Things to do in Los Angeles on Saturday

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

Like a Halloween version of its Yuletide Cinemaland series, Street Food Cinema will turn Heritage Square Museum into a spooky, cinematic playground. On the movie side, you can catch a different double feature each night (picks include Obsession, Sinners and Jennifer’s Body, among others) while embarking on Victorian home tours and adult trick-or-treating and perusing food trucks, a bar and market vendors. 

This haunted Griffith Park hayride once again returns to the mid-’80s fictitious town of Midnight Falls, which borrows a little bit of the road culture of Sons of Anarchy and the isolation of Twin Peaks.  The Griffith Park tradition, which has been running for 18 years now, centers on a relatively lengthy hayride, which runs on select nights from September 18 to November 1. The premise: A witch has summoned spirits of the underworld, who’ve hidden themselves among Halloween decorations in the town’s foothills. While it used to be tucked into the relatively intimate Old Zoo area, the attraction has since moved to the larger Crystal Springs Picnic Area. With the larger space, it can feel a bit empty, and the flatter terrain does make it easier to spot upcoming scares, as opposed to the hillier nature of the Old Zoo. That being said, there are some genuinely cool and creepy moments on the hayride, even if in places it favors set pieces over scare actors. In addition to the hayride itself, there are a few mazes, which are a bit jump-scarier. This year’s event features a brand-new addition, “Fallen Angel,” set in a fictitious Sunset Strip theater, where fans try to resurrect a heavy-metal band killed by their pyrotechnics.  The event’s various other attractions are centered around the jack-o’-lantern–filled Midnight Falls Town Square. Returning favorites include the Scary-Go-Round, the Hellbilly Halloween maze and Elvira’s Trick or Treat Mayhem, which was a highlight last...

Every year, Haunted Little Tokyo turns the area into a ghoulish maze of Halloween-themed pop-ups, walking tours and performances. On October 24, you can set out on a free, family-friendly scavenger hunt hosted by the Terasaki Budokan (11am–2pm) or explore the haunted history of 1st Street on a ghoulish ghost tour (5pm, tickets $25). On Halloween night, dance the evening away at a 21+ block party with music, a costume contest and full bar (4pm–midnight). RSVP online for the secret Little Tokyo location.

Hollywood Forever Cemetery claims to host the largest Day of the Dead celebration in California, and we wouldn’t doubt it: Each year, the cemetery grounds are covered with altars to the dead created by community artists, dance rituals, arts and crafts projects, amazing costumes and food vendors (and crowds) aplenty.  The display is sure to be spectacular, as always, though the programming changes a bit from year to year; last year’s event dropped musical performances in favor of showings of Disney’s Coco, but this year, expect a live music lineup led by DannyLux, Trish Toledo, East L.A.’s Tropa Magica and San Diego’s Los Shadows, as well as a trio of DJs. The 2026 edition will swap time-limited sessions for entry windows, with three admission times available to book (noon–4pm, 4–7pm, 7–11pm). Ticket prices differ depending on what time you arrive, though in all cases you’re welcome to stay until the midnight close. As far as when to attend, the glowing, flickering altars look absolutely incredible after dark—though that’s also when the crowds tend to be the thickest.

Stroll through a mile-long trail filled with all things pumpkins, including an illuminated forest of jack-o’-lanterns, during Descanso Gardens’ annual Carved. For a month this fall (Oct 2–Nov 1), the event lines a loop of the botanical garden with pumpkins in all sorts of forms: as a sea monster rising from a pond, in thick clusters on the ground and cobbled together into a house. Last year, the event introduced a new route, and for the 2026 edition, the popular neon-hued Rhizome light sculpture will move into the dramatic Oak Grove, and the labyrinth will feature immersive new sculptures by Helsinki-based artist Alexander Reichstein. The gardens’ model trains will again be illuminated during the event. Timed tickets ($29–$52, kids 2–12 $19–$37) are on sale now. This year also sees the introduction of a new “anytime” ticket that can be used on any date—though at a pricey $85, it makes a case for just committing to a day and time. Look out for the expanded Día de los Muertos ofrenda altar near the entrance on your way to the two main jack-o’-lantern areas. The first is a forested section lined with expressively carved (but fake) pumpkins, some of which have been arranged into wonderfully whimsical characters (a crow-like scarecrow and a pumpkin holding its own head, among them). Meanwhile, there’s a pavilion in the rose garden with real gourds whose designs are inspired by pop culture characters (plus a station where you can see them being carved). There are a few...

While some may scoff at the idea of Grand Avenue becoming L.A.’s Champs-Élysées, we’re too busy making the most of the Downtown street’s cultural treasures to even engage in that argument. Celebrating its 10th anniversary this month, Grand Ave Arts: All Access finds more than a dozen institutions celebrating their Bunker Hill home with free performances, exhibitions and tours. Most of the action takes place on Grand Avenue between Temple and Sixth Streets. Highlights of this year’s event on October 24 include graffiti artmaking workshops and a pop-up market at the Broad; a chance to try instruments at the Colburn School; a sugar skull workshop and the world’s biggest pop-up book at the Los Angeles Central Library; a monster-making puppetry workshop at MOCA; and the annual Day of the Dead celebration at Gloria Molina Grand Park. Officially joining the roster this time around is the world’s first museum of AI arts, DATALAND, the brainchild of media artist Refik Anadol, which opened in June. You can get a preview of the museum’s upcoming cultural salon, Latent Space. Other participating institutions include REDCAT, the Music Center, Center Theatre Group, the Los Angeles Master Chorale, LA Opera, Walt Disney Concert Hall, Grand Performances and Metro, which has a station just off of Grand Avenue atop Bunker Hill.

The only thing better than a haunted attraction is a haunted attraction on a giant boat—which has its own haunted history. You’ll find all the usual horrors here—think fog, mazes and countless monsters roaming around. What sets Dark Harbor apart is its use of its surroundings; the dark, cramped confines of the Queen Mary are already pretty spooky even without monsters—just be prepared to climb a lot of skinny staircases. And the production design is top-notch. For its 13th anniversary, the event dives further into the ocean liner’s lore with reimagined mazes set both on shore and in the ship’s swimming pool and corridors. New this year is the “Shipwrecked: Brace for Impact” maze, as well as carnival rides Alien Abduction and blacklight bumper cars. When you tire of the terror, seek out and sip spirits at secret speakeasies, fill up on fairground food, or catch spooky live entertainment.

Its past installments have found attendees stealthing their way through a Victorian home and embarking on a Blade Runner-esque bounty hunt. And now this celebrated immersive horror theater event is returning to its roots at the Beckett Manion in West Adams for its longest and most interactive play yet. Delusion, an interactive seasonal event that combines elements of immersive theater with a more story-based approach to a walk-through haunted house, will host visitors on select nights from September 17 through Halloween till November 8. This year’s theme, “Den of the Mosquito,” is set in a New Orleans brothel in the 1920s, with a cast of mobsters, monsters and vampire prostitutes. You’ll play an agent with a secret organization, and the event promises more interactivity and split paths than ever, perfect for those who want to be part of the story. Hollywood director and action coordinator Jon Braver, who hatched Delusion in 2011, has again teamed up with the Los Angeles Haunted Hayride and Dark Harbor producers Thirteenth Floor Entertainment Group for this new iteration of Delusion, which returns to the West Adams mansion where the event began back in 2011. Tickets don’t come cheap (they start at $143), and the team is warning to expect the most limited ticket availability in Delusion history, but for true Halloween devotees, it might be worth it: Delusion regularly ranks among the best haunted houses in the city. There’s also a VIP tier for $41 more that lets you take go...

A chance to be present and experience something new—without the interference of phones—is increasingly rare in today’s world. Which is one of the reasons I was so intrigued by The Light We Leave Behind, an “intimate immersive water, sound and light experience” popping up in the Arts District through October 25 (it’s been expanded twice due to popularity). Created by Emmit Fenn—an L.A.–based artist, composer and producer who’s worked with artists including Billie Eilish and companies like Apple and Netflix—the experience is, in essence, a concert on the water, but the mysterious nature surrounding the event and the design elements of the space elevate it to something that’s utterly tranquil, a bit otherworldly and wholly unique. I checked out the Light We Leave Behind at rush hour in the middle of a particularly hectic week—so the note on the invite saying “there is no need to rush” was particularly appreciated. Once you arrive at the space—a soundstage at East End Studios, set right under the already-iconic arches of the Sixth Street Viaduct—you’re led into the Snow Lounge, which took my breath away. At the center of a cavernous dark room is an illuminated 30-foot tree being lightly dusted with snow in real time. Sidle up to a bar where Tea at Shiloh—a late-night teahouse also in the Arts District—is serving a choice of three teas, which provide some coziness in the chilly space. If you arrive at your entry time, you can relax for a full half-hour in here. After...