The best theatre to see in Sydney this week

I last watched the film adaptation of The Talented Mr Ripley in the summer of 2023 – the summer that Saltburn hit our screens and mesmerised us all with its intoxicating, messed-up depiction of a complex, envy-ridden friendship. Saltburn director Emerald Fennell came under a lot of flak for what many people viewed as a barefaced rip-off of Patricia Highsmith’s beloved 1950s novel. And though the people wielding that claim have a point (Saltburn seems to borrow a lot from Ripley: the dynamic between the protagonists, the complexity and nuance of a minor class divide, even the sexy bathtub scene), the more I watch both, the more I’m reminded that this is a story as old as time. In both Saltburn and The Talented Mr Ripley, we see a starry-eyed boy driven to the furthest extremes by a toxic curdle of admiration, lust, and hatred. It’s a story that’s played out in literature forever, with characters in Greek mythology, Roman comedy, and Shakespearean tragedy all following similar journeys of envy, deceit, and attempts at stolen identity. In Sydney Theatre Company’s new production of The Talented Mr Ripley, the story is executed with masterful comic brilliance and a chilling, sociopathic undertone. As an audience, you’re carried on an all-consuming journey by characters you learn to hate but root for all the same.  What’s the premise of The Talented Mr Ripley? The play follows the slightly awkward, desperately socially unsatisfied Tom Ripley (whose status anxiety is perfectly...

As I’m on my way to Sydney's Capitol Theatre for the new Australian production of The Book of Mormon, my friend tells me it’s the very first musical a lot of people see. Created by South Park duo Trey Parker and Matt Stone (with Robert Lopez), the show’s reputation for extremely irreverent jabs at religion draws a non-traditional theatre crowd. What I now realise my friend didn’t mean was, “it’s often the first musical kids see”. When I say the musical is extremely irreverent, I mean it. The humour is crass, verging on grotesque (some things I wouldn’t dare repeat). So it’s probably questionable that I’ve brought along my 13-year-old son with me. That said, he loves it.  Some of the humour is classic teen boy (i.e. a regular exclamation from one of the Ugandan characters that he has “maggots in my scrotum”). Very South Park. My son laughs loudly with the rest of the audience – and when the jokes go too far, he cringes, glancing around with a “should I be laughing at this?” look. Although the shock value is high, it’s nice seeing a Gen Alpha-ite who’s been raised on Youtube and other screen-based entertainment bopping along in his seat to the song and dance of a stage show.    What’s the premise of The Book of Mormon? The Book of Mormon tells the story of two young Mormon missionaries sent to a small village in Uganda. Although the story centres on Mormonism, Parker and Stone have been known to refer to the show as an “atheist’s love letter to religion” – a wink and a jab...

In musical theatre circles, Cats is the show that everyone loves to hate, dismissing it as “weird” and “uncool”. So let me begin this review by stating that I love Cats. I listened to the cast recording over and over as a child, I met my best friend on a Cats mailing list (remember those?) when I was sixteen, and there's probably still some old Cats fanfiction floating around out there that I wrote in my teens. This much maligned show doesn't deserve the hate it gets.  When Cats was first performed in the early 1980s, it was hailed as groundbreaking, bridging the gap between concept musicals and mega musicals in a way no show had done before. It won both Olivier and Tony awards for best musical, and ran for decades on the West End and Broadway. These days, it’s viewed more as a “guilty pleasure” – the show you secretly enjoy but are supposed to pretend you don’t, lest you be seen as uncultured. But why? Concept musicals based around a theme rather than a traditional narrative have existed since the 1950s, with notable examples including Cabaret, Hair and Company. Dance-heavy musicals are also not a unique concept. Cats isn't even the only show to combine these two elements. But while shows like A Chorus Line and Pippin are hailed as iconic, Cats – which is essentially A Chorus Line with tails – is not shown the same love.  Cats may not be too heavy on the plot, but it’s a show for people who love the little details Much of the criticism surrounding Cats comes from wanting...

Scrap the seat and get moving at this interactive theatre show that engages all your senses, including taste, with cocktail (and mocktail) tastings embedded into the show. Imagine a theatre production, your favourite dimly lit bar and a haunted house (just way less scary, and heaps more playful) all rolled into one.  Setting up camp at the Union Bond Store in The Rocks this August and September, When Night Comes is part of Sydney Fringe Festival’s ‘Sideshow at The Rocks’ hub. You’ll follow performers between multiple rooms, each with a setting more hedonistic and sensory than the last. Your ticket includes a number of cocktails tastings, plus some gold-star entertainment, of course. Not a big alcohol drinker? You can still get involved by selecting the mocktail option when you check out.  Catch When Night Comes at Union Bond Store from August 22. Find out more here and book your tickets here.