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Southbank Theatre (Melbourne Theatre Company)

  • Theatre
  • Southbank
  1. Southbank Theatre 2014 exterior at night
    Photograph: Benjamin Healley/Melbourne Theatre Company
  2. Southbank Theatre Sumner auditorium supplied
    Photograph: Supplied
  3. Southbank Theatre Lawler auditorium supplied image
    Photograph: Supplied
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Time Out says

The award-winning Southbank Theatre (formerly The MTC Theatre) is the principal home of Melbourne Theatre Company, and hosts productions in the Sumner (a 500-seat theatre) and the Lawler (a 150-seat studio space). For drinks and dining, try the onsite Script Bar & Bistro.

Details

Address:
140 Southbank Blvd
Southbank
Melbourne
3006
Transport:
Nearby stations: Flinders Street

What’s on

The Almighty Sometimes

  • 5 out of 5 stars
  • Drama

“I thought you were going to tell me I didn’t need the pills anymore,” says eighteen-year-old Anna (Max McKenna) to her child psychiatrist, Vivienne (Louisa Mignone). Anna has completely misread the tenor of the conversation, which was actually about the need for her to transition towards seeing a therapist trained to work with adults. This early moment encapsulates the key struggles of The Almighty Sometimes, a coming-of-age story illustrating a young woman torn between emancipation and comfort, with the reality of a never-defined yet ever-present mental illness adding layers of complexity to what would otherwise be a universally relatable tale.  This multi-award-winning drama by Kendall Feaver has been staged in Australia before by Queensland Theatre and Griffin Theatre Company, yet the issues explored in this iteration from Melbourne Theatre Company feel topical and fresh with tight direction from Hannah Goodwin.   Screen legend Nadine Garner (Savage River, Neighbours, City Homicide) plays Renee, a school teacher and dedicated mum to ‘troubled’ daughter Anna. Alongside Anna’s new boyfriend Oliver (Karl Richmond) and her psychiatrist, Renee grapples with supporting her daughter as she pushes against the routines and limits that kept her safe during her adolescence.  Having recently rediscovered pages upon pages of her childhood writings, Anna has begun to wonder if the version of her that existed before she went on medication was a child prodigy destined for literary greatn

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