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Shakespeare's Globe
First-class theatre in a lovingly recreated Elizabethan setting
The Book of Mormon review
Trey Parker and Matt Stone's naughty but extremely lovable comedy
Harry Potter and the Cursed Child review
The biggest theatre hit of modern times bar none is Jack Thorne and JK Rowling's epic two-part eighth adventure for erstwhile boy wizard Harry Potter
Puppet Theatre Barge
Venue says: “We're in Richmond for the summer season! 'Red Ridinghood' is a witty retelling of the traditional story and runs until September 30.”
What's on at
National Theatre
The concrete-clad, 1960s modernist grandmother of them all: no theatrical tour of London is complete without a visit to the National, whose three auditoriums – Olivier, Lyttelton and Cottesloe – offer a rolling repertory programme, often with a choice of several productions in a week. The National Theatre may have once had a fiercely inaccessible reputation, but the arrival of maverick artistic director Nicholas Hytner in 2003 rocked theatreland as he set about changing the venue's staid ethos with daring productions such as 'Jerry Springer the Opera' and an ambitious adaptation of Phillip Pullman's 'His Dark Materials'. The change of tack proved a success, attracting audiences of mixed race, age and class – and Hytner's budget £10 Travelex-sponsored tickets still help pull in the crowds in the summer season. The home stable for Michael Morpurgo's 'War Horse', which opened here in 2007 and went on to break West End records, the National is now developing a reputation for family-friendly blockbusters, cue its current production of Mark Haddon's 'The Curious Incident of the Dog in the Night-time'. Meanwhile the National Theatre Live initiative has extended the theatre's reach by broadcasting high-publicity productions such as Danny Boyle's role-swapping smash-hit 'Frankenstein' and the comedy 'One Man, Two Guvnors', which introduced James Corden to the stage, live to Picturehouse Cinemas. A recent run of the post-modern musical 'London Road' proved it hasn't lost its edge. You don't have to buy a ticket to get a feel for the National's atmosphere – the alfresco stage, National Theatre Square, routinely lays on free and inclusive performing arts, gigs and exhibitions, especially during the Watch This Space summer festival.
Barbican Centre
The Barbican Centre, a vast concrete estate of 2,000 flats and a leading arts complex, is a prime example of brutalist architecture, softened a little by time and rectangular ponds of friendly resident ducks. The lakeside terrace and adjoining café are good spots to take a rest from visiting the art gallery, cinema, theatre, concert hall or library within the complex. The art gallery on the third floor stages exhibitions on design, architecture and pop culture, while on the ground floor, the Curve is a free exhibition space for specially commissioned works and contemporary art. At the core of the music roster, performing 90 concerts a year, is the London Symphony Orchestra (LSO). The annual BITE season (Barbican International Theatre Events) continues to cherry-pick exciting and eclectic theatre companies from around the globe. The Barbican regularly attracts and nurtures experimental dance, and the Pit Theatre is a perfectly intimate space.
Old Vic
The combination of double-Oscar winner Kevin Spacey and top producer David Liddiment at this 200-year-old Waterloo theatre continues to be a commercial success – though Spacey's controversial artistic leadership has frequently come under critical fire. Still, the Old Vic's a great place to catch high-profile actors – Ian McKellen, Robert Lindsay and Neve Campbell have all trod its boards. David Mamet's 'Speed-the-Plow' thrilled audiences in 2008 and was followed by a winning revival of Alan Ayckbourn's 'The Norman Conquests' – a show that saw the venue spectacularly remodeled into a theatre-in-the-round. Summer 2009 heralded the first of Sam Mendes's The Bridge Projects, an Anglo-American collaboration between Mendes, the Old Vic and Joseph V Melillo's Brooklyn Academy of Music, that enticed Ethan Hawke to the British stage for its Shakespeare/Chekhov double bill.
Young Vic
The Young Vic finally returned to its refurbished home in The Cut in 2007 with acclaimed community show ‘Tobias & the Angel’. As you would expect, it’s got more verve and youthful nerve than the grown-up Old Vic down the road and attracts a slightly younger more multicultural – yet still discerning – crowd. Director David Lan’s eclectic programming of rediscovered European classics has proved popular with the critics, while a stage adaptation of DBC Pierre’s ‘Vernon God Little’ was standing ovation material. Three venue spaces – the main house and studio spaces Maria and Clare – allow for flexible scheduling and more intimate works such as Tarell Alvin McCraney’s moving ‘The Brothers Size’. The Young Vic also provides its Waterloo home with a popular split-level bar and restaurant complete with an open-air balcony terrace.
Piccadilly Theatre
Though set back slightly from the chaotic Circus, the Piccadilly theatre is no stranger to crowds. ‘Guys and Dolls’ (directed by golden boy Michael Grandage of Donmar Warehouse) attracted hordes of Ewan McGregor fans in 2005 as the actor pitched up as playboy Sky, while ‘Grease’ in 2007 played the reality TV card by casting winners of ‘Grease Is the Word’, Danny Bayne and Susan McFadden, as Danny and Sandy. A more sober claim to fame: the Piccadilly operated for a short time as a cinema and was behind the screening of the first ‘talkie’ in Britain – Warner Brothers’ 1928 film ‘The Singing Fool’.
Hackney Empire
Charlie Chaplin, Stan Laurel and Marie Lloyd all trod Hackney's boards during its time as a music hall. It's since been used as a television studio and, rather quaintly, as a bingo hall, before opening as a theatre proper in 1986. Today, it's a much-loved East End institution whose pantos have become the stuff of legend. High art does feature (the English Touring Opera presented Mozart's 'The Magic Flute' in 2009) as does issue-heavy theatre, often with an emphasis on class and multiculturalism. But the focus tends to be on fun: comedy, children's theatre and music all featuring large on its programme. Tours of the Grade II-listed auditorium take place during Open House London weekend in September.
