The Australian cast of 'Titanique'
Phootograph: MCG/Daniel Boud | The Australian cast of 'Titanique'
Phootograph: MCG/Daniel Boud | The Australian cast of 'Titanique'

The best theatre to see in Sydney this week

Are you in the mood for a show? Here are our picks for musicals, plays and more showing over the next seven days

Alannah Sue
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There are always a lot of wonderful things to do in Sydney. But whether it's an evening filled with razzle dazzle or cheeky matinee, there is something extra special about going to the theatre.

You can take a deeper dive by with our guide to the best of Sydney's stages this month. For now, here's our picks of the best shows to see this week.

Our top picks on Sydney's stages this week

  • Drama
  • Dawes Point
  • 5 out of 5 stars
  • Recommended
It seems that across time, the pursuit of creative expression has often been, in itself, an act of rebellion and self-sacrifice. Writers and artists rarely live lives of stability or wealth, and yet, in humanity’s most uncertain and desperate moments, it is to poetry, theatre and art that we turn to make sense of the world. The relentless act of writing, of shaping and sharing one’s perspective on life, still carries a quiet defiance, even in a technological age where everyone has a keyboard and an opinion. It is perhaps for this reason that My Brilliant Career continues to resonate today. Since its publication in 1901, the novel has been adapted across multiple forms, including film and stage, with a television adaptation currently in development by Netflix. Now, it’s on at Sydney Theatre Company’s Roslyn Packer Theatre. What is the premise of My Brilliant Career? This award-winning iteration of My Brilliant Career, which debuted at Melbourne Theatre Company in 2024, is a musical theatre adaptation with a book by Sheridan Harbridge and Dean Bryant, music by Mathew Frank, and lyrics by Bryant. It follows Sybylla Melvyn (Kala Gare, SIX the musical), a fiercely independent young woman growing up in rural Australia in the 1800s. Chafing against the limitations placed on her as a woman – particularly the expectation that she should marry for security – Sybylla dreams instead of becoming a writer and forging a life of her own making. As she navigates family hardship, social...
  • Redfern
If you’re looking for a night out where serotonin is dialled up to the max – it’s a seat at The Grand Electric. La Ronde is a cheeky, jaw-dropping performance hitting the intimate stage in Surry Hills this autumn. It has wowed audiences in Adelaide, Newcastle, Darwin, Auckland and Sydney, and now it’s now back in town for a second season.  The high-adrenaline affair made waves as one of the must-see shows of the Adelaide Fringe – clocking up an immense amount of five-star reviews in the process. While some of the other shows by the same creators, like Blanc de Blanc, are a little more risqué, La Ronde is a fun night out for anyone over 15.  Live music sets the stage for some gravity-defying stunts and glitzy disco fever. There’s so much variety in the show that it’s got something for everyone from avid theatre-goers to couples on date night. With a super interactive ringside experience, it also serves as the ultimate group night out where bubbles and gasps flow generously.  Catch La Ronde at The Grand Electric in Surry Hills until May 10. Tickets start from $86 and you can get yours here. 
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  • Sydney
Theatre fans, take note. Sydney Theatre Company – Sydney’s largest and most prominent theatre producer – has just dropped the details for its 2026 season. The beautifully varied 2026 season will comprise 13 productions, with more than 80 beloved and emerging performers set to take to the stage throughout the year. Following Kip Williams' departure from the company, the 2026 season will be the first curated by new Artistic Director Mitchell Butel, who joined STC in late 2025. Reflecting on what theatre-goers can expect in 2026, Butel described the 2026 program as a "season of dream teams: celebrating the diversity of Australian storytelling. Highlights from STC’s 2026 season will include three world premieres of brand-new Australian works, the Australian Premiere of the most awarded Broadway play of 2025, the Sydney premiere of a new Australian musical and a handful of other Australian and international plays. If you’re keen to see something new, get in line for the season’s key world premieres: Whispering Jack: The John Farnham Musical (from award-winning writer and director Jack Yabsley), Bennelong in London (by Jane Harrison, the brilliant playwright behind The Visitors and Stolen) and Strong is the New Pretty by Olivier Award-winning playwright Suzie Miller. Bennelong in London will be showing from July 24 until August 16 2026, Strong is the New Pretty will be playing from October 26 until December 5 2026, and Whispering Jack: The John Farnham Musical will be showing...
  • Musicals
  • Sydney
  • 3 out of 5 stars
  • Recommended
After a cancellation the previous evening due to the raging storm and winds, the opening night of The Phantom of the Opera was looking dire. But magically at the stroke of 6pm, when the team of Opera Australia’s Handa Opera rolled out the red carpet, the rain dissipated and a warm setting sun floated over Sydney Harbour. The Phantom still has magic left up his sleeve after all. Phantom of the Opera on Sydney Harbour represents that age-old maxim, “The show must go on”. And go on The Phantom of the Opera shall! Rain, wind, or sun, the show is at the mercy of nature, but overcoming the natural challenges from Mother Nature makes it all the more thrilling to witness. Every outdoor spectacle presented by Handa Opera is consistently infused with decadence, and this restaging of Andrew Lloyd Webber’s classic is no different. This is a highbrow spectacle at its most luxurious. What type of show is The Phantom of the Opera? The musical version of the mysteriously masked Phantom living beneath the Paris Opera House has captivated audiences around the world for 40 years. His obsession with the young Christine Daaé and subsequent devious nurturing of her talents has played to more than 160 million people in 58 territories and 205 cities in 21 languages.  As a character, Christine is at the mercy of the men she’s surrounded by. Be it the Phantom’s obsessive love, her saviour in the shape of Raoul, Vicomte De Chagny, or the whims of the new owners of the Paris Opera House, Monsieur...
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  • Drama
  • Sydney
Fans of the Bard, we’ve got news. Two thirds of the way through a huge 2025 season, with critically acclaimed productions of Henry V and Coriolanus all wrapped up and a beloved production of Shakespeare’s most famous love story returning to the Opera House this summer, Bell Shakespeare has just released the details for its 2026 season. Next year, Sydney’s Shakespeare enthusiasts will be treated to a world premiere of Mackenzie, a new production of Julius Caesar and the return of Bell Shakespeare's critically acclaimed 2023 production of Macbeth. The first Bell Shakespeare production to light up our stages in 2026 will be a new production of Julius Caesar, opening in the Harbour City in March before touring Canberra and Melbourne. This entirely new staging will be directed by Artistic Director Peter Evans, with Leon Ford (Elvis, Hamlet) as Cassius and Brigid Zengeni (Coriolanus, The Artful Dodger) as Brutus. Next up, Bell Shakespeare will bring to life a new reimagining of Macbeth, described by the theatre as “hilarious, twisted, and deeply camp”. Mackenzie is the brainchild of award-winning creator Yve Blake in partnership with Artistic Director Virginia Gay, who have rewritten the Macbeth story with the titular character being a 13-year-old child star in the heights of early 2000s TV stardom, and Lady Macbeth her “ruthlessly ambitious stage mum”. Mackenzie will open in Sydney in June of 2026, before showing in Melbourne.For the company’s annual national tour, Bell...
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