A blood-soaked satire on toxic masculinity, greed and Wall Street excess, American Psycho was an instant cult classic when the novel was released in 1991, and hit cinemas in 2000. Now, 25 years on, you can experience Patrick Bateman’s story like never before – live on stage, with more blood, and against a soundtrack of classic '80s hits.
From September 4-12, Chapel Off Chapel is hosting American Psycho – The Musical – where you’ll never look at Bateman’s skincare routine, workout regimen, or obsession with designer suits the same way again.
The plot dives into Bateman’s twisted double life: wealthy investment banker by day, brutal serial killer by night. Set against money-obsessed Manhattan in the late '80s, this production pulls no punches in skewering capitalism, consumerism and toxic masculinity, with Donald Trump (Bateman’s idol) and The Art of the Deal getting their mentions, too.
Leading the charge is Conor Beaumont as Bateman, joined by a killer cast of local talent including Sam Ward (Miss Saigon), Montana Sharp (Parade), Jordan Malone (Wicked), Jake Ameduri (Sister Act) and Ellie Nunan (Mary Poppins).
Directed by Mark Taylor (Next to Normal), the show blends a razor-sharp book by Riverdale’s Roberto Aguirre-Sacasa with an atmospheric score by Grammy and Tony winner Duncan Sheik (Spring Awakening). Expect moody originals mashed with '80s anthems from Phil Collins, Tears for Fears, New Order and Huey Lewis and the News – all soundtracking Bateman’s bloody...
If 2015 was the Australian Ballet’s ‘year of beauty’, then 2016 delves into darker (yet no less ambitious) territory, with classic and contemporary works depicting turbulent romances, supernatural forces and a tortured genius. “Ballet has the ability to transform,” says McAllister. “This is a richly dynamic and diverse season which I am proud to present.”
An anticipated highlight of the season will be the Australian premiere of Nijinsky (Sep 7-17) an emotional tribute to the Ballets Russes prodigy, lauded as one of the greatest dancers and choreographers of the 20th century. Created by master choreographer John Neumeier and first performed by the Hamburg Ballet in 2000, Nijinsky tells the story of the dancer’s meteoric rise to fame, the controversy around his sensual choreography, and his battle with mental illness that eventually saw him pass away in a mental institution in 1950.
Following the huge success and critical acclaim of 2015’s 20:21, contemporary ballet will again come to the fore with Vitesse (Mar 11-21), which will featuring new works by three world-famous choreographers: Christopher Wheeldon, Jiří Kylián and William Forsythe.
On the other end of the spectrum are lavish productions of ballet classics. Stephen Baynes’ traditional staging of Tchaikovsky’s Swan Lake (Jun 7-18), created by the resident choreographer for the Australian Ballet’s 50th anniversary in 2012, will return for an encore run, complete with Edwardian set design by the masterful Hugh Coleman.
The talented Stanton Welch, who is both a resident choreographer with the Australian Ballet and artistic director of Houston Ballet, will bring his much-loved production of Romeo and Juliet (Jun 30-Jul 9) exclusively to Melbourne. Rounding out the season will be the family favourite fairytale Coppélia (Sep 23-Oct 1).
