The Australian cast of 'Titanique'
Phootograph: MCG/Daniel Boud | The Australian cast of 'Titanique'
Phootograph: MCG/Daniel Boud | The Australian cast of 'Titanique'

The best theatre to see in Sydney this week

Are you in the mood for a show? Here are our picks for musicals, plays and more showing over the next seven days

Alannah Sue
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There are always a lot of wonderful things to do in Sydney. But whether it's an evening filled with razzle dazzle or cheeky matinee, there is something extra special about going to the theatre.

You can take a deeper dive by with our guide to the best of Sydney's stages this month. For now, here's our picks of the best shows to see this week.

Our top picks on Sydney's stages this week

  • Dawes Point
  • 5 out of 5 stars
  • Recommended
The question of meaning has long shaped the human condition, at once a source of existential anxiety and a catalyst for some of the world’s most powerful artistic expression. For some, purpose is not pursued but inherited – something life quietly unfolds in its own time, revealing itself only in hindsight. For others, it is a relentless obsession, a restlessness that has driven monks, scholars and countless others towards faith, philosophy and protest in the hope of naming and securing it. Whatever the path, one thing remains certain: purpose is a question that sits within all of us.  Sydney Theatre Company has built a reputation for championing African American voices, staging landmark works by writers such as August Wilson (Fences, 2023) and Lorraine Hansberry (A Raisin in the Sun, 2022). While those productions connected Australian audiences with enduring American classics, Purpose offers a voice unmistakably of the present, one grappling with the complexity of living in a world that is hyper-aware of itself.  The play premiered on Broadway in the 2024-25 season, winning the 2025 Tony Award for Best Play and the Pulitzer Prize for Drama. It's rare for Australian audiences to encounter work with such immediacy; more often, international successes arrive years after their debut. Its programming signals that new artistic director Mitchell Butel may be shaping a tenure characterised by currency. At a moment when conversations around race, human rights, identity, politics...
  • Sydney
Theatre fans, take note. Sydney Theatre Company – Sydney’s largest and most prominent theatre producer – has just dropped the details for its 2026 season. The beautifully varied 2026 season will comprise 13 productions, with more than 80 beloved and emerging performers set to take to the stage throughout the year. Following Kip Williams' departure from the company, the 2026 season will be the first curated by new Artistic Director Mitchell Butel, who joined STC in late 2025. Reflecting on what theatre-goers can expect in 2026, Butel described the 2026 program as a "season of dream teams: celebrating the diversity of Australian storytelling. Highlights from STC’s 2026 season will include three world premieres of brand-new Australian works, the Australian Premiere of the most awarded Broadway play of 2025, the Sydney premiere of a new Australian musical and a handful of other Australian and international plays. If you’re keen to see something new, get in line for the season’s key world premieres: Whispering Jack: The John Farnham Musical (from award-winning writer and director Jack Yabsley), Bennelong in London (by Jane Harrison, the brilliant playwright behind The Visitors and Stolen) and Strong is the New Pretty by Olivier Award-winning playwright Suzie Miller. Bennelong in London will be showing from July 24 until August 16 2026, Strong is the New Pretty will be playing from October 26 until December 5 2026, and Whispering Jack: The John Farnham Musical will be showing...
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  • Drama
  • Sydney
Fans of the Bard, we’ve got news. Two thirds of the way through a huge 2025 season, with critically acclaimed productions of Henry V and Coriolanus all wrapped up and a beloved production of Shakespeare’s most famous love story returning to the Opera House this summer, Bell Shakespeare has just released the details for its 2026 season. Next year, Sydney’s Shakespeare enthusiasts will be treated to a world premiere of Mackenzie, a new production of Julius Caesar and the return of Bell Shakespeare's critically acclaimed 2023 production of Macbeth. The first Bell Shakespeare production to light up our stages in 2026 will be a new production of Julius Caesar, opening in the Harbour City in March before touring Canberra and Melbourne. This entirely new staging will be directed by Artistic Director Peter Evans, with Leon Ford (Elvis, Hamlet) as Cassius and Brigid Zengeni (Coriolanus, The Artful Dodger) as Brutus. Next up, Bell Shakespeare will bring to life a new reimagining of Macbeth, described by the theatre as “hilarious, twisted, and deeply camp”. Mackenzie is the brainchild of award-winning creator Yve Blake in partnership with Artistic Director Virginia Gay, who have rewritten the Macbeth story with the titular character being a 13-year-old child star in the heights of early 2000s TV stardom, and Lady Macbeth her “ruthlessly ambitious stage mum”. Mackenzie will open in Sydney in June of 2026, before showing in Melbourne.For the company’s annual national tour, Bell...
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