Things to do in L.A. this weekend: Nov 6–8

Artist Cj Hendry’s faux-floral pop-ups in New York regularly attract blocks-long lines, and now Angelenos can take home the soft, sculptural blooms: Flower Shop is setting up at 6 Rose Avenue in Venice (barely a block from the boardwalk) daily from 10am to 6pm from November 8 to 21. Each fabric flower costs $10, though if you’re interested in assembling an entire bouquet, the tenth is free. The flowers are available on a first-come, first-served basis with no ticket or RSVP required, and new inventory will be added throughout the duration of the pop-up.

Bathe in the neon glow of bygone bowling alley signage as Glendale’s Museum of Neon Art tells the story of the postwar rise of bowling alleys in Southern California. In addition to pieces of neon, “Wonder Lanes: The Signs and Style of Mid Century Bowling” includes a documentary and bowling memorabilia, with a specific focus on five midcentury local lanes: Covina Bowl, Long Beach’s Java Lanes, South Gate’s Arena Bowl, Crenshaw’s Holiday Bowl, Anaheim’s Wonder Bowl and Glendale’s Grand Central Bowl.

Co-organized with Warner Bros. Archives, this immersive exhibition explores the world-building of Ryan Coogler’s record-breaking and Oscar-winning film Sinners. Centered around the film’s iconic Club Juke sequence, it uses music as an ancestral thread to trace Black cultural memory and the Great Migration from the Mississippi Delta to California. Featured artifacts include original film costumes for Michael B. Jordan’s Smoke and Stack, the Club Juke sign and Sammie “Preacher Boy” Moore’s guitar. On your way out, stop by the interactive installation “Sounds That Carry Us,” where visitors can reflect on their own musical memories.

You’ve heard “Pinball Wizard” approximately a million times. But now see it all play out onstage when The Who’s Tommy comes to the Pantages. A dazzling new production of Pete Townshend’s groundbreaking 1969 rock opera will be performed in L.A. October 27 to November 15, introducing a whole new generation to the deaf, blind and mute boy who nonetheless “sure plays a mean pinball.” Expect powerhouse vocals, explosive choreography and enough rock ’n’ roll bombast to shake the chandeliers. Sadly, the baked beans choreo is strictly in the movie adaptation.

Celebrated Chicana artist Judy Baca’s half-mile-long The Great Wall of Los Angeles, a collaborative mural begun in the ’70s along the Tujunga Wash, has received all sorts of museum love in the past few years, including at a LACMA show where the muralist and her team painted new sections of the work during museum hours. Now, Baca and her Social and Public Art Resource Center team are the center of a new exhibition at the Skirball, where you can see recently completed mural sections focused on the 1960s—in particular the Civil Rights Movement—that soon will be part of the larger work.

Every Sunday, you can find dozens of food vendors at this market at ROW DTLA, a Brooklyn import that boasts a mix of much-loved pop-ups and future foodie stars. A new batch of vendors just joined the lineup: Feast on brisket from Black Almond BBQ, Dominican and Puerto Rican dishes from Casa de Lola, Cambodian skewers from Kreung L.A., ultra-thin-crust pizza from Lindfors Farms and Triple Berry Cake from Sweet Lady Jane.

It feels like Oktoberfest all year round at Silver Lake’s long-running Red Lion Tavern, but it’s especially festive in the fall, when it celebrates the Bavarian tradition all the way through mid-November. Order the Oktoberfest platter—an epic array of pretzels, brats, schnitzel and sides—alongside a four-liter boot of beer. You’ll also find live music and stein-holding contests on select nights. Check the bar’s Instagram for programming updates.

Following the wildly successful first edition of her Daisy Chain Fields music festival, Olivia Rodrigo is stepping into the spotlight at the Grammy Museum, where a new two-part exhibition is devoted to the pop star. Running through February 22, 2027, “Olivia Rodrigo: the cure unraveled” features an exclusive look at the handcrafted hospital sets, costumes, props, stop-motion animatronics and original artwork from the singer’s music video for single “the cure.” Meanwhile, “note by note,” the second installment, which opens September 25, offers a journey through the prolific singer’s career so far, with outfits and accessories spanning all three of her album cycles and two world tours, plus items fresh from the Daisy Chain Fields grounds.

Right in time for Halloween season, the Academy Museum seeks to answer the question “Why do horror films matter so deeply to so many?” in this immersive look at the genre whose cultural cachet is always increasing. Knowingly employing horror tropes and exploring the lasting appeal of scary movies, the show will be divided into six subcategories of horror—gothic, psychological, science, slasher, religion and ghosts. Expect re-creations of iconic settings where visitors will encounter creatures, monsters and objects from their favorite horror flicks and, in typical Academy fashion, a behind-the-scenes look at the storytelling and production processes of films from the original Frankenstein to The Shining to Get Out.

Head to the mountains for the annual Oktoberfest at Big Bear Lake, where you’ll be able to clink steins every weekend from September to early November. Beer will be flowing, knockwursts will be cooked up, and dirndls will be worn. The entertainment lineup includes numerous bands—many straight from Germany—and other performances, and one lucky damsel will be named the Oktoberfest Queen when she wins the stein-carrying contest. Others can test their skills with free log-sawing, stein-holding and chugging competitions.

Face your fears and head to the Natural History Museum’s Spider Pavilion, where you can observe several hundred orbweaver spiders in a living exhibit just outside of the museum. Scared the spiders might be hard to spot in the wild? Fret not. In previous iterations, we’ve spotted ones about the size of an adult’s palm. Gulp. (But don’t worry: The scariest ones—from tarantulas to wolf spiders—are in enclosed habitats.) 

“Somehow it’s a happier ending than I thought it would be—it felt so bleak,” Tacita Dean says of crafting this tribute to the then-fading format of analog film back in 2011. But here in the year of The Odyssey, Dean’s commission for the Tate Modern—restaged here at the Marciano Art Foundation’s cavernous theater gallery—feels like a triumphant touting of film’s resurgence: An 11-minute-long collage (all of the cutouts were achieved in camera) plays out on a vertically-oriented reel of 35mm film. The show coincides with Pierre Leguillon’s selection of old advertisements that feature prominent artists promoting commercial brands.

Admire suspended sheets of textiles—including the metallic ones that would be incorporated into the curtains at the new David Geffen Galleries—along with colorful sketches and a recreation of Tokyo store NUNO at LACMA’s showcase of pioneering textile designer Reiko Sudō.

Five photographers who pushed their medium in new directions in the second half of the 20th century present their unique takes on the city in this Getty Center show. Influenced by techniques including social documentary practices, staged scenes and fashion, the photographs of Laura Aguilar, Reynaldo Rivera, George Rodriguez, Patssi Valdez and Ricardo Valverde expanded Chicano and Chicana representation in Los Angeles.

Just in time for silver screen starlet Marilyn Monroe’s 100th birthday, the Academy Museum is presenting a centennial celebration dedicated to the woman and her work, offering a look at the actress beyond her blond bombshell persona. In addition to posters, portraits, letters and rarely seen personal items—including decor from Monroe’s Brentwood home—highlights from the exhibition include screen-worn costumes from Some Like It Hot and the rarely exhibited famous pink dress Monroe wore in Gentlemen Prefer Blondes—which is a show-stopper in a glitzy room of its own. Tucked into the back corner of the exhibit, you can watch a compilation of the star’s onscreen work in CinemaScope—including the iconic subway grate scene.

Do you get a little thrill every time you go to the Beverly Hills Hotel? You have architect Paul R. Williams to thank, even if you might not know the name. This exhibition at the USC Fisher Museum of Art aims to fix that. “Paul R. Williams: An Architect Considered” specifically spotlights the visionary architect’s multifamily housing projects through original drawings, photographs and plans, juxtaposed with new commissions by contemporary artists and architects. The message is clear: Williams didn’t just shape Los Angeles; he imagined a more livable version of it, one gorgeous building at a time. Complementary Williams exhibitions at LACMA and the Getty Center will open later in the year.

The Skirball’s Jack Kirby exhibition may be over, but the museum has followed it up with this expansive look at how comics came to dominate pop culture. Many of the creators of the medium were immigrants and outsiders—including Jewish Americans—who poured their experiences with struggle, aspiration and reinvention into their work. From the Great Depression through Y2K, comics reflected the national moment and actually helped shape American identity. On display, you’ll find original artwork and artifacts relating to beloved comic book characters, from Superman and Black Panther to Little Lulu and Archie.

This L.A.-centric exhibition looks at the Declaration of Independence’s promise of life, liberty and happiness, and how that promise has been fulfilled—or not—throughout the city’s development. Told via the stories of diverse Angelenos alongside historical and contemporary objects, media and art, the show “invites you to step into a conversation that has been shaping Los Angeles for over two hundred years.” 

This show aims to give Black queer culture in California—particularly in Los Angeles—the credit it’s due as a part of the decades-long fight for LGBTQ+ rights and recognition. Through historical materials, photographs, film and vintage newspapers, the exhibition recovers a history that’s been largely excluded from the record, introducing visitors to sites, protagonists and allies who played a role in the fight for democracy and free expression. 

It’s a very Fast & Furious kind of year in L.A. between Universal Studio’s roller coaster and this 25th anniversary exhibition of the movie franchise. The Petersen Automotive Museum is showcasing movie vehicles, stunt cars and production prototypes in its second-floor galleries, including the 1993 Toyota Supra “Stunt #3” and 1995 Mitsubishi Eclipse driven by Brian O’Conner (Paul Walker) in the original film, Dominic Toretto’s (Vin Diesel) 1968 Dodge Charger R/T and 1993 Mazda RX-7, Suki’s (Devon Aoki) 2001 Honda S2000 and more.

The reopened Getty Villa will descend into the underworld with this exhibition, which looks at the ritual spells and religious writings ancient Egyptians employed to garner favor with Re and Osiris in the afterlife. See the Getty’s collection of rare Book of the Dead rare hieroglyphics-adorned and illustrated manuscripts, dating back to around 1000 BCE, which were last displayed in 2023. The show should dovetail nicely with the museum’s “Sculpted Portraits From Ancient Egypt,” which runs through January 2027.

Step into the story of a lovely lady in Studio City when the iconic Brady Bunch house—recently named a Historic-Cultural Monument by the city—opens its doors to the public for a fan’s fever dream. The home’s interiors have been renovated—thanks to HGTV’s A Very Brady Renovation—and meticulously decorated by the owner for a fully immersive experience. Walk up the carpeted staircase to check out the kids’ memorabilia-filled bedrooms; ogle the groovy green and orange kitchen; step into the wood-paneled study; snoop in Alice’s boudoir and more. The experience offers an interactive journey through TV history, and the intimate self-guided tours are limited to a handful of people at a time. Ticket proceeds benefit local dog rescue nonprofit Wags and Walks. The only caveat? They don’t come cheap—the $189 price tag will likely only attract avid Brady fans (though to be fair, the current price is $100 cheaper than the original ticket price of $290).