Things to do in Los Angeles on Friday

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

There’s nothing Christmassy nor even wintry about this hour-long Palos Verdes trail, yet its nine stellar installations are the most cosmically mesmerizing of the budding after-dark botanical garden shows that’ve come to blanket L.A. toward the end of the year. Astra Lumina, which debuted in 2022, returns to South Coast Botanic Garden with the same array of celestial-inspired displays. Last year’s edition was basically identical to its debut. But if you loved your first trip to Astra Lumina or haven’t been at all, we still think this is a worthwhile (albeit somewhat expensive) event—perhaps better suited for a date night than a large family affair. While some other year-end light shows seem less focused on moment-to-moment encounters and more on the photogenic snaps you’ll walk away with, Astra Lumina feels truly experiential. You’ll venture through scenes that interpret the arrival and departure of stars in an earthly garden: Archways pulsate with light and mist, perforated lanterns spell out a stargazing journey, shooting stars chase up and down a cylindrical frame, shimmery bulbs blanket a forest floor and tranquil lanterns float among the trees. There’s plenty of wonderfully atmospheric fog along much of the trail, including in a shower of lasers so thick that you’ll swear you can touch them. (It’s also worth mentioning how lovely it is to experience a celebration of the night sky in one of the few locations in L.A. where it’s actually dark enough to see plenty of...

The Hammer Museum’s excellent, ongoing series of biennial exhibitions ups the ante with each edition of its spotlight on emerging and under-recognized L.A. artists. This October’s exhibition—the seventh such show—brings together works from 28 artists, spanning film, painting, theater, photography, sculpture and video, that engage with the city of Los Angeles. Highlights include Kelly Wall’s penny press and wishing well, plus racks of postcards of L.A. skies fabricated out of glass; Patrick Martinez’s East L.A.–inspired cinder block wall, adorned with Mayan murals and neon trim (as well as another neon sign that reads “Agua is LIFE, NO ICE”); and re-creations and photo documentation of the late Alonzo Davis’s freeway murals from the 1984 Olympics. Before you even step inside, you’ll notice Alake Shilling’s Buggy Bear Crashes Made in L.A., which, yes, is a giant inflatable bear driving a car that’s careening toward the Glendon Avenue corner of the Westwood museum.

From the same folks behind the nightmarish Creep (which is taking the year off), JFI Productions’ The Willows is an immersive play—part dinner theater and part haunted house—in which you are one of 25 guests at an intimate family gathering at the historic Beckett Mansion near West Adams. The intimate, two-hour performance trades more in atmosphere than jump scares, but its surreal circumstances and sense of unease and anticipation will more than scratch that Halloween itch. This one is a favorite of Halloween aficionados and A-listers, and I can see why. The experience truly made me feel like I was in a horror movie—not a slasher, but an unsettling family drama that draws you in and sticks with you. The acting was excellent all around—the actors stayed in character impeccably and are also skilled enough to improvise during impromptu conversations with guests. When I left, I half wanted to stay in touch with all of them.  You enter the experience in groups of five, and each group is taken on its own journey, meeting up with the others for drinks and dinner. So while there are some narrative beats that everyone experiences, you could ostensibly attend several times and have a different experience each time. And participation is practically a requirement.  Tickets are expensive—$250 per person—but, as evidenced by the fact that all of October’s performances sold out right away, audiences clearly find the high price tag worth it. At the time of writing, there are a handful...

Japan House Los Angeles is bringing an exhibition of shokuhin sampuru—hyper-realistic food replicas that have crossed over from marketing tool to art form (think Is It Cake? but cultural)—to Los Angeles for the first time. See mouthwatering faux food representing each of Japan’s 47 prefectures, from coffee house parfaits to izakaya skewers, as well as Chinese and Western cuisine, and try your own hand at food presentation by filling a bentō box yourself.  

The Skirball’s latest pop culture exhibition takes a deep dive into the six-decade career of legendary comic book artist Jack Kirby. You might know him as the co-creator of Captain America, Black Panther, the Hulk, Thor, Iron Man, the Fantastic Four, the X-Men and some of the Marvel universe’s most cosmic characters. But did you know he was also a first-generation Jewish American born to immigrant parents, World War II veteran and family man who split his time between New York and Los Angeles? The exhibition only occupies a few small galleries, but it’s stuffed with information about Kirby’s life, as well as pristine prints of issues plus his original comic illustrations—many on view for the first time. It’s not just a Marvel showcase, either: You’ll find some of the work Kirby did for DC, plus personal collages, a drawing he gave to Paul and Linda McCartney, and a fantastic reproduction of a costume he designed for a UC Santa Cruz production of Julius Caesar. Though not explicitly framed this way, the exhibition also presents a clear-as-day retort to any contemporary fans who decry comic book stories today as too “political”: Marvel has been political from the very start. Kirby’s cover for the first issue of Captain America features Cap punching Hitler—a full year before America would break its isolationist policies and enter WWII. The fifth issue follows Captain America in a battle against the German American Bund, a domestic Nazi organization that staged an infamous...

Don’t go in the water, but do go to the Academy Museum to see the largest exhibition ever dedicated to Steven Spielberg’s original summer blockbuster, Jaws—which is celebrating its 50th anniversary. The museum was already home to the last surviving model shark from filming, but now you can go behind the scenes and see some 200 original objects from the film across multiple galleries. Some highlights: a re-creation of the Orca fishing boat, the dorsal fin used both in Jaws and its sequels, costumes worn by the central trio and a room full of vintage film posters and merch promoting the film. There are interactive elements, too: You can have your own Chief Brody dolly-zoom moment (and see the lens used to film the famous shot), play the iconic John Williams two-note score and control a replica of the mechanical shark.

The L.A. Zoo is staying open after dark most nights through January during this delightful take on its light-up holiday tradition. Once again, the “Animals Aglow”–themed event will go all in on oversized animal-shaped lanterns, and—based on last year’s edition—the result is a colorful, charming trail that celebrates the zoo’s natural inhabitants. Plentiful and vibrant, these lantern versions of wildlife, birds, butterflies and insects come to life with playful movements and animation. Flora shares some of the focus, too. New lanterns and light displays this year spotlight the animals of Southeast Asia and Africa. Though Zoo Lights has eschewed most overtly Christmassy elements (a thematically focused upgrade to its original versions, in our opinion), it hasn’t ditched interactive spectacle. You can relax on illuminated swings, dance inside a shell of kaleidoscopic mirrors and more.  Buy your timed tickets (available in two sessions nightly) in advance to avoid the worst of the entry lines, and stick to the “value” nights if you want to save up to $6 on admission. The zoo’s merry-go-round menagerie and photos with Santa are also available for an additional fee, and cozy refreshments like churros and hot cocoa are sold at a few different stands. Note: Wear comfortable shoes; the lights only cover about a third of the zoo grounds, but you’ll be walking slightly uphill for most of the way RECOMMENDED: Christmas lights in Los Angeles: Where to find holiday lights View...

Dealing with a difficult subject head-on, the Geffen Contemporary at MOCA’s new show, “Monuments”—co-presented by the museum and nonprofit the Brick (formerly LAXART)—juxtaposes both intact and vandalized Confederate monuments with contemporary artwork. The show looks at the recent wave of monument removals from a historic perspective and encourages discourse about challenging topics amid an ongoing national debate about the role of these statues and what they represent. Tickets for the special exhibition are $18, though if you book far enough ahead of time, you can take advantage of free admission on the first Friday of every month.

For the Record, a live production company known for transforming the soundtracks of favorite filmmakers into immersive musicals, is back with its most impressive display yet: CineVita, the world’s largest Spiegeltent, is FTR’s new home in Hollywood Park, next to SoFi Stadium. After its opening in February, it’s bringing back Tarantino Live, which celebrates 30 years of Pulp Fiction and re-creates memorable musical moments from the director’s films including Kill Bill, Inglourious Basterds and Django Unchained.