlan |

    The Old Vic

  2. Photo: David Jensen
    Photo: David Jensen |

    The Old Vic

  3. Photo: David Jensen
    Photo: David Jensen |

    The Old Vic bar

Old Vic

One of London's oldest theatres, the Old Vic offers big, serious plays, big, serious stars and a few musicals and surprises.
  • Theatre | West End
  • Waterloo
  • Recommended
Ella Doyle
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Time Out says

What is it?

The Old Vic is an iconic theatre right next to Waterloo rail station that’s been around since 1818. It has a lively history, and was once famous for staging all of Shakespeare’s plays between 1914 and 1923 (the first theatre to do so). In 1963 it became the first home of the National Theatre, which finally moved to its purpose-built South Bank digs in 1976. After a tumultuous few decades, the ‘modern’ Old Vic launched in 2003, and is now under the leadership of Matthew Warchus, whose programming constitutes an eclectic array of shows, from musical theatre to modern classic adaptations (it’s especially famous these days for Jack Thorne’s adaptation of A Christmas Carol, for example). It’s been home to theatre stars Judi Dench, Laurence Olivier and Maggie Smith, to name a few. 

Is it worth visiting?

Absolutely, yes. This is, in our opinion, one of the best theatres in London, a blend of star-studded casts, large-scale production and a really beautiful historic theatre space. One-off tourist or life-long local, The Old Vic is a big ol’ fun London night out for families, pals or as a solo eve to see some seriously good theatre. Plus, The Old Vic is worth visiting even if you’re not seeing a show; take advantage of good wifi at the café or check out its bar, also open to non-theatre-goers (and open till 2am Thurs-Sun). Aside from the classics (reds, whites, rosés, Camden beer and Tony’s Chocoloney) there’s seasonal cocktails, like the winter Aperol Spritz featuring ginger beer instead of soda, which I think is a stroke of genius. 

Tickets, accessibility and booking

Ticket prices here really depend on the show, but generally they’re pretty affordable, ranging from £10-20 to £100+ for the really good seats or for peak-time performances. The Old Vic is fully wheelchair accessible (as is its downstairs bar), and it runs accessible performances (BSL interpreted, relaxed viewings, etc). Tickets can be booked online or over the phone, and you get out of the booking fee if you’re a member of Old Vic Together. 

Where’s good to eat near the Old Vic?

You’re 10 minutes’ walk from Forza Wine at the National Theatre, for great cocktails, Italian small plates and a very long wine list. Or if you’re craving good, hearty pub food, head to the Anchor & Hope for nose-to-tail cooking, headed up by St John’s old chef team. For drinks, you’re five minutes from Scootercaffé, a seriously cool retro café/bar with mismatched vintage furniture, a sultry basement and twinkling jazz music. Or try the very swanky Lyaness for pricey but delicious cocktails.

Can’t get enough? Here are the best theatre shows in London, handpicked by our theatre critic Andrzej Lukowski

Details

Address
103 The Cut
Waterloo Rd
London
SE1 8NB
Transport:
Tube: Waterloo; Rail: Waterloo
Opening hours:
Bar open 6pm-midnight Mon and Tue; 1pm-midnight Wed; 6pm-2am Thu and Fri; 1pm-2am Sat
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What’s on

Girl from the North Country

4 out of 5 stars
  Having premiered at the Old Vic in 2017 – and gone on to conquer the West End and Broadway – Girl From the North Country has lost none of its potency as it returns to the theatre where it all began — a dreamy, sepia-soaked production of character-driven vignettes and reimagined Bob Dylan songs. It’s 1934 in Duluth, Minnesota – Dylan’s actual birthplace – and the Great Depression is chewing through the soul of the town. At the centre of this dustbowl drama is the Laine family, struggling to keep their guesthouse (and each other) from crumbling under debt, loss, and the weight of time. Nick Laine (Colin Connor) is a man burdened by a bubbling anger — the same kind that seems to course through the town — while his wife Elizabeth (Katie Brayben) floats between madness and sudden, unnerving clarity. Their adopted Black daughter Marianne (Justina Kehinde) is pregnant, unmarried, and navigating her place within the world. Their house is a revolving door of boarders: hustlers, dreamers, a smooth-talking preacher, and a boxer down on his luck (think 1930s sitcom). The 23-strong company moves fluidly between character, chorus, and live band. Simon Hale’s arrangements of 20 Dylan songs float in the spaces between joy and hardship. Stripped-back renditions of ‘Forever Young’ and ‘I Want You’ drift through wood-panelled walls and empty whisky bottles. Some numbers are so radically reimagined you’ll barely recognise them — like Brayben’s raw, ragged and impossibly controlled version...
  • Drama

Mary Page Marlowe

Proving ypu’re never too old to make your London stage debut, the great Susan Sarandon will do so aged 78 as she shares the title role of this acclaimed drama by Tracy Letts with our own Andrea Riseborough. Both brilliant screen actors who have drifted away from the stage, it’s coup for Matthew Warchus to have bagged them for his UK premiere production of Letts’s intriguing sounding play that tells the life story of its title character in willfully jumbled, mosaic-like order. It’s the first production in Warchus’s final season in charge at the Old Vic and will see the theatre reconfigured into an in the round staging that wil remain in place for the whole season.
  • Drama
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