Things to do in Los Angeles today

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

The Hammer Museum’s excellent, ongoing series of biennial exhibitions ups the ante with each edition of its spotlight on emerging and under-recognized L.A. artists. This October’s exhibition—the seventh such show—brings together works from 28 artists, spanning film, painting, theater, photography, sculpture and video, that engage with the city of Los Angeles. Highlights include Kelly Wall’s penny press and wishing well, plus racks of postcards of L.A. skies fabricated out of glass; Patrick Martinez’s East L.A.–inspired cinder block wall, adorned with Mayan murals and neon trim (as well as another neon sign that reads “Agua is LIFE, NO ICE”); and re-creations and photo documentation of the late Alonzo Davis’s freeway murals from the 1984 Olympics. Before you even step inside, you’ll notice Alake Shilling’s Buggy Bear Crashes Made in L.A., which, yes, is a giant inflatable bear driving a car that’s careening toward the Glendon Avenue corner of the Westwood museum.

L.A.’s star-studded lecture series returns—both virtually and in person—with a lineup of writers, artists, performers, scientists and business leaders who will graciously blow your mind. For both online and IRL events, you’ll often have the option of purchasing a signed copy of the speaker’s book, as well. October highlights include talks with Werner Herzog, Tim Curry, Judd Apatow and Marc Maron.

Japan House Los Angeles is bringing an exhibition of shokuhin sampuru—hyper-realistic food replicas that have crossed over from marketing tool to art form (think Is It Cake? but cultural)—to Los Angeles for the first time. See mouthwatering faux food representing each of Japan’s 47 prefectures, from coffee house parfaits to izakaya skewers, as well as Chinese and Western cuisine, and try your own hand at food presentation by filling a bentō box yourself.  

The Skirball’s latest pop culture exhibition takes a deep dive into the six-decade career of legendary comic book artist Jack Kirby. You might know him as the co-creator of Captain America, Black Panther, the Hulk, Thor, Iron Man, the Fantastic Four, the X-Men and some of the Marvel universe’s most cosmic characters. But did you know he was also a first-generation Jewish American born to immigrant parents, World War II veteran and family man who split his time between New York and Los Angeles? The exhibition only occupies a few small galleries, but it’s stuffed with information about Kirby’s life, as well as pristine prints of issues plus his original comic illustrations—many on view for the first time. It’s not just a Marvel showcase, either: You’ll find some of the work Kirby did for DC, plus personal collages, a drawing he gave to Paul and Linda McCartney, and a fantastic reproduction of a costume he designed for a UC Santa Cruz production of Julius Caesar. Though not explicitly framed this way, the exhibition also presents a clear-as-day retort to any contemporary fans who decry comic book stories today as too “political”: Marvel has been political from the very start. Kirby’s cover for the first issue of Captain America features Cap punching Hitler—a full year before America would break its isolationist policies and enter WWII. The fifth issue follows Captain America in a battle against the German American Bund, a domestic Nazi organization that staged an infamous...

Dealing with a difficult subject head-on, the Geffen Contemporary at MOCA’s new show, “Monuments”—co-presented by the museum and nonprofit the Brick (formerly LAXART)—juxtaposes both intact and vandalized Confederate monuments with contemporary artwork. The show looks at the recent wave of monument removals from a historic perspective and encourages discourse about challenging topics amid an ongoing national debate about the role of these statues and what they represent. Tickets for the special exhibition are $18, though if you book far enough ahead of time, you can take advantage of free admission on the first Friday of every month.

Face your fears and head to the Natural History Museum’s Spider Pavilion, where you can observe several hundred orbweaver spiders in a living exhibit just outside of the museum. Scared the spiders might be hard to spot in the wild? Fret not. In previous iterations, we’ve spotted ones about the size of an adult’s palm. Gulp. (But don’t worry: The scariest ones are in enclosed habitats.) 

More than 50 works on display at the Autry showcase how indigenous artists have crafted visions of alternative futures in the face of enduring colonial trauma. The bottom-floor exhibition opens with a semicircle of high fashion, including remarkable crow attire from Cannupa Hanska Luger, which is paired with video footage from his accompanying performance piece. Star Wars plays a surprisingly large role in the vibrant show, including Andy Everson’s Northwest Coast-inspired take on stormtrooper helmets. The exhibition spills into the upstairs galleries, too, with a surreal spacescape from Wendy Red Star and a multimedia installation from Virgil Ortiz, who’s reimagined the Pueblo Revolt of 1680 through a Dune-meets-MCU film-like lens. Also, make sure to check out the museum’s other PST ART show, which opened back in May and runs through January 5, 2025; “Out of Site: Survey Science and the Hidden West” tackles everything from mining surveys to nuclear blasts in its examination of documenting and surveilling Western U.S. landscapes.

The Natural History Museum’s taxidermy dioramas turn a century old this year, and to celebrate the museum is reviving an entire hall of displays that’ve been dark for decades. Expect some fresh approaches to these assembled snapshots of the wilderness, including alebrijes made of recycled materials, a crystalline depiction of pollution and a tech-driven display of the L.A. River.