Seven acts you can’t miss at Sónar Hong Kong
A god as far as techno afficiandos are concerned. For more than 30 years, Garnier has been the quintessential ‘DJ’s DJ’. This is in no small part down to his obsession with music – the French DJ and producer famously listens to every piece of music he is sent, which we imagine is quite a lot. Midnight-3am. SonarClub.
In three short years, this Malaysian-Chinese producer has established himself as a formidable prospect with his grungy, industrial beats that translate into invigorating, bombastic sets. This is properly seedy, down-and-dirty – and occassionaly haunting – techno. Bear in mind, these are all broad strokes when it comes to describing Tzusing’s music. Nimble use of vocals and melody punctuate huge drum sounds and there’s such a huge array of influences, you really need to see the man in action to grasp his sound. 4.35pm-5.35pm. SonarClub.
One of the most exciting rappers in recent memory to come out of South London. Ms Banks’ razor-sharp lyricism and strong turn-of-phrase have made her a shining example for female MCs. A perfect palate cleanser if you want to mix up your musical consumption on the day. 9.50pm-10.20pm. SonarLab.
English electronic musician Tom Jenkinson resides very much on the experimental side of the dance music universe. He describes his 2015 album Damogen Furies as an ‘exploration of the hallucinatory, the nightmarish and the brutally visceral’. And while much of his massive back catalogue could be described as a challenge to intuitive dance music norms, Jenkinson expertly mixes the dark and complex with the light and euphoric. 9.45pm-10.45pm. SonarVillage.
Decidedly wamrmer and more soulful than many of their contemporaries, this Canadian trio also reverentially incorporates hip-hop influences into their tunes. The end product? A perfect blend of crowd-pleasing 808 head-bopping and sun-tinged melody-driven instrumentation and vocals. 6.45pm-7.45pm. SonarVillage.
With a sound that belies any specific genre classification – crazy time signatures and strong avant-garde jazz nods abound, though – this Japanese trio embody the envelope-pushing prerogative of Sónar's lineup. And, despite the oft-discordant sound of their music, Mouse on the Keys are eminently listenable. The technical ability and the craft that goes into the songs is something that’s unbelievable in a live setting. 5.30pm-6.15pm. SonarVillage.
After four years of relentless touring, which sadly meant no new music, Chicago’s Marea Stamper dropped the exquisite He is the Voice I Hear last year, solidifying her status as one if the most essential selectors in the world. Her eclectic sets exude a symmetry of instruments and machine beats. 10.30pm-11.55pm. SonarClub.