The best theatre to see in Sydney this week

Nearly 30 years after it burst onto Broadway, Rent remains a landmark. It won four Tony Awards and a Pulitzer Prize, but its true legacy lies in how it blew open Broadway’s doors to the misfits, bringing ’90s rock, raw emotion and the gritty diversity of real New York life to the stage. It didn’t just reflect a generation, it shaped one. For theatre kids like me, Jonathan Larson’s words were the ones we belted backstage and found ourselves in. And it wasn’t just us, Rent inspired Lin-Manuel Miranda to write In the Heights and paved the way for the Glee generation: a wave of fans and artists who saw musical theatre as urgent, inclusive and unapologetically cool. Now, Opera Australia is reigniting that spark for a new generation with a bold, heart-filled production. What’s the premise of Rent? Jonathan Larson’s rock musical Rent follows a group of seven struggling young artists and friends trying to survive and create in New York City’s Lower East Side during the late 1980s. As the AIDS epidemic spreads and claims lives around them, they grapple with love, illness, addiction and the looming threat of eviction. At the same time, they face a growing disillusionment with capitalism and the gentrification rapidly reshaping their neighbourhood. Who makes up the cast of Rent? As in Puccini’s La Bohème, the inspiration behind Rent, the story begins with two friends: Mark (Henry Rollo, Rocky Horror Show), a struggling documentary filmmaker, and Roger (Harry Targett, Dear Evan...

As I’m on my way to Sydney's Capitol Theatre for the new Australian production of The Book of Mormon, my friend tells me it’s the very first musical a lot of people see. Created by South Park duo Trey Parker and Matt Stone (with Robert Lopez), the show’s reputation for extremely irreverent jabs at religion draws a non-traditional theatre crowd. What I now realise my friend didn’t mean was, “it’s often the first musical kids see”. When I say the musical is extremely irreverent, I mean it. The humour is crass, verging on grotesque (some things I wouldn’t dare repeat). So it’s probably questionable that I’ve brought along my 13-year-old son with me. That said, he loves it.  Some of the humour is classic teen boy (i.e. a regular exclamation from one of the Ugandan characters that he has “maggots in my scrotum”). Very South Park. My son laughs loudly with the rest of the audience – and when the jokes go too far, he cringes, glancing around with a “should I be laughing at this?” look. Although the shock value is high, it’s nice seeing a Gen Alpha-ite who’s been raised on Youtube and other screen-based entertainment bopping along in his seat to the song and dance of a stage show.    What’s the premise of The Book of Mormon? The Book of Mormon tells the story of two young Mormon missionaries sent to a small village in Uganda. Although the story centres on Mormonism, Parker and Stone have been known to refer to the show as an “atheist’s love letter to religion” – a wink and a jab...

Most of us know and love the whip-crackin’, brown-leather-pants-wearing character of Calamity Jane from her appearance in the 1953 movie musical of the same name starring Doris Day. This version of her sings like a Disney princess and has perfectly coiffed blonde hair, which is somewhat unrealistic for a woman who dressed in soldier’s uniforms in the 1880s, took responsibility for her six younger siblings, and could outshoot, outdrink and outswear any other man in her hometown of Deadwood, USA. Beloved Australian actor Virginia Gay’s interpretation of the famous Calamity irreverently, lovingly muddies up the too-perfect-movie-musical-version in a brand-new production that is positively stuffed with theatrical treats, now showing at the Opera House. It’s grimy, it’s silly, and the fourth wall is nowhere to be found. It’s also the biggest production since the original staging of this idea, which debuted in 2017 as part of the Neglected Musicals program at Hayes Theatre Co transforming Sydney Opera House’s studio theatre into a grand version of Deadwood’s Golden Garter saloon and theatre. The premise of Calamity Jane is this: Calamity is an unruly local of small-town Deadwood who rides with “Wild” Bill Hickok, and has a hopeless crush on second lieutenant Danny Gilmartin (despite her otherwise masculine appearance, Calamity is still very much a little emotional girl at heart). When the local theatre owner fails to secure a beautiful actress from New York, Calamity vows to...

Great Scott! All the way from 1985 to 1955 and now 2025, Sydney has landed the opening of mega-movie musical Back to the Future: The Musical, complete with a superb ensemble, captivating visual effects and enough nostalgia to power a time-travelling DeLorean.  For full transparency, Back to the Future is one of my favourite films of all time. Growing up watching Michael J. Fox’s Marty McFly and Christopher Lloyd’s Dr. Emmett Brown travel through time across three films was a large part of my movie-watching childhood. So when it was announced that it would be getting a high-octane staging, I was both ecstatic and sceptical. However, like the show’s original writer (and now the musical’s) Bob Gale said, “we’re not going to do this unless we can do it right”.   Thankfully, of the musical version I can safely say – to borrow from the Doc – “IT WORKS!” What’s the premise of Back to the Future: The Musical? After uncovering an old folder of photos in his parents’ basement, Gale wondered, after seeing a high school version of his father, whether he would have been friends with him back then. “The answer is no,” he joked at the opening night bows. The result of this is classic ’80s nostalgia – in both setting and plot.  BTTF follows teenager Marty McFly in Hill Valley, 1985, whose life is less than spectacular. He dreams of being a rock 'n’ roll star but he’s told he’s too loud and a “slacker” like his father. His family are just as hopeless. None more so than his father George...