Things to do in Los Angeles on Sunday

The multisensory nature of art is explored in this exhibition, which looks at the intertwined relationship between contemporary art and living materials through large-scale installations, painting, mixed-media sculpture, video and sound. Over 20 artists from North, Central and South America have employed mediums like stones, avocado, cacao, achiote, cochineal and clay in their works, inviting visitors to engage their senses of touch, smell and hearing when interacting with the art. On Saturday, April 4, get an after-hours sneak peek of “Several Eternities,” plus three more new spring exhibitions, complemented by sets by Chulita Vinyl Club DJs in the courtyard, a photobooth and a cyanotype art-making activity—all free.

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

The hour stands before another springtime, and the Renaissance Pleasure Faire is nigh. Good mistresses and masters, prepareth thy schedules and costumes for the return of the oldest Ren Faire in the country, a spectacle that cov’reth 20 Irwindale acres with Elizabethan libations and amusement: fully armored joust tournaments and tea parties with the queen along with beguiling stage acts, rides, games, delicious edibles and ales abound. The festivities will transpire each weekend at the Santa Fe Dam Recreation Area; procureth day or season passes in advance by visiting ye olde online box office. And no, we can’t stop talking like this. When is the Original Renaissance Pleasure Faire? The event takes place Saturdays and Sundays (10am–7pm) from April 4 to May 17, 2026, at the Santa Fe Dam Recreation Area in Irwindale. How much are tickets? Tickets cost $53 for adults, $48 for seniors (62+) and military with ID, $28 for kids ages 5 to 12 and are free for kids 4 and under. A season pass costs $275. Parking is $15, with a VIP option available for $30.

Bibliophiles flock to the USC campus each spring for this annual two-day event. The outdoor book fair of sorts features stalls from a variety of booksellers, as well as author readings, signings and culinary demos. The sheer variety and quality of talent the festival attracts is impressive and legendary—this year’s lineup includes a mix of superstars from the literary, entertainment and culinary worlds, including Amy Tan, Elvira, David Duchovny, Hannah Brown, Larry David, Lisa Rinna, Megan Abbott, Roxana Jullapat, Roxane Gay, Sarah Jessica Parker, and Susan Orlean. Bring the kids and spend the weekend discovering new titles, watching screenings and enjoying live music and cultural entertainment. Entry and tickets to conversations are free (reservations open up April 12), while a limited number of speaker-series events are ticketed, starting at $28. Before the weekend kicks off, the 46th annual Los Angeles Times Book Prizes awards the year’s best in literature on Friday (tickets are $28–$83).

Every Sunday, you can find dozens of food vendors at this market at ROW DTLA, a Brooklyn import that boasts a mix of much-loved pop-ups and future foodie stars. Thirteen new vendors are joining the lineup this year: Feast on burgers and orange chicken sandwiches from Terrible Burger, Viennese street food from Franzl’s Franks, Neapolitan-meets-Persian pies from Mamani Pizza, plant-based corn dogs from Stick Talk and more. Wash it all down at the family-friendly beer garden. You’ll also find shopping stalls selling everything from framed vintage ads to jewelry made locally with ethically sourced gemstones. Entry and the first two hours of parking are free.

Ponyo loves Sosuke! And we love this exhibition at the Academy Museum dedicated to the wholesome Hayao Miyazaki film. Studio Ghibli donated more than 100 objects to the Academy Collection, and you’ll find everything from an animation desk to colorful art boards to dozens of frame-by-frame pencil drawings of the scene when Sosuke first finds Ponyo. Though you may recognize a couple of items from the museum’s debut Hayao Miyazaki retrospective, the vast majority of Ponyo pieces are new—and some have never been displayed in North America before. It’s also a colorful and super kid-friendly exhibition; you can watch clips of the gorgeously hand-drawn movie, recreate the wave-running scene and even make your own stop-motion animation. You’ll find it on the museum’s second floor, inside the first few galleries of the “Stories of Cinema’ space.

When I first stepped foot inside of this exhibition of decommissioned Confederate monuments and reflective contemporary art pieces, I was taken aback by the scale of it all. I’d seen the installation photos of the side-by-side statues of Confederate generals Stonewall Jackson and Robert E. Lee on horseback, but as I craned my neck up at these towering tributes, they felt awe-inspiring in the most dreadful meaning of the phrase. Most Angelenos don’t need to be convinced of the immoralities of the Confederacy—but most likely haven’t been forced to come face-to-face with such Civil War iconography either. “Monuments,” displayed almost entirely at MOCA’s Little Tokyo warehouse with a single Kara Walker installation at the Brick in East Hollywood, presents tangible proof that these monuments removed from public view over the past decade were not simple, somber remembrances for the recently deceased, these were larger-than-life celebrations of the Confederacy forged in the Jim Crow era and often financed by folks seeking to twist its history. Works from 19 artists respond either directly or thematically to the many statues on display, or in some cases physically alter them: Bethany Collins’s Love is dangerous chisels pieces of the granite pedestal of a Stonewall Jackson monument into Carolina rose petals. Other graffitied or paint-splattered statues speak for themselves: The Robert E. Lee monument at the center of 2017’s Unite the Right rally in Charlottesville, Virginia resides...

Nature lovers, rejoice! The Natural History Museum is bringing back its annual Butterfly Pavilion, which will be open March 22 through August 23 and house up to 30 butterfly and moth species, as well as an assortment of California plants. The seasonal outdoor exhibit allows for adults and children alike to witness nature up close—we’re talking walking amid hundreds of butterflies and having them land on your arms or shoulders. You’ll need to purchase a $10 add-on ticket on top of your museum ticket in order to explore the pavilion for a half-hour.

When Mexican director Alejandro G. Iñárritu made his debut feature, Amores Perros, over a million feet of film didn’t make it to the final cut (to put that into perspective, the finished two-and-a-half-hour movie used around 18,000 feet of film). Twenty five years later, some of these unearthed reels of celluloid now zip through a ground-floor gallery at LACMA as part of a multi-channel film installation. As much a piece of sculpture as it is film or video art, Sueño Perro assembles six 35mm projectors that pierce the hazy near-dark space with raw, nonlinear snippets of the movie, fed from a mesmerizing curtain of film stock speeding along sprockets. It’s an intense experience, both sonically (during the car crash that connects the feature’s storylines) and visually (dog fighting plays a pivotal role in the film, though you’ll see here some of the behind-the-scenes tricks that kept the production cruelty-free).

It doesn’t matter if you win by an inch or a mile—or if you’re more of a fan of the street racing and respect era or heists and hackers phase of Fast & Furious: There’s plenty of familiar motorized might to behold at this Petersen Automotive Museum exhibition honoring the high-adrenaline film franchise. You’ll find roughly 20 screen-used cars and production prototypes—including ones on loan from Vin Diesel’s private collection, as well as from the late Paul Walker—on display in the second floor of the Miracle Mile museum. It’s a very Fast & Furious kind of year in L.A. between Universal Studios’ roller coaster and this 25th anniversary exhibition. While the Petersen’s exhibition is certainly encyclopedic (the selections here span the entirety of the franchise, with a particular focus on the first three films), it’s not overly academic: Brief labels will let you know the story behind the stunt car you’re staring at, but this is ultimately an opportunity to ogle American muscle cars and custom Japanese imports (as well as the franchise’s melodramatic quotes about family). Highlights on display include the 1993 Toyota Supra “Stunt #3” and 1995 Mitsubishi Eclipse driven by Brian O’Conner (Paul Walker) in the original film, Dominic Toretto’s (Vin Diesel) 1968 Dodge Charger R/T and 1993 Mazda RX-7, and Suki’s (Devon Aoki) very pink 2001 Honda S2000.