Things to do in Los Angeles on Sunday

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

Every Sunday, you can find dozens of food vendors at this market at ROW DTLA, a Brooklyn import that boasts a mix of much-loved pop-ups and future foodie stars. Over a dozen new vendors joined the lineup this year: Feast on Afro-Caribbean cuisine from withBee, Lebanese street food from Teta, ice cream tacos from Sad Girl Creamery and more. Wash it all down at the family-friendly beer garden. You’ll also find shopping stalls selling everything from framed vintage ads to jewelry made locally with ethically sourced gemstones. Entry and the first two hours of parking are free.

This spectacular exhibition from the Icelandic–Danish artist brings a new series of optical installations to MOCA’s Little Tokyo location. Don’t let the reflective, colorful pieces fool you into thinking this is some run-of-the-mill “immersive” exhibit: Olafur Eliasson’s works invite you to admire the everyday miracles of physics that shape how we see the world. The towering, mirror-lined stacks that fill the entrance of “OPEN” bring the outside in, as the warehouse-style Geffen Contemporary’s skylights create infinite spaces and mini worlds out of the sun and sky. The surprisingly analog optics behind them can be truly sublime: Gently moving water has a pair of pieces appear as shimmery landscapes, mirrors turn tubing into floating rings that trail into a black void and a simple array of pendants produce colorful flares against a screen. These aren’t pieces you’re meant to disappear into; instead, they provide a lens for the enviornment around us. You’ll need a timed ticket ($18) to see “Olafur Eliasson: OPEN.” Look for reservations on the first Friday of the month, from 5 to 8pm, for free admission.

For more than 50 years, this venue has drawn theatre aficionados to its storied, open-air stage for engaging productions in a magical setting. The 299-seat amphitheater in Topanga Canyon hosts audiences of all ages for plays from a wide range of genres, from Shakespearean classics to folk tales. This season, whose theme is “A Season of Resilience,” catch highlights such as William Shakespeare’s Much Ado About Nothing and A Midsummer Night’s Dream, as well as a Malibu-themed retelling of Anton Chekhov’s The Seagull and Strife by Nobel Prize-winning writer and activist John Galsworthy.  

This special exhibition at the Broad makes its way to Downtown L.A. from the 2024 Venice Biennale—and Angelenos should consider themselves lucky that such a remarkable display has set up stateside. Jeffrey Gibson became the first Indigenous artist to represent the United States with a solo exhibition at the Italian art event, and this adaptation of that show, “the space in which to place me,” assembles 30-plus pieces of geometrically-patterned paintings and glass bead–adorned sculptures into the first-floor galleries of the Broad. Born in Colorado with tribal roots in the Southeast U.S., Gibson explores Indigenous identity as well as queer history by fusing pop music lyrics and foundational American documents into psychedelic statements on belonging, history and oppression; the Declaration of Independence’s “we hold these truths to be self-evident…” line—but not “all men are created equal”—is spelled out across brilliantly saturated beads that’ve been affixed to a literal punching bag. But this is ultimately a joyous show, an inclusive celebration of survival, resilience and empowerment that pays tribute to histories of resistance and looks optimistically forward. Unlike the rest of the otherwise free museum, you’ll need to buy a $15 ticket to see Gibson’s exhibition. And while it’s absolutely worth the price, you can save by taking advantage of free admission on Thursday evenings after 5pm. Expect an accompanying slate of performances, talks and workshops, as well.

This is not a drill: The World Cup is indeed coming to Los Angeles next summer—we’re one of 16 cities that will host games. In the meantime, though, the Club World Cup is taking place this summer, where 32 of the world’s top club teams compete, rather than national teams. The Rose Bowl is hosting six of these matches, where teams hailing from Paris, Milan, Madrid, Mexico, Brazil, Argentina and Japan will go head-to-head.

Nature lovers, rejoice! Spend a day at the Natural History Museum’s Butterfly Pavilion, which will be open March 23 through August 24 and be home to up to 30 butterfly and moth species, as well as an assortment of California plants. The seasonal outdoor exhibit allows for adults and children alike to witness nature up close—we’re talking walking amid hundreds of butterflies and having them land on your arms or shoulders. Tip: The prime time for these unique butterfly flight experiences is typically between 10am and 11am each morning.

The Skirball’s latest pop culture exhibition takes a deep dive into the six-decade career of legendary comic book artist Jack Kirby. You might know him as the co-creator of Captain America, Black Panther, the Hulk, Thor, Iron Man, the Fantastic Four, the X-Men and some of the Marvel universe’s most cosmic characters. But did you know he was also a first-generation Jewish American born to immigrant parents, World War II veteran and family man who split his time between New York and Los Angeles? The exhibition only occupies a few small galleries, but it’s stuffed with information about Kirby’s life, as well as pristine prints of issues plus his original comic illustrations—many on view for the first time. It’s not just a Marvel showcase, either: You’ll find some of the work Kirby did for DC, plus personal collages, a drawing he gave to Paul and Linda McCartney, and a fantastic reproduction of a costume he designed for a UC Santa Cruz production of Julius Caesar. Though not explicitly framed this way, the exhibition also presents a clear-as-day retort to any contemporary fans who decry comic book stories today as too “political”: Marvel has been political from the very start. Kirby’s cover for the first issue of Captain America features Cap punching Hitler—a full year before America would break its isolationist policies and enter WWII. The fifth issue follows Captain America in a battle against the German American Bund, a domestic Nazi organization that staged an infamous...

Every Father’s Day weekend, more than 500 artists create temporary masterpieces in chalk on the sidewalks of Pasadena, prompting thousands of onlookers to watch where they walk. Also on offer are a live DJ, food, beer garden and silent auction. Eventually awards are presented in a number of different categories, and then it’s all washed away for good. This year, the event is back at its Paseo Colorado home after a brief move to the Pasadena Convention Center’s plaza.

The Boy Who Lived lives on in a wizardly spectacle. As though it had cast a Shrinking Charm on itself, the formerly two-part epic is now a single show, albeit a long one—and one that our New York critic awarded five stars.