If you're partial to theatre that bursts into song, you'll want to make sure you're booking for the best. London's musical theatre scene isn't all jazz hands and Lloyd-Webber though, and our theatre team have chosen a top ten that takes in the best shows in town, on the West End and beyond. Flick through our countdown to see who takes the top spot – you'll be humming to yourself by the end of it.
The film world continues its love affair with werewolves, vampires and all things 'Twilight'. But theatre types have always known witches are where it's at. In its sixth year at the Apollo Victoria, Oz prequel 'Wicked' continues to fill this massive theatre with an international crowd of voracious consumers (glass of champagne and a choccy for £16 anyone?). But this stylish and bombastic musical still delivers, sailing over its patchy score thanks to a gravity-defying performance from its intense green-skinned undergrad who goes on to become the Wicked Witch of the West.
I’m not sure any show ‘deserves’ to be the most successful entertainment event of all time, but I’ll hand it current holder of that title, ‘The Phantom of the Opera’ – it still works hard for its audience. Sure, chunks of Andrew Lloyd Webber’s opus have never left 1986. But whereas describing a musical as ‘stuck in the ’80s’ is usually shorthand for cheap, thin synth orchestration, nothing could be further from the truth here: the portentously swirling keyboards and crunch of hair metal guitar that powers ‘Phantom’s title song have a black hole-like immensity, sucking you in with sheer juggernaut bombast.
Here's the 'Jersey Boys' concept. Take one gleaming back-catalogue – that of Frankie Valli & the Four Seasons, whose Bob Gaudio-penned songs have become so woven into the fabric of Western pop culture that it's easy to forget who actually wrote them. Next, instead of torturously extrapolating a zany plot out of the lyrics, simply make the story of 'Jersey Boys' the story of the Four Seasons.
If the second longest running show in the West End was looking a little tired, a rejuvenating orchestral facelift was just what the doctor ordered. Cameron Mackintosh's 'little girl' has shaken off that 1980s synth vibe and finally woken up to the organic noughties. This is a new, richer sound with strong operatic undertones and even the faint echoes of chamber music. Led by compelling ex-'Phantom…' Ramin Karimloo as Jean Valjean, this dynamic cast blows a whirlwind through the Queen's Theatre, hurtling along Alain Boublil and Claude-Michel Schönberg's famous melodrama.
Brace yourself for a shock: ‘South Park’ creators Trey Parker and Matt Stone’s Broadway-munching musical is not particularly shocking. Sure, there are ‘fucks’ and ‘cunts’ and gags about baby rape – but beneath it all, this is a big-hearted affair that pays note-perfect homage to the spirit of Broadway’s golden age as much as the sounds. The strapping young Latter Day Saints missionaries in ‘The Book of Mormon’ are as cartoonish as any ‘South Park’ character, with the endearing alpha-male woodenness of the ‘Team America’ puppets.
'My mummy says I'm a miracle,' lisps a pampered mini-me at a purgatorial kiddies' birthday party at the outset of this delicious, treacly-dark family show. The obnoxious ma and pa of its titular, gifted, pint-sized heroine are not, of course, quite so doting. But 'Matilda' must be making its creators, playwright Dennis Kelly and comedian-songsmith Tim Minchin, a very pair of proud parents.
Find more great London musicals
It had fantastic reviews when it opened – but is it still kicking after five cast changes? Time Out brings you news, up-to-date reviews and discounted tickets in its comprehensive guide to all musicals in London's West End and beyond: the best shows, the worst shows and the weirdest and most wonderful alternative choices.
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