The Phantom of the Opera has ended its 35-year Broadway run, but you can't keep a masked man down for long. The Andrew Lloyd Webber musical—adapted by the composer and Richard Stilgoe from Gaston Leroux's 1910 horror novel—is already somehow here again, and in a surprising new form. It's now an immersive experience, à la Sleep No More, in which audiences are led en masque through multiple locations in a complex designed to evoke the 19th-century Paris Opera House where soprano Christine Daaé is tutored and stalked by a serial killer who lives in the basement.
Six groups of 60 spectators at a time enter at staggered 15-minute intervals; each group gets its own Phantom and Christine, but the other roles are played by one to four actors each; to help sustain the atmosphere, audience members must wear black, white or silver cocktail or formal attire—and, hopefully, comfortable shoes. (Masks are provided for those who do not bring their own.)
Here's what our theater critic thought of the experience.