The Australian cast of 'Titanique'
Phootograph: MCG/Daniel Boud | The Australian cast of 'Titanique'
Phootograph: MCG/Daniel Boud | The Australian cast of 'Titanique'

The best theatre to see in Sydney this week

Are you in the mood for a show? Here are our picks for musicals, plays and more showing over the next seven days

Alannah Sue
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There are always a lot of wonderful things to do in Sydney. But whether it's an evening filled with razzle dazzle or cheeky matinee, there is something extra special about going to the theatre.

You can take a deeper dive by with our guide to the best of Sydney's stages this month. For now, here's our picks of the best shows to see this week.

Our top picks on Sydney's stages this week

  • Dawes Point
  • 5 out of 5 stars
  • Recommended
I had high expectations – I won’t lie. As a literary and theatre purist, I am always a little wary of adaptations, but the mix of Y2K child star culture with Shakespeare’s Macbeth had me curious. I mean, what could explore power and unchecked ambition more than the kingdom of Hollywood? Virginia Gay’s modern adaptation, Mackenzie, not only raised the bar but crushed it into rhinestones and scattered it across the stage. This fabulous Bell Shakespeare production, now on at The Neilson Nutshell in Walsh Bay, plays with power without ever wavering from its camp and comedic register. Gay has reminded us that camp, done right, is that serious.  What is the premise of Mackenzie? As a story adapted from Macbeth, Mackenzie (Kimberley Hodgson) is a highly talented background actress and performer on the tween program ‘The Dahlia Show’. However, blood, sweat and tears are literal here, as the weight of such a role comes at the cost of brutality, abuse and meeting network expectations at the tender age of thirteen. While in hair and make-up, both Mackenzie and her co-star Beau (Ryan González) are told of a prophecy by their make-up artist of a future where Mackenzie is promoted on ‘The Dahlia Show’ and becomes the biggest pop sensation in the world. After the promotion occurs, Mackenzie’s mother, Ruth (Nikki Britton), works with Mackenzie to take down Dahlia and help ensure her rise as the biggest pop star. However, after five years, work, guilt, youth and the misogyny of the...
  • Drama
  • Surry Hills
  • Recommended
If you missed out on seeing the powerful and deeply moving play, The Jungle and the Sea in 2022, it returns to Belvoir St Theatre from July 11 to August 2. Created by S. Shakthidharan and Eamon Flack, the creative team behind Counting and Cracking, the production tells the story of one family caught in the devastating Sri Lankan civil war, which raged between the Sinhalese-majority government and the Liberation Tigers of Tamil Eelam (LTTE) from 1983 to 2009, leaving unimaginable death and destruction in its wake. At the heart of the story is Gowrie, a mother desperately trying to reunite her family as violence engulfs her homeland. After an act of destruction tears her loved ones apart, she takes a radical vow of defiance, blindfolding herself and refusing to see the world again until her family is reunited. While she sends her husband and one daughter to Australia for safety, she and her other two daughters search through the jungles of northern Sri Lanka for her estranged son.  Drawn from real-life testimonies and woven with elements of the Mahabharata and Antigone, the play is both grand in scale and deeply human. Featuring live Carnatic music with a stellar cast including Bharathanatyam dancer Anandavalli, plus Prakash Belawadi, Nadie Kammallaweera and Shiv Palekar, The Jungle and the Sea is a stirring tale of love and loss in the face of war. The Jungle and the Sea runs from July 11 to August 2 at Belvoir St Theatre's Upstairs Theatre with a run time of almost three...
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  • Musicals
  • Darling Harbour
  • 4 out of 5 stars
  • Recommended
Anastasia (1997) was among the first musical films I knew in its entirety. While many children frolicked to Timon and Pumbaa’s playful anthem in The Lion King, I was instead reenacting “Once Upon a December” in my living room, captivated by a heroine whose quiet determination carried her through danger and uncertainty. At the time, I could not have anticipated how deeply this film would shape my relationship with musical theatre. “Journey to the Past” soon became a staple audition piece, and Anya’s unwavering belief in her own worth quietly informed my own developing sense of confidence.  What I did not yet understand, however, was the historical context behind the story: the execution of the Russian imperial family in 1918 and the long-standing myth that Grand Duchess Anastasia Romanov survived. The 1997 animated film leans fully into fantasy, using magic and spectacle to distance itself from historical reality. The stage musical, which premiered on Broadway in 2017 with a book by Terrence McNally and music and lyrics by Stephen Flaherty and Lynn Ahrens, takes a different approach, removing the supernatural elements in favour of a more realistic political setting. This creative decision has lingered uneasily over the production since its premiere, inviting criticism for its revisionist narrative – a species of theatrical “fake news,” further undermined by the musical’s questionable commitment to American accents. In performance, now at Sydney Lyric Theatre, this shift...
  • Musicals
  • Haymarket
  • 5 out of 5 stars
  • Recommended
The opening note of ‘The Circle of Life’ may just be one of the most recognisable in a Disney musical. If you don’t agree, then you may have to convince the entire theatre-going audience who were at Disney’s The Lion King on opening night. The full house’s roars could be heard all the way out of the Capitol Theatre’s front doors as the king of musicals triumphantly returns to Sydney – the first time in more than a decade. What type of show is The Lion King? It’s called The King of Musicals for a reason. If it’s not Elton John’s iconically recognisable music, or Tim Rice’s lyrics you’ve sung over a late-night karaoke session, then its Roger Allers and Irene Mecchi’s book featuring the characters you love, the characters you hate, and the ones you undoubtedly cry over – tears were definitely still shed during that scene. What’s so beautiful about The Lion King is the blurring of worlds and culture that merges in between all of these. Julie Taymor’s directorial conception blends African culture, language, movement and costume underneath masks and puppetry of the animal characters. Mufasa’s “crown” is a stoic, strong and towering headdress. The elegant lionesses soar and leap through the sky through Garth Fagan’s choreography as wing-like gowns flow behind them. The animals of Pride Rock are adorned with larger-than-life puppets of intricate designs and architecture: a re-engineered bicycle becomes leaping antelope, birds fly above the crowd on poles manipulated by performers,...
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  • Drama
  • Millers Point
  • price 1 of 4
  • Recommended
Institution versus intuition. Power versus prejudice. Bias versus belief. It’s all laid bare in the stage production of Doubt: A Parable, coming to the Sydney Theatre Company from June 30 onwards. Sam Reid (The Newsreader, Interview with the Vampire) stars opposite Pamela Rabe (Wentworth) in John Patrick Shanley’s Pulitzer Prize and Tony Award-winning play that’s directed by Australian theatre great, Marion Potts. The production also features Zindzi Okenyo (director of Purpose) and Shannen Alyce Quan (The Dictionary of Lost Words), bringing together a stellar cast for this engrossing 90-minute drama. Set in a Catholic school in the Bronx, New York in 1964, Doubt centres on a shocking accusation that blurs the lines between suspicion and truth. Sister Aloysius (Rabe), the rigid headmistress of St. Nicholas Church School suspects the charismatic Father Flynn (Reid) of inappropriate sexual behaviour towards the school’s sole black student, Donald Muller. If the plot sounds familiar, it’s perhaps because you’ve watched the 2008 film adaptation, starring Meryl Streep and the late Philip Seymour Hoffman.  Provocative and deeply unsettling, the play asks audiences to question everything – and is as relevant now as when it made its Broadway debut about 20 years ago. As the evidence remains frustratingly inconclusive, audiences are left to wrestle with their own assumptions long after the final curtain falls. Doubt: A Parable is at the Sydney Theatre Company’s Roslyn Packer Theatre...
  • Sydney
Theatre fans, take note. Sydney Theatre Company – Sydney’s largest and most prominent theatre producer – has just dropped the details for its 2026 season. The beautifully varied 2026 season will comprise 13 productions, with more than 80 beloved and emerging performers set to take to the stage throughout the year. Following Kip Williams' departure from the company, the 2026 season will be the first curated by new Artistic Director Mitchell Butel, who joined STC in late 2025. Reflecting on what theatre-goers can expect in 2026, Butel described the 2026 program as a "season of dream teams: celebrating the diversity of Australian storytelling. Highlights from STC’s 2026 season will include three world premieres of brand-new Australian works, the Australian Premiere of the most awarded Broadway play of 2025, the Sydney premiere of a new Australian musical and a handful of other Australian and international plays. If you’re keen to see something new, get in line for the season’s key world premieres: Whispering Jack: The John Farnham Musical (from award-winning writer and director Jack Yabsley), Bennelong in London (by Jane Harrison, the brilliant playwright behind The Visitors and Stolen) and Strong is the New Pretty by Olivier Award-winning playwright Suzie Miller. Bennelong in London will be showing from July 24 until August 16 2026, Strong is the New Pretty will be playing from October 26 until December 5 2026, and Whispering Jack: The John Farnham Musical will be showing...
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  • Drama
  • Dawes Point
Fans of the Bard, we’ve got news. Two thirds of the way through a huge 2025 season, with critically acclaimed productions of Henry V and Coriolanus all wrapped up and a beloved production of Shakespeare’s most famous love story returning to the Opera House this summer, Bell Shakespeare has just released the details for its 2026 season. Next year, Sydney’s Shakespeare enthusiasts will be treated to a world premiere of Mackenzie, a new production of Julius Caesar and the return of Bell Shakespeare's critically acclaimed 2023 production of Macbeth. The first Bell Shakespeare production to light up our stages in 2026 will be a new production of Julius Caesar, opening in the Harbour City in March before touring Canberra and Melbourne. This entirely new staging will be directed by Artistic Director Peter Evans, with Leon Ford (Elvis, Hamlet) as Cassius and Brigid Zengeni (Coriolanus, The Artful Dodger) as Brutus. Next up, Bell Shakespeare will bring to life a new reimagining of Macbeth, described by the theatre as “hilarious, twisted, and deeply camp”. Mackenzie is the brainchild of award-winning creator Yve Blake in partnership with Artistic Director Virginia Gay, who have rewritten the Macbeth story with the titular character being a 13-year-old child star in the heights of early 2000s TV stardom, and Lady Macbeth her “ruthlessly ambitious stage mum”. Mackenzie will open in Sydney in June of 2026, before showing in Melbourne.For the company’s annual national tour, Bell...
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