Things to do in Los Angeles on Friday

One of L.A.’s best free live-music offerings, Jazz at LACMA has featured legit legends over its 35-year run at the museum. Seating for the program is available in the museum’s plaza on a first-come, first-served basis, though you’re welcome to picnic on the grass, too (you won’t really be able to see the show, but you’ll still hear it). You’ll find the series on Friday evenings in LACMA’s welcome plaza (just behind Urban Light) throughout the summer. We’re betting it’ll be even more popular than usual this year, with the new David Geffen Galleries in the background.

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

The city of Santa Monica will become a playground for jazz during this inaugural music fest, which fulfills Grammy-winning bassist Stanley Clarke’s vision for a world-class jazz festival in Los Angeles and celebrates the centennials of Miles Davis, John Coltrane and Route 66. Fellow Grammy winner Kamasi Washington tops the bill on a week of performances by both world-renowned and emerging talent at venues across the city. May 3’s Sunday on the Promenade concert is a free affair with eight acts, including Elijah Fox and Genevieve Artadi (1–7pm). On May 8 is a tribute to Coltrane at the BroadStage, headlined by Isaiah Collier. The fest culminates in “A Day at the Park” at Tongva Park on May 9—a full afternoon of performances, with Washington wrapping up the fest.

The multisensory nature of art is explored in this exhibition, which looks at the intertwined relationship between contemporary art and living materials. With its focus on artists’ relationships to the materials they use, “Several Eternities” highlights that commonality and aims to reframe the discussion around artists and race. Twenty-two artists from North, Central and South America have employed mediums like soil, stones, avocado, cacao, achiote, cochineal and clay in their works—the organic matter making it an ambitious exhibition to mount. From the moment you walk in, you can smell the soil, feel a vibrating wall and listen to the many “sonic interventions” throughout the show. The large-scale installations and sculptures—many rooted in Indigenous worldviews—steal the show. The experience ends with a welcome moment to pause: a meditative, black-walled room, with ocean sounds and sand covering the floor.

Ponyo loves Sosuke! And we love this exhibition at the Academy Museum dedicated to the wholesome Hayao Miyazaki film. Studio Ghibli donated more than 100 objects to the Academy Collection, and you’ll find everything from an animation desk to colorful art boards to dozens of frame-by-frame pencil drawings of the scene when Sosuke first finds Ponyo. Though you may recognize a couple of items from the museum’s debut Hayao Miyazaki retrospective, the vast majority of Ponyo pieces are new—and some have never been displayed in North America before. It’s also a colorful and super kid-friendly exhibition; you can watch clips of the gorgeously hand-drawn movie, recreate the wave-running scene and even make your own stop-motion animation. You’ll find it on the museum’s second floor, inside the first few galleries of the “Stories of Cinema’ space.

What if there was a scare-free version of Halloween Horror Nights for fraidy cats (like me)? That’s the quickest way I can sum up Universal Fan Fest Nights, an after-hours event at the L.A. theme park that debuted last spring and is returning this year. The open-till-1:30am, specially ticketed series runs on select nights from April 23 to May 16 and brings together an unexpected mix of franchises for walk-throughs (Harry Potter, Dungeons & Dragons, Scooby-Doo), live shows (One Piece, Sailor Moon) and lots of special menu items. The Wizarding World of Harry Potter has a new immersive experience, “Forbidden Forest: Search for the Hippogriff,” for the occasion, where you’ll face an acromantula and pixies to save the majestic creature. And Super Nintendo World sees the return of meet-and-greets with multicolored Yoshis.  Elsewhere, the Dungeons & Dragons walk-through is back—featuring an excellent Xanathar puppet crafted by Jim Henson’s Creature Shop. And though last year’s standout Back to the Future experience won’t be returning this time around, there are a couple of brand-new attractions in its place, including interactive whodunit “Scooby-Doo Meets the Universal Monsters: Mystery on the Backlot,” which finds you solving clues on the backlot where the original monster movies were filmed. Afterward, fuel up with a sky-high club sandwich and Scooby Snacks.  Last year, food and photo op lines were a little all over the place. (You’re welcome to come in costume, by the...

Nature lovers, rejoice! The Natural History Museum is bringing back its annual Butterfly Pavilion, which will be open March 22 through August 23 and house up to 30 butterfly and moth species, as well as an assortment of California plants. The seasonal outdoor exhibit allows for adults and children alike to witness nature up close—we’re talking walking amid hundreds of butterflies and having them land on your arms or shoulders. You’ll need to purchase a $10 add-on ticket on top of your museum ticket in order to explore the pavilion for a half-hour.

Netflix’s stand-up specials keep us cackling at home, but the streaming service’s ambitious comedy festival is nothing to laugh at. For its second iteration, Netflix is a Joke Fest is headed back here May 4 to 10, 2026, and upping the ante: We’ve counted over 350 shows slated for venues across the city, boasting sets from Ali Wong, Jerry Seinfeld, Jim Gaffigan, John Mulaney, Taylor Tomlinson and a reunited Flight of the Conchords, plus literally hundreds of others. This year, the lineup also includes the surprise addition of music (Jelly Roll, Lizzo) and a ton of podcast tapings (The Pete Davidson Show, Giggly Squad, The Viall Files and more). The event is a bit more of a marathon than a traditional festival: There’s not an all-encompassing festival pass, but you can buy individual tickets to shows throughout its run. You’ll find shows staged at venues as big as the Hollywood Bowl and Greek Theatre (absolutely don’t drive and instead take the shuttle to both of those) and as intimate as Dynasty Typewriter and UCB, plus seemingly every major arena, theater and comedy club in between. Keep in mind that for shows at spots that are normally general admission, that means sitting in stiff, tightly packed folding chairs with limited views (the Palladium and ground floor of the Wiltern have particularly poor sightlines)—but the vast majority of venues thankfully have permanent seats. It’s TBD if outdoor event Outside Joke—which in the past was set up in a parking lot behind the...

Don’t go in the water, but do go to the Academy Museum to see the largest exhibition ever dedicated to Steven Spielberg’s original summer blockbuster, Jaws—which is celebrating its 50th anniversary. The museum was already home to the last surviving model shark from filming, but now you can go behind the scenes and see some 200 original objects from the film across multiple galleries. Some highlights: a re-creation of the Orca fishing boat, the dorsal fin used both in Jaws and its sequels, costumes worn by the central trio and a room full of vintage film posters and merch promoting the film. There are interactive elements, too: You can have your own Chief Brody dolly-zoom moment (and see the lens used to film the famous shot), play the iconic John Williams two-note score and control a replica of the mechanical shark.

When Mexican director Alejandro G. Iñárritu made his debut feature, Amores Perros, over a million feet of film didn’t make it to the final cut (to put that into perspective, the finished two-and-a-half-hour movie used around 18,000 feet of film). Twenty five years later, some of these unearthed reels of celluloid now zip through a ground-floor gallery at LACMA as part of a multi-channel film installation. As much a piece of sculpture as it is film or video art, Sueño Perro assembles six 35mm projectors that pierce the hazy near-dark space with raw, nonlinear snippets of the movie, fed from a mesmerizing curtain of film stock speeding along sprockets. It’s an intense experience, both sonically (during the car crash that connects the feature’s storylines) and visually (dog fighting plays a pivotal role in the film, though you’ll see here some of the behind-the-scenes tricks that kept the production cruelty-free).