Best acts at Governors Ball 2017
This experimental electronic group's first record combined thousands upon thousands of record samples into colorful neo-psychedelia collages. Considering all the heavy lifting involved—innumerable crates of vinyl—you can't blame the guys for spending 16 years putting together their follow-up effort. You'll see: The decade-and-a-half of work pays off in their kaleidoscopic live sets.
This MC might have numerous monikers—Stiff Chocolate, Wicked Skengman, Big Mike—but he's no enigma. His straightforward, everyman personality has won him a unique adoration, while his elemental flow and boastful battle raps have made him a leader in the recent resurgence of U.K. grime.
Photograph: Courtesy CC/Flickr/Jayjay Robertson
Will Toledo recorded vocals for his initial Bandcamp self-releases in the back of the family car—hence, "Car Seat Headrest." Yes, the moniker is questionable but his meteoric rise to indie stardom speaks to the strength of his songcraft: wiry, yearning melodies that sound simultaneously anthemic and intimate.
Danny Brown's brazen aesthetics feel no less captivating now than in 2011: loose-cannon personality, comically gratuitous rhymes, wild-eyed toothless grin and all. As demonstrated on last year's Atrocity Exhibition, the MC's demented vision only gets screwier by the year. His uniquely kinetic performances stand out in any festival lineup.
James Hinton's skittering beats reference numerous histories of electronic music without being beholden to any single genre. There's elements of TNGHT's bass-heavy trap, the hip-hop pulse of the L.A. beatsmiths on Brainfeeder and Burial's love for obscure, pitched up vocal samples—in other words, something for everyone.
This fast-rising R&B singer-songwriter solidified her place as one of the most promising up-and-coming artists in her field with this year's excellent debut, SweetSexySavage. An assertive, exhilarating effort, the record is full of colorful exuberance—a celebration of brown womanhood with an ear for massive hooks.
"Baby, you the love of my life / Selling all the drugs that I like”—sure, Charli’s XCX’s “Drugs” includes some comically clunky lines. But its excessive pop drama also encapsulates everything wonderfully over-the-top about her renovated hyperpop project. The willfully self-destructive party mentality makes for a gleefully bombastic live concert.
The hottest dude on television right now, Atlanta triple-threat Donald Glover, is making his mark on the whole music thing, headlining main stages worldwide. One listen to his sensitive latest, the neosoul opus Awaken, My Love!, proves why.