May 2026 events calendar for Los Angeles

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

Spend your Friday night amid dinosaurs and DJs. For two decades now, the Natural History Museum has been staying open late for its popular First Fridays series. And during this year’s 20th season, the KCRW-presented after-hours event is returning to its roots, filling the museum’s iconic diorama halls with live music from around the globe, DJ sets and dancing from February to May. A new discussion series, “Life, From Our Guts to the Galaxy: Rethinking the Living World,” will explore different topics each month. While you’re there, you can check out all the galleries and exhibitions, sip cocktails and order food from a revolving selection of local trucks. Check out the museum’s website for advance tickets and updates on lineups.

The multisensory nature of art is explored in this exhibition, which looks at the intertwined relationship between contemporary art and living materials through large-scale installations, painting, mixed-media sculpture, video and sound. Over 20 artists from North, Central and South America have employed mediums like stones, avocado, cacao, achiote, cochineal and clay in their works, inviting visitors to engage their senses of touch, smell and hearing when interacting with the art. On Saturday, April 4, get an after-hours sneak peek of “Several Eternities,” plus three more new spring exhibitions, complemented by sets by Chulita Vinyl Club DJs in the courtyard, a photobooth and a cyanotype art-making activity—all free.

Every Sunday, you can find dozens of food vendors at this market at ROW DTLA, a Brooklyn import that boasts a mix of much-loved pop-ups and future foodie stars. Thirteen new vendors are joining the lineup this year: Feast on burgers and orange chicken sandwiches from Terrible Burger, Viennese street food from Franzl’s Franks, Neapolitan-meets-Persian pies from Mamani Pizza, plant-based corn dogs from Stick Talk and more. Wash it all down at the family-friendly beer garden. You’ll also find shopping stalls selling everything from framed vintage ads to jewelry made locally with ethically sourced gemstones. Entry and the first two hours of parking are free.

Ponyo loves Sosuke! And we love this exhibition at the Academy Museum dedicated to the wholesome Hayao Miyazaki film. Studio Ghibli donated more than 100 objects to the Academy Collection, and you’ll find everything from an animation desk to colorful art boards to dozens of frame-by-frame pencil drawings of the scene when Sosuke first finds Ponyo. Though you may recognize a couple of items from the museum’s debut Hayao Miyazaki retrospective, the vast majority of Ponyo pieces are new—and some have never been displayed in North America before. It’s also a colorful and super kid-friendly exhibition; you can watch clips of the gorgeously hand-drawn movie, recreate the wave-running scene and even make your own stop-motion animation. You’ll find it on the museum’s second floor, inside the first few galleries of the “Stories of Cinema’ space.

The hour stands before another springtime, and the Renaissance Pleasure Faire is nigh. Good mistresses and masters, prepareth thy schedules and costumes for the return of the oldest Ren Faire in the country, a spectacle that cov’reth 20 Irwindale acres with Elizabethan libations and amusement: fully armored joust tournaments and tea parties with the queen along with beguiling stage acts, rides, games, delicious edibles and ales abound. The festivities will transpire each weekend at the Santa Fe Dam Recreation Area; procureth day or season passes in advance by visiting ye olde online box office. And no, we can’t stop talking like this. When is the Original Renaissance Pleasure Faire? The event takes place Saturdays and Sundays (10am–7pm) from April 4 to May 17, 2026, at the Santa Fe Dam Recreation Area in Irwindale. How much are tickets? Tickets cost $53 for adults, $48 for seniors (62+) and military with ID, $28 for kids ages 5 to 12 and are free for kids 4 and under. A season pass costs $275. Parking is $15, with a VIP option available for $30.

Nature lovers, rejoice! The Natural History Museum is bringing back its annual Butterfly Pavilion, which will be open March 22 through August 23 and house up to 30 butterfly and moth species, as well as an assortment of California plants. The seasonal outdoor exhibit allows for adults and children alike to witness nature up close—we’re talking walking amid hundreds of butterflies and having them land on your arms or shoulders. You’ll need to purchase a $10 add-on ticket on top of your museum ticket in order to explore the pavilion for a half-hour.

When Mexican director Alejandro G. Iñárritu made his debut feature, Amores Perros, over a million feet of film didn’t make it to the final cut (to put that into perspective, the finished two-and-a-half-hour movie used around 18,000 feet of film). Twenty five years later, some of these unearthed reels of celluloid now zip through a ground-floor gallery at LACMA as part of a multi-channel film installation. As much a piece of sculpture as it is film or video art, Sueño Perro assembles six 35mm projectors that pierce the hazy near-dark space with raw, nonlinear snippets of the movie, fed from a mesmerizing curtain of film stock speeding along sprockets. It’s an intense experience, both sonically (during the car crash that connects the feature’s storylines) and visually (dog fighting plays a pivotal role in the film, though you’ll see here some of the behind-the-scenes tricks that kept the production cruelty-free).

When I first stepped foot inside of this exhibition of decommissioned Confederate monuments and reflective contemporary art pieces, I was taken aback by the scale of it all. I’d seen the installation photos of the side-by-side statues of Confederate generals Stonewall Jackson and Robert E. Lee on horseback, but as I craned my neck up at these towering tributes, they felt awe-inspiring in the most dreadful meaning of the phrase. Most Angelenos don’t need to be convinced of the immoralities of the Confederacy—but most likely haven’t been forced to come face-to-face with such Civil War iconography either. “Monuments,” displayed almost entirely at MOCA’s Little Tokyo warehouse with a single Kara Walker installation at the Brick in East Hollywood, presents tangible proof that these monuments removed from public view over the past decade were not simple, somber remembrances for the recently deceased, these were larger-than-life celebrations of the Confederacy forged in the Jim Crow era and often financed by folks seeking to twist its history. Works from 19 artists respond either directly or thematically to the many statues on display, or in some cases physically alter them: Bethany Collins’s Love is dangerous chisels pieces of the granite pedestal of a Stonewall Jackson monument into Carolina rose petals. Other graffitied or paint-splattered statues speak for themselves: The Robert E. Lee monument at the center of 2017’s Unite the Right rally in Charlottesville, Virginia resides...

Travel back to the LBC circa 1996 inside the Grammy Museum’s new celebration of Sublime. Three decades after the release of the legendary Long Beach ska-punk-reggae trio’s self-titled breakthrough—as well as the passing of singer and guitarist Bradley Nowell—the museum has assembled this nostalgic showcase of flyers, instruments and black-and-white performance photos. Highlights include handwritten lyrics to “Wrong Way,” archival live footage and Nowell’s sticker-covered acoustic guitar.