Things to do in Los Angeles on Sunday

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

Every Sunday, you can find dozens of food vendors at this market at ROW DTLA, a Brooklyn import that boasts a mix of much-loved pop-ups and future foodie stars. Over a dozen new vendors joined the lineup this year: Feast on Afro-Caribbean cuisine from withBee, Lebanese street food from Teta, ice cream tacos from Sad Girl Creamery and more. Wash it all down at the family-friendly beer garden. You’ll also find shopping stalls selling everything from framed vintage ads to jewelry made locally with ethically sourced gemstones. Entry and the first two hours of parking are free.

Watch a slate of classics from the past couple of decades on one of the prettiest rooftops—now called Oasis—in Hollywood at this outdoor screenings series. All movies are piped in over sets of provided wireless headphones. Before showtime, make sure to hit up the bar or the on-site kitchen.

For more than 50 years, this venue has drawn theatre aficionados to its storied, open-air stage for engaging productions in a magical setting. The 299-seat amphitheater in Topanga Canyon hosts audiences of all ages for plays from a wide range of genres, from Shakespearean classics to folk tales. This season, whose theme is “A Season of Resilience,” catch highlights such as William Shakespeare’s Much Ado About Nothing and A Midsummer Night’s Dream, as well as a Malibu-themed retelling of Anton Chekhov’s The Seagull and Strife by Nobel Prize-winning writer and activist John Galsworthy.  

Drive down the newly reopened PCH to the Malibu Pier and support the city’s small businesses as they rebuild and recover in the wake of the Palisades Fire. Every second Sunday this summer, the boardwalk will be filled with free live music (courtesy of Aviator Nation Dreamland), food and drink, plus pop-ups from local vendors. A portion of every purchase will support California State Parks. What better way to spend a summer Sunday?

Ready or not, spooky season is slowly stalking its way ever closer. The clearest sign? Universal Studios has already announced the haunted houses set to inhabit its Hollywood-adjacent theme park for Halloween Horror Nights—and there are some pretty big ones. Fallout will get its own haunted house at Universal Studios Hollywood this year (as well as the theme park’s Orlando location), which promises to be a blast. Wander through the post-apocalyptic Wasteland—complete with Scavengers, Raiders, the Ghoul and RAD Roaches the size of dogs—inspired by the award-winning video game franchise and Prime Video TV show. You’ll also find a maze celebrating 45 years of Friday the 13th’s iconic villain, Jason Voorhees, in “Jason Universe,” which will re-create the summer camp, cabin and forest as the hockey-mask-wearing killer goes on a vengeance tour. And a Five Nights at Freddy’s haunted house will bring the creepy animatronic characters to life. Over on the studio tour—ahem, Terror Tram—you can expect a “disturbing new turn” this year.  Halloween Horror Nights runs on select evenings from September 4 to November 2. Tickets cost $77 to $107, depending on the night; with Express Pass add-ons, options range from $209 all the way up to $529 (for the R.I.P. Tour option). See more of the best haunted houses in L.A.

Perhaps the Los Angeles area’s most iconic flea market, this event around the exterior of the Rose Bowl is staggeringly colossal—but what else would you expect from a 90,000-seat stadium? The sheer size and scale of this flea market means that it encompasses multitudes: new and old, hand-crafted and salvaged, the cheap and the costly. On the second Sunday of each month, an odd mix of vendors populates the loop around the stadium: for every eye-catching artwork, there’s a ratty $5 T-shirt, and for each elegant craft there’s a competing “as seen on TV” demo. But you may have more luck in the rows and rows of old furniture, albums and vintage clothes and accessories that fill the adjacent parking lot. There are plenty of duds, to be sure, but come out early enough and you may go home with that perfect purchase. This destination flea market attracts bargain hunters, collectors, and antique aficionados from all over the county, so the organizers have instituted an extensive tiered entry/admission system, allowing professional and dedicated shoppers early access at a premium.

This special exhibition at the Broad makes its way to Downtown L.A. from the 2024 Venice Biennale—and Angelenos should consider themselves lucky that such a remarkable display has set up stateside. Jeffrey Gibson became the first Indigenous artist to represent the United States with a solo exhibition at the Italian art event, and this adaptation of that show, “the space in which to place me,” assembles 30-plus pieces of geometrically-patterned paintings and glass bead–adorned sculptures into the first-floor galleries of the Broad. Born in Colorado with tribal roots in the Southeast U.S., Gibson explores Indigenous identity as well as queer history by fusing pop music lyrics and foundational American documents into psychedelic statements on belonging, history and oppression; the Declaration of Independence’s “we hold these truths to be self-evident…” line—but not “all men are created equal”—is spelled out across brilliantly saturated beads that’ve been affixed to a literal punching bag. But this is ultimately a joyous show, an inclusive celebration of survival, resilience and empowerment that pays tribute to histories of resistance and looks optimistically forward. Unlike the rest of the otherwise free museum, you’ll need to buy a $15 ticket to see Gibson’s exhibition. And while it’s absolutely worth the price, you can save by taking advantage of free admission on Thursday evenings after 5pm. Expect an accompanying slate of performances, talks and workshops, as well.

See the marionette theater’s family-friendly take on Halloween during the two-month return of its Hallowe’en Spooktacular—a refurbished production of its long-running “boo-sical revue” where you can see over 100 silly and spooky puppets take the stage. New this year is a Día de los Muertos sequence that pays tribute to the holiday, as well as a sneak peek of BBMT’s upcoming Choo Choo Revue—its first new show in 40 years. Once October arrives, each show will include a costume parade, so dressing up is encouraged.

The Skirball’s latest pop culture exhibition takes a deep dive into the six-decade career of legendary comic book artist Jack Kirby. You might know him as the co-creator of Captain America, Black Panther, the Hulk, Thor, Iron Man, the Fantastic Four, the X-Men and some of the Marvel universe’s most cosmic characters. But did you know he was also a first-generation Jewish American born to immigrant parents, World War II veteran and family man who split his time between New York and Los Angeles? The exhibition only occupies a few small galleries, but it’s stuffed with information about Kirby’s life, as well as pristine prints of issues plus his original comic illustrations—many on view for the first time. It’s not just a Marvel showcase, either: You’ll find some of the work Kirby did for DC, plus personal collages, a drawing he gave to Paul and Linda McCartney, and a fantastic reproduction of a costume he designed for a UC Santa Cruz production of Julius Caesar. Though not explicitly framed this way, the exhibition also presents a clear-as-day retort to any contemporary fans who decry comic book stories today as too “political”: Marvel has been political from the very start. Kirby’s cover for the first issue of Captain America features Cap punching Hitler—a full year before America would break its isolationist policies and enter WWII. The fifth issue follows Captain America in a battle against the German American Bund, a domestic Nazi organization that staged an infamous...