The Phantom of the Opera has ended its 35-year Broadway run, but you can't keep a masked man down for long. The Andrew Lloyd Webber musical—adapted by the composer and Richard Stilgoe from Gaston Leroux's 1910 horror novel—is already somehow here again, and in a surprising new form. It's now an immersive experience, à la Sleep No More, in which audiences are led en masque through multiple locations in a complex designed to evoke the 19th-century Paris Opera House where soprano Christine Daaé is tutored and stalked by a serial killer who lives in the basement.
Six groups of 60 spectators at a time enter at staggered 15-minute intervals; each group gets its own Phantom and Christine, but the other roles are played by one to four actors each; to help sustain the atmosphere, audience members must wear black, white or silver cocktail or formal attire—and, hopefully, comfortable shoes. (Masks are provided for those who do not bring their own.)