Things to do in Los Angeles on Sunday

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

The hour stands before another springtime, and the Renaissance Pleasure Faire is nigh. Good mistresses and masters, prepareth thy schedules and costumes for the return of the oldest Ren Faire in the country, a spectacle that cov’reth 20 Irwindale acres with Elizabethan libations and amusement: fully armored joust tournaments and tea parties with the queen along with beguiling stage acts, rides, games, delicious edibles and ales abound. The festivities will transpire each weekend at the Santa Fe Dam Recreation Area; procureth day or season passes in advance by visiting ye olde online box office. And no, we can’t stop talking like this. When is the Original Renaissance Pleasure Faire? The event takes place Saturdays and Sundays (10am–7pm) from April 4 to May 17, 2026, at the Santa Fe Dam Recreation Area in Irwindale. How much are tickets? Tickets cost $53 for adults, $48 for seniors (62+) and military with ID, $28 for kids ages 5 to 12 and are free for kids 4 and under. A season pass costs $275. Parking is $15, with a VIP option available for $30.

The multisensory nature of art is explored in this exhibition, which looks at the intertwined relationship between contemporary art and living materials. With its focus on artists’ relationships to the materials they use, “Several Eternities” highlights that commonality and aims to reframe the discussion around artists and race. Twenty-two artists from North, Central and South America have employed mediums like soil, stones, avocado, cacao, achiote, cochineal and clay in their works—the organic matter making it an ambitious exhibition to mount. From the moment you walk in, you can smell the soil, feel a vibrating wall and listen to the many “sonic interventions” throughout the show. The large-scale installations and sculptures—many rooted in Indigenous worldviews—steal the show. The experience ends with a welcome moment to pause: a meditative, black-walled room, with ocean sounds and sand covering the floor.

Every Sunday, you can find dozens of food vendors at this market at ROW DTLA, a Brooklyn import that boasts a mix of much-loved pop-ups and future foodie stars. Thirteen new vendors are joining the lineup this year: Feast on burgers and orange chicken sandwiches from Terrible Burger, Viennese street food from Franzl’s Franks, Neapolitan-meets-Persian pies from Mamani Pizza, plant-based corn dogs from Stick Talk and more. Wash it all down at the family-friendly beer garden. You’ll also find shopping stalls selling everything from framed vintage ads to jewelry made locally with ethically sourced gemstones. Entry and the first two hours of parking are free.

Ponyo loves Sosuke! And we love this exhibition at the Academy Museum dedicated to the wholesome Hayao Miyazaki film. Studio Ghibli donated more than 100 objects to the Academy Collection, and you’ll find everything from an animation desk to colorful art boards to dozens of frame-by-frame pencil drawings of the scene when Sosuke first finds Ponyo. Though you may recognize a couple of items from the museum’s debut Hayao Miyazaki retrospective, the vast majority of Ponyo pieces are new—and some have never been displayed in North America before. It’s also a colorful and super kid-friendly exhibition; you can watch clips of the gorgeously hand-drawn movie, recreate the wave-running scene and even make your own stop-motion animation. You’ll find it on the museum’s second floor, inside the first few galleries of the “Stories of Cinema’ space.

Nature lovers, rejoice! The Natural History Museum is bringing back its annual Butterfly Pavilion, which will be open March 22 through August 23 and house up to 30 butterfly and moth species, as well as an assortment of California plants. The seasonal outdoor exhibit allows for adults and children alike to witness nature up close—we’re talking walking amid hundreds of butterflies and having them land on your arms or shoulders. You’ll need to purchase a $10 add-on ticket on top of your museum ticket in order to explore the pavilion for a half-hour.

Perhaps the Los Angeles area’s most iconic flea market, this event around the exterior of the Rose Bowl is staggeringly colossal—but what else would you expect from a 90,000-seat stadium? The sheer size and scale of this flea market means that it encompasses multitudes: new and old, hand-crafted and salvaged, the cheap and the costly. On the second Sunday of each month, an odd mix of vendors populates the loop around the stadium: for every eye-catching artwork, there’s a ratty $5 T-shirt, and for each elegant craft there’s a competing “as seen on TV” demo. But you may have more luck in the rows and rows of old furniture, albums and vintage clothes and accessories that fill the adjacent parking lot. There are plenty of duds, to be sure, but come out early enough and you may go home with that perfect purchase. This destination flea market attracts bargain hunters, collectors, and antique aficionados from all over the county, so the organizers have instituted an extensive tiered entry/admission system, allowing professional and dedicated shoppers early access at a premium.

Netflix’s stand-up specials keep us cackling at home, but the streaming service’s ambitious comedy festival is nothing to laugh at. For its second iteration, Netflix is a Joke Fest is headed back here May 4 to 10, 2026, and upping the ante: We’ve counted over 350 shows slated for venues across the city, boasting sets from Ali Wong, Jerry Seinfeld, Jim Gaffigan, John Mulaney, Taylor Tomlinson and a reunited Flight of the Conchords, plus literally hundreds of others. This year, the lineup also includes the surprise addition of music (Jelly Roll, Lizzo) and a ton of podcast tapings (The Pete Davidson Show, Giggly Squad, The Viall Files and more). The event is a bit more of a marathon than a traditional festival: There’s not an all-encompassing festival pass, but you can buy individual tickets to shows throughout its run. You’ll find shows staged at venues as big as the Hollywood Bowl and Greek Theatre (absolutely don’t drive and instead take the shuttle to both of those) and as intimate as Dynasty Typewriter and UCB, plus seemingly every major arena, theater and comedy club in between. Keep in mind that for shows at spots that are normally general admission, that means sitting in stiff, tightly packed folding chairs with limited views (the Palladium and ground floor of the Wiltern have particularly poor sightlines)—but the vast majority of venues thankfully have permanent seats. It’s TBD if outdoor event Outside Joke—which in the past was set up in a parking lot behind the...

When Mexican director Alejandro G. Iñárritu made his debut feature, Amores Perros, over a million feet of film didn’t make it to the final cut (to put that into perspective, the finished two-and-a-half-hour movie used around 18,000 feet of film). Twenty five years later, some of these unearthed reels of celluloid now zip through a ground-floor gallery at LACMA as part of a multi-channel film installation. As much a piece of sculpture as it is film or video art, Sueño Perro assembles six 35mm projectors that pierce the hazy near-dark space with raw, nonlinear snippets of the movie, fed from a mesmerizing curtain of film stock speeding along sprockets. It’s an intense experience, both sonically (during the car crash that connects the feature’s storylines) and visually (dog fighting plays a pivotal role in the film, though you’ll see here some of the behind-the-scenes tricks that kept the production cruelty-free).

It doesn’t matter if you win by an inch or a mile—or if you’re more of a fan of the street racing and respect era or heists and hackers phase of Fast & Furious: There’s plenty of familiar motorized might to behold at this Petersen Automotive Museum exhibition honoring the high-adrenaline film franchise. You’ll find roughly 20 screen-used cars and production prototypes—including ones on loan from Vin Diesel’s private collection, as well as from the late Paul Walker—on display in the second floor of the Miracle Mile museum. It’s a very Fast & Furious kind of year in L.A. between Universal Studios’ roller coaster and this 25th anniversary exhibition. While the Petersen’s exhibition is certainly encyclopedic (the selections here span the entirety of the franchise, with a particular focus on the first three films), it’s not overly academic: Brief labels will let you know the story behind the stunt car you’re staring at, but this is ultimately an opportunity to ogle American muscle cars and custom Japanese imports (as well as the franchise’s melodramatic quotes about family). Highlights on display include the 1993 Toyota Supra “Stunt #3” and 1995 Mitsubishi Eclipse driven by Brian O’Conner (Paul Walker) in the original film, Dominic Toretto’s (Vin Diesel) 1968 Dodge Charger R/T and 1993 Mazda RX-7, and Suki’s (Devon Aoki) very pink 2001 Honda S2000.