Review: In The Loon, Witness Relocation gets crazy with dance-theater
Even among Witness Relocation's many lighthearted creations, The Loon is a meringue
The best hip-hop dance classes in NYC
Transform into a backup dancer at these hip-hop dance classes in NYC. Because learning how to twerk takes work.
Critics’ picks: Dance
American Ballet Theatre Fall 2016
The company—including dancers Stella Abrera, Isabella Boylston, Jeffrey Cirio, Misty Copeland, Marcelo Gomes, Alban Lendorf, Gillian Murphy, Veronika Part, Hee Seo, Daniil Simkin, Cory Stearns and James Whiteside—returns for a two-week fall season. The world premiere of a ballet by Jessica Lang is among other offerings, along with Benjamin Millepied's Daphnis and Chloe, Twyla Tharp's The Brahms-Haydn Variations, Frederick Ashton's Symphonic Variations and Monotones I and II, Alexei Ratmansky's Serenade after Plato's Symposium and George Balanchine's Prodigal Son.
Platform 2016: Lost & Found
In the 11th edition of the ambitious annual Platform series, more than 80 artists explore the profound impact of the AIDS epidemic on the dance world in the 1980s, 1990s and beyond. In addition to performances—including a tribute to the work of John Bernd (Nov 3 to 5) and an evening of commissioned work on queer themes (Nov 17 to 19)—the project encompasses conversations, screenings and workshops.
White Light Festival 2016
Lincoln Center's luminous multidisciplinary fall festival celebrates the spiritual power of dance, music and theater. This year's edition includes a subsection on Indian culture, curated by choreographer Mark Morris. Terpsichorean offerings include Sidi Larbi Cherkaoui and Damien Jalet's Babel (words), Liz Gerring's (T)here to (T)here and performances by Mark Morris Dance Group, Nrityagram Dance Ensemble and Kerala Kalamandalam Kathakali Troupe.
Jérôme Bel: Jérôme Bel
The Crossing the Line Festival presents the NYC premiere of a defining 1995 work by Parisian choreographer Bel, whose "non-dance" approach has made him a significant (and controversial) figure in the performance world. In keeping with its stripped-down aesthetic, the piece is performed in the nude.
Top dance stories
Twyla Tharp tells us about her 50th Anniversary Tour
The superstar choreographers who make the leap into the pop culture stratosphere can be counted on a hand and a half. In that way, Twyla Tharp is a throwback: She's our Jerome Robbins (famous for her Broadway razzle-dazzle like Movin' Out); she's our Agnes de Mille (taking serious dance to the masses in film after film); she's our Martha Graham (an iconic revolutionary who suffers no fools). But after having choreographed nearly 150 works, winning a Tony, a Kennedy Center Honor and 19 honorary doctorates, she's not resting on her laurels. In fact, she’s on fire—for her 50th Anniversary Tour, the 74-year-old Tharp has built another pair of works that ask her customary questions about the interrelatedness of dance forms: Preludes and Fugues (set to Bach) and Yowzie (set to jazz titans like Fats Waller). The “Tharpian” is a melting-pot style, characterized by precision and vaudevillian showmanship—the liquid hips from jazz seducing the elegant lines of ballet. How will the mix work this time? The only thing you'll know to expect: The dances will be ebullient, contagious, athletic. Tharp herself speaks with a wry growl. She makes you back up if you give her a compliment—“Let's hear that again”—and she has a wonderfully tart way of making you feel like an unproductive snoozer. Tharp still works out for two hours every morning; she doesn't really understand why you don't too. She spoke with us from Chicago, from the tour. What inspired the two shows that make up this 50th Annive
Exclusive: Watch a behind-the-scenes video from Broadway's An American in Paris
The most exciting new offering for dance fans has been An American in Paris
Ralph Lemon reflects on his multiplatform work Scaffold Room
There’s something infinitely puckish about Ralph Lemon. Even as the visual artist and choreographer is discussing his challenging work Scaffold Room, which plunges into a whole host of erotic, transgressive and radical aesthetics, he’s smiling. Beaming even. “Look closer!” he urges with a delighted chuckle, and you find yourself nose-to-nose with a mysterious pornographic postcard or approaching a doghouse that seems to have a tiny glowing giraffe living inside.Despite his stature as a major modern choreographer (most recently in the elegiac How Can You Stay In the House and Not Go Anywhere), Lemon slips free of the title for Scaffold Room. Here he is simultaneously movement maker, fine-artist, animating spirit, director, lecturer, documentarian and writer. In similarly sprawling fashion, Room has seemingly taken over the entirety of the Kitchen. Up staircases and behind columns, there are photographs, hidden paintings, installations, votives—look for the African ancestor idols that are dressed like Beyoncé and Jay Z—video and live performance. At certain hours, you might even stumble across a certain Judson Dance titan reading aloud from an S&M classic. (“She said, ‘You choose what I read, Ralph!’ So I chose!” Lemon laughs.)In the conventional performance space on the ground floor, Lemon has constructed the Scaffold Room itself, a movable platform where Okwui Okpokwasili and April Matthis perform a kind of “solo piece for two” about the performance of black womanhood (shows
Dance in pictures
Take a look at Jaamil Olawale Kosoko's daring new performance #negrophobia
The Detroit native and performance art explorer makes a poetic foray into identity and erotic anxiety
Let your heart leap at these images of Batsheva's Young Ensemble in Decadance
Ohad Naharin's legendary company sends in an impressive team with a work that reveals the joy of generational change
See photos from Cloud Gate Dance Theatre's latest image-rich work
Take a look as the Taiwanese company visits BAM with the video-saturated Rice, which grafts martial arts into classical and modern dance
Check out pictures of the Evening of Colombian Dance in Battery Park
The Battery Dance Festival took viewers on a dance-filled vacation to South America, all without leaving New York harbor
Try to keep from dancing while looking at DanceBrazil’s 2015 season
The 30-year-old company returns to the Joyce Theater for a program about brotherhood
Stunning sunset images from the Battery Dance Festival
Five companies danced the night away in front of the Statue of Liberty