The best theatre to see in Sydney this week

As I’m on my way to Sydney's Capitol Theatre for the new Australian production of The Book of Mormon, my friend tells me it’s the very first musical a lot of people see. Created by South Park duo Trey Parker and Matt Stone (with Robert Lopez), the show’s reputation for extremely irreverent jabs at religion draws a non-traditional theatre crowd. What I now realise my friend didn’t mean was, “it’s often the first musical kids see”. When I say the musical is extremely irreverent, I mean it. The humour is crass, verging on grotesque (some things I wouldn’t dare repeat). So it’s probably questionable that I’ve brought along my 13-year-old son with me. That said, he loves it.  Some of the humour is classic teen boy (i.e. a regular exclamation from one of the Ugandan characters that he has “maggots in my scrotum”). Very South Park. My son laughs loudly with the rest of the audience – and when the jokes go too far, he cringes, glancing around with a “should I be laughing at this?” look. Although the shock value is high, it’s nice seeing a Gen Alpha-ite who’s been raised on Youtube and other screen-based entertainment bopping along in his seat to the song and dance of a stage show.    What’s the premise of The Book of Mormon? The Book of Mormon tells the story of two young Mormon missionaries sent to a small village in Uganda. Although the story centres on Mormonism, Parker and Stone have been known to refer to the show as an “atheist’s love letter to religion” – a wink and a jab...

Sticks and stones may break your bones, but words can spit out venom so lethal that there is no antidote. There are not many works which can produce such poisonous sparring and emotional violence with the same acclaim and excellence as Edward Albee’s Who’s Afraid of Virginia Woolf? The Pulitzer Prize and Tony Award-winner’s work is a gruelling feat of art, which director Sarah Goodes tackles with a fresh ferocity and with all the classical nuance and complexity that comes with Albee’s work. What is the premise of Who’s Afraid of Virginia Woolf? Martha (Kat Stewart) and George (David Whiteley) are a middle-aged couple who have spent their married life at New Carthage University where George works as an associate professor in the history department. The couple arrive home at two o’clock in the morning after attending a faculty party hosted by Martha’s father, who is also the University’s president. During what seems like a slight marital dispute after the party, Martha informs George that she has invited a younger couple who have recently joined the university to their house. As the argument begins to heat up, Nick (Harvey Zielinski) and Honey (Emily Goddard) arrive at the couple’s place just as Martha is cursing at George, foreshadowing the tumultuous night ahead.  The story uses the two couples’ relationships to explore ideas of truth and illusion. By using the privacy of a vicious domestic argument, the audience, like Nick and Honey, become a witness to a generally...

It’s part history, part drama – Belvoir St Theatre is taking Shakespeare’s The Tragedy of King Lear back to its roots. Named after one of the play’s original titles, The True History of the Life and Death of King Lear and his Three Daughters, reflects director Eamon Flack’s vision to portray more than the story of a king in power – rather, his succession (and the unravelling of it).  King Lear is on the edge of retirement. His plan is simple: pass the throne on to his three daughters who will each rule an equal portion of the kingdom. That is, until power and ego muddies the waters.  The highly anticipated Colin Friels (Into the Shimmering World) stars as King Lear, Alison Whyte (Death of a Salesman) as the Countess of Gloucester, Peter Carroll (Coriolanus) as Fool and they’re joined by an all-star 14-person ensemble. Watch The True History of the Life and Death of King Lear and his Three Daughters at Belvoir St Theatre from November 15 to January 4. Tickets start from $43 – you can book yours here.

Great Scott! All the way from 1985 to 1955 and now 2025, Sydney has landed the opening of mega-movie musical Back to the Future: The Musical, complete with a superb ensemble, captivating visual effects and enough nostalgia to power a time-travelling DeLorean.  For full transparency, Back to the Future is one of my favourite films of all time. Growing up watching Michael J. Fox’s Marty McFly and Christopher Lloyd’s Dr. Emmett Brown travel through time across three films was a large part of my movie-watching childhood. So when it was announced that it would be getting a high-octane staging, I was both ecstatic and sceptical. However, like the show’s original writer (and now the musical’s) Bob Gale said, “we’re not going to do this unless we can do it right”.   Thankfully, of the musical version I can safely say – to borrow from the Doc – “IT WORKS!” What’s the premise of Back to the Future: The Musical? After uncovering an old folder of photos in his parents’ basement, Gale wondered, after seeing a high school version of his father, whether he would have been friends with him back then. “The answer is no,” he joked at the opening night bows. The result of this is classic ’80s nostalgia – in both setting and plot.  BTTF follows teenager Marty McFly in Hill Valley, 1985, whose life is less than spectacular. He dreams of being a rock 'n’ roll star but he’s told he’s too loud and a “slacker” like his father. His family are just as hopeless. None more so than his father George...

Every year, I wait with bated breath to see what original Australian musical the Hayes Theatre Company will put forward. In recent seasons, I’ve seen rock-singing country wrestlers, breakdancing zombies, and now – tap-dancing horses? Yes, Phar Lap: The Electro-Swing Musical gallops onto the Hayes stage with all the energy, heart and irreverent Aussie spirit you’d expect from this beloved company. Even for those unfamiliar with Australia’s horse-racing history, the name “Phar Lap” carries mythic weight – the underdog chestnut who became a national hero during the Great Depression, and whose story is forever tied to “the race that stops the nation.” This new musical takes that legend and runs with it, blending history and humour with plenty of high kicks to create a crowd-pleasing spectacle that’s equal parts hoofbeats and hope. What's the premise of Phar Lap: The Electro-Swing Musical? At the centre of the story is Harry Telford (Justin Smith, Into the Woods, The Dismissal, Dubbo Championship Wrestling), a down-on-his-luck trainer who’s never managed to produce a winner. His fortunes change when he stumbles upon Phar Lap (Joel Granger, Guys & Dolls, The Book of Mormon), a New Zealand–born thoroughbred with the makings of a champion. Sensing an opportunity, Telford strikes a precarious deal with the ever-money-hungry David Davis (Nate Jobe, Shrek the Musical). To get Phar Lap into winning form, the unlikely pair must navigate the horse’s relationship with his jockey Jim Pike...