The best things to do in Tokyo this weekend

One of the largest in all of Tokyo, this lively Roppongi Hills festival features traditional Bon Odori dance by yukata-clad performers in the shopping centre’s event arena.

Traditional Japanese lanterns add to the festive atmosphere while the surrounding food stalls cater to hungry crowds. You can expect a varied gourmet selection prepared by popular restaurants in the area, including Roppongi Barbacoa, Shinanoya, Rigoletto Bar and Grill, Grand Hyatt Tokyo, Gelateria Raffinato, and more. There will also be plenty of activities like yo-yo fishing, ring tossing, and a face mask stall for children and adults to enjoy.

While there's no Bon Odori dancing on Friday, you’ll get to watch a modern interpretation of Gigaku (masked drama performance) and Dengaku (traditional Japanese dance) instead. The show is put on by Roppongi Raku, the venue’s performing arts group that consists of about 150 people, starting at 7pm. 

Bon Odori dancing takes place on Saturday and Sunday from 5pm to 8pm.

Granted, it's a minnow compared to the Koenji Awa-Odori that takes place at the end of the month, but Shimokitazawa's version of the famed dancing-in-the-streets fest (originally from Tokushima) has a unique charm of its own. Now into its 58th year, the two-day Shimokitazawa Awa-Odori sees 25 dance teams passionately romp along the neighbourhood's north-side main shopping streets in the evening, and dazzle the crowds with their special routines. Be sure to hang around afterwards, when the area is engulfed in a joyous party mood.

Check the event website for the latest details.

One of Tokyo's favourite traditional festivals, the annual Azabu-Juban Noryo Matsuri (‘noryo’ translates as 'cool of the evening') has been going on for over 50 years now. The festival is returning this year on August 22 and 23 at Patio Juban Square, the nearby Amishiro Park and along the streets of the fashionable Azabu-Juban shopping district. 

There will be plenty of dancing, performances and live music, along with food and game stalls, some of which are set up by local businesses. While details for 2026 are yet to be announced, expect the nearby Juban Inari-jinja shrine to host an ohayashi festival music performance, accompanied by Ise Ondo folk dancing. Dust off your yukata and prepare to mingle among the crowds. 

Visit the website for the festival map and programme.

Head over to Hamacho Park for some communal dancing at the Chuo Ward Oedo Bon Odori festival. Held on August 21 and 22, this annual event marks the end of summer and honours ancestral spirits with a unique song and dance called the Chuo City Ondo – you can learn the steps here. 

As with similar festivals across Japan, you’ll find food stalls serving crowd-pleasing street eats. Programme-wise, watch out for a traditional performing arts presentation at 4pm on Saturday. And make sure you catch the special taiko drum performances on Friday at 5.30pm and Saturday at 8.50pm – they mark the beginning and end of the Bon Odori festivities respectively. 

If you’re looking to partake in the Bon Odori dance, the session starts at 5.50pm on Friday and 6.20pm on Saturday.

Sangenjaya, known affectionately as Sancha among the locals, holds its annual Latin Festival with several performances throughout these two days. Enjoy some traditional festival food while taking in the live shows, amazing costumes and celebratory atmosphere.

Of course, the highlight of the festival is the spectacular samba parade, which takes place on the second day (August 23) from 1.30pm to 4pm on Chazawa Street. Additionally, you'll find stage performances and outdoor food stalls over at Sangenjaya Fureai Square.

Yokohama’s southernmost ward of Kanazawa is hosting its 52nd annual fireworks festival this year at the beachfront Marine Park (Yokohama Umi no Koen). A total of 3,500 shells of fireworks will be launched from the water near Hakkeijima Island from 7pm. Watch out for special pyrotechnic effects such as the crowd-pleasing giant starmines and a colourful explosion shaped like Kanazawa ward’s mascot, Botan-chan. For 2026, you can also expect flower-shaped bursts to celebrate the upcoming Yokohama Green Expo 2027. If you're feeling hungry, head to the numerous food stalls selling traditional matsuri grub from 12noon to 8pm.

Check the event website and pamphlet (Japanese only) for more details.

Tokyo hip-hop outfit Dos Monos are set to play their biggest headline show to date this August. The show, to be held at Zepp Shinjuku, will cap off a seven-city album tour and eight years of continuous output, creativity and critical acclaim.

The trio’s latest album, Dos Moons (Full Moon), rearranges their two preceding EPs into a unified narrative, inspired by the album artwork by manga artist Junji Ito. The tracks are said to represent the light and dark sides of the moon, and see the group take a more instrument-heavy approach than their earlier sample-oriented work. 

Echoing their acclaimed Theater D Vol. 5 performance at Liquidroom earlier this year, the Zepp Shinjuku show is also set to feature a live backing band.

Ako is set to undertake her first nationwide solo tour this August with a show at Line Cube Shibuya. The tour is in support of her sophomore album Lovely Moments, her second full-length release through Pony Canyon/Irori Records.

The new album comes two years after her major label debut in 2024, which saw Ako perform numerous shows at Austin’s SXSW as well as tour Taiwan, South Korea and earn a spot on Forbes Japan’s 30 Under 30 list. Things have hardly slowed down since, with a showcase at Brighton’s Great Escape last year, tours and numerous single releases, including the ending theme for the TV anime The Darwin Incident.

Ako remains hands-on with every aspect of music recording, production, visuals and live performances. With her working on live arrangements for the genre-defying new album since the start of the year, fans have a lot to look forward to on her biggest tour to date.

Step back into the heyday of the ’70s and ’80s at this open-air disco taking over the Yokohama Red Brick Warehouse this summer. Set against the waterfront, the dance floor will come alive with soul, disco, funk and techno spun by some of Japan’s top DJs, including DJ Nori, Muro of Captain Vinyl, Drunken Kong, DJ Hasebe and Grooveman Spot.

Complete with neon lighting, mirror balls and lasers, the venue recreates the atmosphere of a classic disco under the open sky. To make the event as accessible as possible, admission is free on select days. On dates featuring special DJ performances, entry ranges from ¥1,000 to ¥3,800, so be sure to check the official schedule before heading over.

Tickets are now on sale via Asoview. 

Inage Seaside Park in Chiba is hosting weekly DJ parties on its picturesque 90-metre-long pier that stretches out into Tokyo Bay, until September 27. Taking place on Saturdays, Sundays and public holidays from 4pm to 8pm, the parties showcase artists spinning tunes from a variety of genres, including Balearic house, afrobeats, tech house, South African amapiano and more.

While the full 2026 line-up is unannounced, expect to see local favourites including Golden Roa, Mark Mila and Ahreum will also take to the decks, spinning everything from techno to R&B to keep the summer vibes alive.

Check the event website for the most up-to-date DJ line-up.

The National Stadium’s swanky next-door park is hosting a summer beer garden and outdoor cinema festival this month from July 17 to September 27. During the event, the park will be transformed into an open-air beer garden complete with tables, tents and plenty of seating. Hosted by Corona, the beer garden will serve favourites such as Corona Extra (¥750), alongside the brand’s non-alcoholic Corona Cero (¥600) and inventive Corona-infused cocktails. New for 2026 is the Corona Sunsets Truck, which will be serving drinks and appetisers designed to pair perfectly with Corona beer every Friday, Saturday and Sunday.

While you’re there, don’t miss the free outdoor film screenings taking place on Fridays, Saturdays and Sundays. This weekend outdoor cinema event is one of Japan’s largest, with screenings running for over 70 days. While the cinema line-up for 2026 has yet to be announced, last year’s programme featured Academy Award-winning titles such as Green Book and Top Gun: Maverick, as well as family favourites including Paddington, School of Rock, The Minions and more. Note that most screenings are Japanese-dubbed versions of the films.

While entry to the festival is free, a special reservation is required to enter on August 8, when the nearby Jingu Stadium is hosting the Jingu Gaien Fireworks Festival. Capacity is limited to two thousand visitors, so reserve a slot via the official website before it's too late.

After collaborating with JoJo’s Bizarre Adventure creator Hirohiko Araki in early 2025, Yebisu Beer and Ai Yazawa reunite this summer for a second collaboration. The project centres on new illustrations that reinterpret Yebisu Beer’s historic bijin-ga advertisements – early 20th-century beer posters featuring elegant portraits of women.

Yazawa presents two new bijin-ga works reimagined through a contemporary lens and themed around summer evening festivals. The pieces will be exhibited at Yebisu Brewery Tokyo from July 8 to August 31. Visitors can also look forward to limited-edition merchandise featuring her artwork, including T-shirts, notebooks, fans and more.

Enjoy a late-night stroll under an artificial Milky Way at Tokyo Tower’s main deck. As an alternative experience for astronomy enthusiasts, Tokyo Tower has recreated the Milky Way using 30,000 LED lights, so you can gaze up at the (artificial) stars in the middle of the city.

Every 15 minutes, the blue LED lights that represent the starry sky turn pink and gold, while the Milky Way changes from white to a rainbow of seven colours. This special effect makes the Tokyo skyline look even more mesmerising, as if our beloved city is under a magical starry night.

The light-up runs from 9am to 11pm.

Tokyo Midtown has a packed programme of summer fun this year. If you want to take it easy, cool down at Midtown Garden’s Ashimizu area. The gentle stream here has been transformed into a foot bath, open between 3pm and 9pm (closed on Tuesdays). It can accommodate up to 70 people at a time and, best of all, it’s free. Towels are available for ¥100 each, but of course, you can always bring your own. Cool down in the mist and ice-cooled water, with a free rentable parasol that even glows softly after nightfall for a calm evening ambience.

Feeling wiped out by the summer heat? Make a beeline for the restaurants and cafés at Tokyo Midtown, now hosting a refreshing summer sweets fair featuring cool desserts such as the mango syrup kakigori shaved ice at Hal Yamashita, the strawberry and condensed milk kakigori shaved ice at Ukafe and many more.

New for 2026, enjoy a casual summer evening with small firework sparklers at the Midtown Garden from 5.30pm to 9pm on July 18, 19, 20, and August 8, 9, 10, and 11. Sparklers can be purchased on-site, starting at ¥500 for five sticks and ¥1,000 for 12 sticks. Up to two people may enter the fireworks space per purchase.

Shinjuku welcomes a brand new Korean pub-style beer garden, located on the rooftop of the Lumine Est shopping complex in the heart of the city. You can choose from four meal plans: the Pocha course (¥3,500), which includes yangnyeom chicken and bulgogi kimbap; the Korean Chicken BBQ course (from ¥4,000), offering chicken marinated in sweet and spicy miso sauce as well as salted green onion sauce; the samgyeopsal and beef galbi course (¥5,000), featuring makgeolli-aged samgyeopsal and seafood pancake; and the premium BBQ course (from ¥6,000), which builds on the samgyeopsal set with the addition of wagyu steak. All four courses come with a two-hour all-you-can-drink plan, with the options including fruit-flavoured soju, makgeolli, highballs, and both Korean and Japanese beers, along with unlimited banchan (Korean mini side dishes), French fries and curry.

Popular German craft beer brand Schmatz takes over the Lumine Ikebukuro rooftop with its annual beer garden serving modern German cuisine. The premium all-you-can drink plan features three original craft beers, plus a range of beer cocktails including shandy gaff, cassis beer, mango beer and even a peach weizen. Additionally, there are regular cocktails, highballs, wines and soft drinks to choose from as well. 

The standard barbecue plan with the premium 2-hour all-you-can-drink option will set you back ¥6,500, and includes spare ribs, beef shoulder loin, specialty sausages, chicken, corn and an array of veggies to grill. If you're looking to save, the standard all-you-can-drink lager beer plan at ¥6,000 is worth considering too.

Make a reservation via the official website.

South Korean digital art and design firm D’strict is joining hands with Sanrio to bring a popular interactive exhibit to Japan for the first time after a successful run in Seoul last year. Utilising the latest digital media technologies, the hotel-themed exhibition in Shinjuku’s Tokyu Kabukicho Tower takes you on a photogenic and immersive journey through 11 themed areas in the imaginary hotel, with characters such as Hello Kitty, My Melody, Kuromi, Cinnamoroll and Pompompurin appearing in their own dreamy, fairytale-like rooms.

While the full details are still under wraps, expect to see a plentiful line-up of exclusive Sanrio merch, including Hotel Floria room key charms, hotel sticker sets and travel-themed accessories.

The exhibition space is located on the fourth floor. Tickets are now on sale via Eplus.

Born in Kolkata in 1963 and now based in New York, Rina Banerjee has established herself as a singular voice in the global contemporary art scene. Drawing from her experience of migration and diasporic identity, Banerjee creates intricate, richly layered sculptures and installations out of everyday materials like cotton threads, feathers, shells and glass chandeliers. Her practice, informed by both engineering training and fine art education at Yale, navigates the intersections of postcolonial history, feminism and global exchange, often infusing critical perspectives with a subtle, disarming sense of humour.

‘You made me leave home…’ at Espace Louis Vuitton Tokyo is an exhibition of 19 works drawn from the collection of the Fondation Louis Vuitton. Organised as part of the foundation’s ‘Hors-les-murs’ programme, which brings major artworks to venues around the world, the exhibition marks both the 20th anniversary of the Espace Louis Vuitton and a decade of the ‘Hors-les-murs’ initiative.

Spanning installation, sculpture and painting, the exhibition foregrounds Banerjee’s ongoing exploration of migration, colonial legacies and the circulation of people and objects. At its core is the monumental installation In an unnatural storm… (2008), presented publicly for the first time by the Fondation. Suspended from the ceiling in a cascading constellation of forms, the work evokes both the wonder and instability of global journeys, drawing inspiration from Jules Verne’s Around the World in Eighty Days.

Alongside this, recent works such as Black Noodles (2023) and a new 2025 painting series extend Banerjee’s inquiry into identity as fluid, hybrid and transnational. Blending references to Indian miniature painting, Chinese silk traditions and Mesoamerican imagery, her compositions oscillate between abstraction and figuration, often conjuring enigmatic female figures reminiscent of reimagined goddesses.

Through its sensuous materiality and conceptual depth, ‘You made me leave home…’ offers a compelling meditation on displacement and belonging.

A new exhibition space in the basement of the Tokyo International Forum, Yurakucho Museum is opening this July, and its inaugural exhibition brings the whimsical world of Pingu to Japan. Running from July 10 to September 6, it features priceless clay models used in actual animation production, alongside storyboards and other production materials. What’s more, you can pretend to be in Pingu’s Antarctic igloo with a photo spot made to look like the penguin boy’s home.

While you’re there, take the opportunity to study Pingu’s facial expressions, unique play-doh-like contortions and language, and maybe you’ll learn to decipher his noot noots once and for all. The exhibition also includes three collaborative art pieces by renowned miniature photographer and artist Tatsuya Tanaka, who has reimagined Pingu with everyday items.

Tickets are now on sale via Epus.

Known for emotionally resonant works that bridge intimate storytelling and speculative worlds, Mamoru Hosoda is the man behind landmark films such as The Girl Who Leapt Through Time, Summer Wars and Wolf Children. His cinema is marked by a fluid interplay between everyday life and digital or fantastical realms, as well as a sensitivity to themes of family, memory and transformation.

Marking the 20th anniversary of The Girl Who Leapt Through Time, ‘The Creative Origins of Mamoru Hosoda’ unfolds at the Creative Museum Tokyo from June 20 to August 31. Conceived as the most comprehensive exhibition ever dedicated to the director, it offers unprecedented insight into the creative processes behind his most celebrated works.

Drawing extensively from original production materials, the exhibition presents storyboards, layouts, key animation drawings and background art that illuminate the construction of Hosoda’s cinematic language. By foregrounding these foundational elements, the show reveals how influences from painting, cinema and animation converge within his visual storytelling.

Rather than simply looking back, the exhibition invites visitors to reconsider Hosoda’s films through the lens of their origins, tracing recurring motifs and stylistic evolutions across his oeuvre. In doing so, it captures both the enduring appeal of his past works and the continuity of his artistic vision as it extends toward new creative horizons.

Daniel Buren has spent more than six decades questioning where an artwork begins and where the surrounding world enters into it. Internationally renowned for his unmistakable 8.7cm vertical stripes, the French artist has transformed this seemingly neutral motif into a rigorous conceptual tool, using it to expose the architectural, historical and symbolic conditions of every site he inhabits. This spring and summer, Scai Piramide in Roppongi presents ‘Situated Works 1966-2013’, a rare survey spanning nearly fifty years of his practice.

The exhibition traces Buren’s evolution from his early, radical interventions of the 1960s to luminous optical-fiber works produced in the 2010s. Historical pieces such as Peinture aux formes variables reveal the moment when the striped industrial fabric first became his defining visual language, while the Five Elements paintings, originally created for a 1989 exhibition in Nagoya, demonstrate his persistent dismantling of expressive authorship and painterly convention.

In later galleries, Buren expands this inquiry through works integrating LED-lit optical fibers, where colour and light become spatial phenomena rather than fixed surfaces. Their shimmering presence underscores the artist’s long-held conviction that colour is the irreducible core of visual experience. Deeply connected to Japan, Buren here appears as an artist whose disciplined investigations continue to sharpen our perception of space itself.

When the boundless imagination of Pablo Picasso meets the vibrant creativity of Sir Paul Smith, fireworks follow. Picasso (1881–1973), one of the most influential artists of the 20th century, revolutionised modern art with his radical innovations in form and colour. British designer Smith, noted for his playful approach to tailoring and his masterful sense of colour and pattern, brings his unique sensibility to the table, transforming the NACT’s galleries into a dialogue between art and fashion, and tradition and reinvention.

‘Adventure of Playful Spirits’ offers a fresh encounter with approximately 80 works from the Musée National Picasso-Paris. Following the success of the 2023 Paris exhibition ‘Picasso Celebration: The Collection in a New Light!’, this Japan edition invites visitors to rediscover the painter’s creative evolution from his early Portrait of a Man to the tender Paulo as Harlequin, through Smith’s imaginative spatial design.

From colour-splashed walls to whimsical décor, every element of the exhibition reflects Smith’s joyful spirit and his fascination with artistic play. This meeting of two creative giants – one who shaped modern art and another who redefined contemporary design – conjures up a vibrant, immersive world where curiosity, humour and craftsmanship intertwine.

Ron Mueck has long been celebrated for redefining figurative sculpture through extraordinary craftsmanship and emotional acuity. After early work in film and advertising, the Australian-born, UK-based artist emerged on the contemporary art scene in the mid-1990s, gaining international attention with Pinocchio (1996) and Dead Dad (1996-97), the latter exhibited in the landmark ‘Sensation’ show at London’s Royal Academy in 1997.

Over the decades, his meticulously crafted human figures, rendered at startlingly altered scales, have probed themes of vulnerability, solitude, resilience and the fragile complexity of existence. With a rare and limited oeuvre of about fifty works, each sculpture distills months or even years of observation and reflection, resulting in pieces that feel at once hyper-real and quietly enigmatic.

From April 29 to September 23, the Mori Art Museum hosts the artist’s first solo exhibition in Japan in eighteen years. Organised in collaboration with the Fondation Cartier pour l’art contemporain, the exhibition gathers eleven works tracing Mueck’s evolution, including six making their Japanese debut. Its monumental centrepiece is the Japan premiere of Mass (2016-17), an immersive installation of 100 giant skulls reconfigured to reflect the museum’s architecture. Other highlights include Angel (1997), Woman with Shopping (2013) and the iconic In Bed (2005), each inviting viewers into a deeply intimate emotional space.

Complementing the sculptures, photographs and films by Gautier Deblonde offer a glimpse into Mueck’s studio practice, revealing the quiet rigour behind some of contemporary art’s most affecting works.

A visionary who worked along the boundaries between art, design and everyday life, Ettore Sottsass (1917–2007) was one of the most influential figures in 20th-century Italian design. Rising to prominence in the 1950s through his groundbreaking work for the typewriter and computer manufacturer Olivetti, Sottsass redefined industrial design by infusing functional objects with emotion, symbolism and wit. His restless creative spirit culminated in the 1981 founding of the Memphis Group, an international collective whose bold colours, playful forms and radical aesthetics came to define post-modern design and reshape global visual culture.

‘Design begins where magic begins’ at the Artizon Museum is the first comprehensive retrospective of Sottsass’s work in Japan. Drawing from the Ishibashi Foundation’s extensive collection, the exhibition brings together 112 works spanning the entirety of its subject’s long and prolific career, from early experiments to later, more philosophical creations.

Through furniture, industrial design and conceptual works, the exhibition traces Sottsass’s lifelong challenge to strict rationalism and his belief that design should reflect the emotional and spiritual dimensions of human life. Humour, colour and sensuality emerge as tools with which he sought to illuminate the lived experiences, desires and contradictions of modern society. Offering a rare opportunity to encounter Sottsass’s work in depth, the exhibition reveals a visionary who insisted that true design begins with imagination and magic.

Hiroshi Sugimoto is one of Japan’s most internationally acclaimed contemporary artists, whose practice spans photography, architecture and stage production. At the core of his work lies a profound engagement with analogue silver gelatin photography, a medium he has elevated through rigorous conceptual frameworks and extraordinary technical mastery, even as it faces obsolescence in the digital age.

The National Museum of Modern Art, Tokyo now offers a major survey that traces the evolution of Sugimoto’s photographic practice from the late 1970s to the present. Featuring approximately 60 silver gelatin prints, the exhibition brings into focus a medium the artist recognises as endangered, while asking broader questions about truth, memory and time.

Structured into three chapters, the exhibition spans 13 series, from early works that established Sugimoto’s reputation to later bodies of work that probe abstraction, perception and the limits of representation. Newly unveiled pieces, including additions to the Diorama series, offer fresh insight into themes Sugimoto has pursued for more than half a century.

The exhibition’s title refers to a deeper meditation on what is disappearing from contemporary visual culture. As digital images become infinitely mutable, Sugimoto reasserts photography’s original power as a medium of evidence and presence. Through its breadth and philosophical depth, ‘Extinction’ is set to offer a rare opportunity to reflect on photography’s past, and its uncertain future, through one of its most rigorous practitioners.