Out the front of Bar Planet
Photograph: Dexter Kim | Out the front of Bar Planet
Photograph: Dexter Kim

Things to do in Sydney this week

Wondering what to do across Sydney? Our list will guide you in the right direction

Avril Treasure
Advertising

Hello! Welcome to your weekly wrap of what’s on.

Free Monday night? Head to Newtown's Bar Planet and lap up $13 Martinis all night long. And you can suss out other Sydney happy hours here, too.

Calling all Ted Lasso fans: Woollahra’s Lord Dudley is transforming into the Crown & Anchor this week (Aug 5-7) with themed pub grub, trivia, darts and free pies for the first 100 people through the door.

Bennelong in London is playing now at Sydney Theatre Company, with our reviewer saying the bold new show is  packed with humour and surprises. Check out the best shows to see this month in Sydney here.

If you'd like to learn more about Chinese mythology, head to Chippendale's White Rabbit Gallery and see its new exhibition, Black Myth.

Love wine but not the snobbery? Newtown favourite Famelia has launched a fun new wine school with guided tastings designed to build your confidence. It’s happening every second Tuesday from July to October – find out more here.

Need a laugh? The Comedy Store in Moore Park has been Sydney’s go-to spot for belly laughs since 1981, with affordable shows every Thursday, Friday and Saturday night. Plus, check out the best shows to see in Sydney this month here.

Acclaimed First Nations artist Tony Albert has opened his largest-ever solo exhibition at the MCA. Tony Albert: Not a Souvenir explores the stereotyping and commodification of Aboriginal culture while celebrating survival, resilience and pride. Alongside the exhibition, Albert and the MCA have launched the Aboriginalia Appeal, encouraging Australians to donate mass-produced souvenirs that reduce Aboriginal culture to stereotypes.

Sydney’s historic harbourside precinct The Rocks is once again turning Thursday nights into a free open-air jazz party this winter, with live music every week until September 24.

The Archibald, Wynne and Sulman Prizes has landed at the Art Gallery of New South Wales, with Richard Lewer taking home the top honour for his portrait of Pitjantjatjara Elder Iluwanti Ken. Head to the gallery to check out the winning portrait in person, plus all the finalists and winners. The exhibition runs until August 16, with tickets from $30.

Hungry? Burwood Chinatown Night Market runs Thursday to Sunday from 5-10pm, and it's always a delicious, fun time.

Booking a catch-up? Sydney's best restaurants and best new restaurants are a good place to start. Or, head to one of Sydney's best bars.

Scroll on for our full list of the best things to do in Sydney this week.


Mapping out your weekend? These are the best things to do in Sydney this weekend.

Stay in the loop: sign up for our free Time Out Sydney newsletter for more news, straight to your inbox.

The best things to do in Sydney

  • Things to do
  • Darling Harbour
Few things in life manage to bridge generational divides, and one of them is Animal Crossing. Whether you’re looking for activities these school holidays or feeling nostalgic for the hours spent catching fish on your Nintendo Switch, head to Darling Harbour from July 1 to August 23 to experience a dreamlike underwater world where your favourite virtual characters and the real marine world collide. Back by popular demand, the Animal Crossing: New Horizons experience returns with a fresh and even more immersive take, giving returning fans the perfect excuse to come back. Snap a pic with Isabelle, everyone's favourite secretary, or check out panels from Blathers about the aquarium’s real-world marine life. In between lessons, see if you can spot a washed-up Gulliver alongside giant cutouts of other island residents hiding around. You can also take part in a stamp rally inspired by the game. If you collect all the character stamps, you'll take home a postcard as a reward that’s worthy of a spot on the fridge.  Tickets start from $99 per family, with 30 per cent off until July 19. Plus, students save more than 50 per cent, with $24 tickets available weekdays anytime (outside school holidays) or every day after 3pm. The Animal Crossing: New Horizons experience at Sea Life runs for a limited time from July 1 to August 23, 2026. To learn more and get tickets, visit the Sea Life Sydney Aquarium website. To celebrate the return of The Animal Crossing: New Horizons experience, we're...
Paid content
  • Musicals
  • Sydney
  • 4 out of 5 stars
  • Recommended
Isobel McArthur’s Pride & Prejudice* (*sort of) strips away the intellectual exclusivity of Jane Austen’s classic, not only making it accessible to a wide variety of audiences, but also making clear the sort of tools that Austen herself was using in her original novel: gender, satire, romance, and – most of all – comedy. There’s no Colin Firth here – but there are plenty of karaoke songs to hum along to. What is the premise of Pride & Prejudice* (*sort of)? Told by the servants who work tirelessly behind the main characters within Austen’s work, we’re given a slapstick comedy version of Pride and Prejudice. Dressed in white gowns with Doc Martens poking out underneath, the five-strong cast clean their way through the audience with yellow rubber gloves and individualised accents from across Great Britain. The fourth wall is destroyed immediately – they want you to be a part of the story. After a rather disturbing entrance involving a plunger and a rather messy toilet, Elvis Costello’s ‘Everyday I Write the Book’ launches us into literary territory and the premise is set up. Though you may only know the main characters of Pride and Prejudice, there were unsung heroes helping to push the Bennet sisters along their journey towards love and stability. Now, it’s their turn to tell a version of the events, with a song or two along the way – it’s best not to reason about the artistic merits or reasoning behind this addition, just go with it. Perhaps the jumbled selection of songs...
Advertising
  • Woolloomooloo
  • 4 out of 5 stars
  • Recommended
"To be, or not to be" is the question that has haunted generations, but Goodnight Sweet Prince, now playing at Sydney's The Old Fitz Theatre, asks a more contemporary one: how do you keep living when the world you have inherited feels irreparably out of joint?  Liesel Badorrek’s intimate 70-minute reimagining of Shakespeare’s Hamlet transforms the prince’s famous existential crisis into a meditation on generational grief, the mourning of not only what has been lost, but what was promised and never arrived. It begins with a deceptively simple theatrical question: who will be Hamlet tonight?  With Raj Labade(The Talented Mr Ripley, My Brilliant Career, King Lear) and Jack Twelvetree (Blackout Songs, Revolt. She Said. Revolt Again) swapping the roles for each performance, Badorrek makes the casting itself part of the drama. Hamlet becomes less a fixed character than a vessel for uncertainty, contradiction and the overwhelming weight of inheriting a broken world. What is the premise of Goodnight Sweet Prince? Rather than offering another adaptation of Hamlet, Goodnight Sweet Prince is less interested in Hamlet the play than Hamlet the man. Drawing from excerpts of monologues and scenes across Shakespeare’s most famous tragedy, Badorrek creates a portrait of a man consumed by grief, paralysed by indecision, and haunted by questions that cannot be resolved through logic alone. With Hamlet at the centre, the tragedy feels less like something he participates in and more like...
  • Dawes Point
  • 4 out of 5 stars
  • Recommended
A new work by revered Australian playwright Jane Harrison (The Visitors, Stolen) is always one to be celebrated. Her works tackle and investigate both the past and present existence of First Nations communities, weaving a contemporary lens through which she aims to reconcile, teach and honour. The newest Sydney Theatre Company-commissioned work, Bennelong in London, is no different. Here, Harrison dissects the historical narrative of Woollarawarre Bennelong, a man who found himself in an unprecedented moment in history. At the centre of the work is a complex individual whose historical narrative has been documented by the colonisers and whose history can only truly be known by his actions. This is a play that is ultimately a conversation between generations, focusing on identity, representation and the responsibility that comes with one’s story. What is the premise of Bennelong in London? Sebastian (Guy Simon – Stolen, Holding the Man) is a contemporary First Nations actor preparing to audition for the role of Woollarawarre Bennelong (Googoorewon Knox – Hamilton) in an unnamed project. It’s clear from the outset that he can’t quite get a grip on the portrayal of one of the most significant figures in the early years of invasion as he shoots numerous takes on a precariously propped phone. Harrison’s plot takes no time in getting to the crunch – after an offhand plea to summon the spirit of Bennelong for help, Sebastian gets what he asks for in the form of the figure...
Advertising
  • Art
  • Galleries
  • Sydney
  • Recommended
Australia’s most popular arts event is back in action for 2026, with the Archibald, Wynne and Sulman Prizes bringing a fresh batch of painterly expressions to the walls of the Art Gallery of NSW from May 9 to August 16.  They call it “the face that stops the nation”, and the Archibald Prize has indeed been courting controversy and conversation for more than a century now. This popular portrait prize is always filled with famous faces, with artists from all over Australia (and also New Zealand) capturing the spirit of the times through paintings that capture the likeness of the personalities that define their communities. Melbourne-based artist Richard Lewer is the winner of the Archibald Prize 2026 – he won over the judges with a stunning portrait of Pitjantjatjara Elder, senior artist and ngangkari (traditional healer) Iluwanti Ken. RECOMMENDED: A beginner's guide to the Archibald Prize. The winner of the 2026 Packing Room Prize was announced a week earlier, with the Packing Room Pickers (a.k.a. the Art Gallery staff who receive, unpack and hang the entries) selecting Sean Layh's striking painting of actor Jacob Collins as their favourite Archibald portrait this year.  Meanwhile, the Wynne Prize awarded the best landscape painting of Australian scenery or figurative sculpture to YolƋu artist Gaypalani Waáč‰ambi, and the Sulman was awarded to Lucy Culliton for the best genre painting, subject painting or mural project.  The annual finalists exhibition is a real must-see,...
  • Things to do
  • Exhibitions
  • Sydney
If you've ever wondered what would happen if a kid's drawing of their wildest dream utopia suddenly came off the page and into real life, you're in luck, because that's pretty much what's happening right now beneath the Art Gallery of NSW.  Artist and professional disruptor Mike Hewson has taken over the weird subterranean world of The Tank with his one-of-a-kind new exhibition, Mike Hewson: The Key's Under the Mat, where for the first time ever, all the main lights in the normally pitch-dark Tank will be switched on, revealing a weird wonderland of interactive art pieces and play equipment that have to be seen to be believed. We're talking: A steam room with stained glass windows that you can actually sit in, a functioning sauna with bespoke church pews, five actual operating public barbeques that you can cook on, rushing water to play in (seriously, bring your swimmers), a working laundry,  and a free-to-use recording studio, plus a whole plethora of bright and delightful surprises that are all about getting community together, to do cool stuff, for free. Basically, break your imagination and delete all adult expectations. This is unlike anything we've ever seen.  Kids who aren't afraid of some risk are also one of Hewson's big targets with this show (although parents, rest easy, the floor is specially made out of recycled soft rubber that's rated for use in public playgrounds), with the space also home to a wild children's playground. Intrepid kidlets can test their...
Advertising
  • Things to do
  • Exhibitions
  • Marrickville
Beautiful things are (nearly) blooming in Marrickville. Following the delightfully offbeat success of The Grocery Store – an exhibition of wonderfully inedible everyday goods – Voluptuary Ceramics is transforming its warehouse yet again, this time into an enchanting, otherworldly garden. Running from July 25 to August 30, The Garden is an immersive exhibition featuring garden-inspired ceramics, sculptures, paintings, textiles and tactile objects by more than 50 Australian artists, designers and makers. Each artist has been busy as a proverbial bee in their own studio, cultivating creations of garden-themed artwork and now they'll come together to display and sell their wares. Think hand-felted wool creations of mushrooms and moss; detailed paintings of ferns, fungi and flowers; metal sculptures of butterflies and bees; and whimsical ceramic blooms. From bold and bright to intricate and delicate, The Garden invites you to wander and wonder at nature’s bounty – and perhaps take home a little piece of this wonderfully imagined world. The Garden is on at Voluptuary World, Marrickville from July 25 to August 30. Find out more via their Instagram page.  Stay in the loop: sign up for our free Time Out Sydney newsletter for more news, travel inspo and activity ideas, straight to your inbox. RECOMMENDED: The best markets in Sydney for farm-fresh produce or arts and crafts 25 fun (and delicious) things to do in Sydney for under $25  Have you had a bite at Eat Ozzo Marrickville yet?
  • Circuses
  • Sydney
Dust off your sequins – a glittery-as-heck night of disco, circus and cabaret is taking over the Sydney Opera House this winter. Showing in the Studio from July 24 to September 13, Velvet Inferno is the very sparkly new evolution of the hit Australian production Velvet, promising wildly impressive acrobatics, powerhouse vocals and a solid soundtrack of disco anthems. The brilliant Marcia Hines will own the role of The Diva, with beloved multidisciplinary star Brendan Maclean taking on the fan-favourite role of Country Mike. Joining the Velvet family for the first time is singer-songwriter KYE as Gloria, whose coming-of-age story unfolds beneath a sparkling Studio 54-inspired mirrorball. The circus line-up is just as impressive. Expect next-level hula-hooping from Craig "Hula Boy" Reid, the Australian debut of Ukrainian roller-skating duo Duo Stardust, plus terrifyingly impressive aerial performances from Oleg Tatarynov and Zoe Marshall. Hyper-talented vocalists Emma Feliciano and Mateja Sardelis round out the cast. Soundtracked by disco classics including It's Raining Men, If You Could Read My Mind and No More Tears (Enough Is Enough), Velvet Inferno reunites the original creative team behind the global hit: director Craig Ilott, musical director Joe Accaria and choreographer Amy Campbell. More than a decade after Velvet first wowed audiences, the production continues to tour internationally, with an ongoing residency in Hamburg. Tickets start at $49.90. You can learn more...
Advertising
  • Things to do
  • Talks and discussions
  • Sydney
This year marks the very first Firestick, a six-part talk series at The Mint celebrating First Nations visionaries working across creative industries, media and sports. Part of Museums of History NSW’s 2026 program, the free series brings together trailblazing voices shaping the future for the next generation.  The series kicked off in April, with the next installment, Runway Country on June 18, celebrating the next wave of First Nations talent redefining the industry. The event will feature Whadjuk Noongar man Nathan McGuire as the guest speaker, who is an Australian model and founder of Mob in Fashion. Nathan will be in conversation with Liam Keenan, Senior Producer of First Nations programs at Museums of History NSW.   Then, on August 13, After the News, the Truth-Telling talk brings together leading figures in journalism and media to discuss how meaningful change can be created across the industry. Cinephiles won’t want to miss Through a Black Lens on September 10, where creatives behind the camera will share how they’re bringing First Nations stories to a global audience. Closing out the series is Wearing It With Pride – an exploration of the cross-cultural power of sport in Australia, featuring decorated athletes reflecting on their impact both on and off the field. Be sure to stick around after the talks for snacks and drinks in The Mint courtyard from Redfern’s The Noble Hops pop-up bar. Find out more here. 
Paid content
  • Musicals
  • Haymarket
  • 5 out of 5 stars
  • Recommended
The opening note of ‘The Circle of Life’ may just be one of the most recognisable in a Disney musical. If you don’t agree, then you may have to convince the entire theatre-going audience who were at Disney’s The Lion King on opening night. The full house’s roars could be heard all the way out of the Capitol Theatre’s front doors as the king of musicals triumphantly returns to Sydney – the first time in more than a decade. What type of show is The Lion King? It’s called The King of Musicals for a reason. If it’s not Elton John’s iconically recognisable music, or Tim Rice’s lyrics you’ve sung over a late-night karaoke session, then its Roger Allers and Irene Mecchi’s book featuring the characters you love, the characters you hate, and the ones you undoubtedly cry over – tears were definitely still shed during that scene. What’s so beautiful about The Lion King is the blurring of worlds and culture that merges in between all of these. Julie Taymor’s directorial conception blends African culture, language, movement and costume underneath masks and puppetry of the animal characters. Mufasa’s “crown” is a stoic, strong and towering headdress. The elegant lionesses soar and leap through the sky through Garth Fagan’s choreography as wing-like gowns flow behind them. The animals of Pride Rock are adorned with larger-than-life puppets of intricate designs and architecture: a re-engineered bicycle becomes leaping antelope, birds fly above the crowd on poles manipulated by performers,...
Recommended
    Latest news
      Advertising