Renowned Japanese contemporary artist and photographer Hiroshi Sugimoto’s first major solo exhibition in Southeast Asia is now at the Singapore Art Museum. Titled Form is Emptiness, a line drawn from a foundational Buddhist text, the exhibition features over 60 works and fossils from his personal collection that outline five decades of artistic journey and expression.
Inspired by the concept of the Five Elements in Buddhist philosophy (earth, water, fire, air, and space), the showcase unfolds as a mandala, inviting viewers to explore the works in a continuous, seamless loop. It also reflects the themes in Sugimoto’s works, which are marked by his curiosity and fascination with time and metaphysics. Beyond photography, the exhibition also explores the expansion of the Tokyo-born artist’s photographic thinking, featuring his works in sculpture, large-scale installations, writing, and architectural design. Artwork highlights include the Brush Impression, Heart Sutra (2023), a magnificent curved wall with 288 gelatine silver calligraphy prints of Kanji characters, as well as U.A. Walker, New York (1978) and Tyrrhenian Sea, Scilla (1993), a series of black-and-white photographs of theatres and landscapes.





























