Toy Story 4
Turns out, Pixar’s sentient toys can still make us cry: Nearly 25 years after their cinematic debut, the sweetly selfless plastic pals return in a fourth ‘Toy Story’, one charged by the animated series’ thematic essence of finding purpose in being useful to others. It’s a hopeful, immensely human chapter that echoes and extends the franchise’s complex notions of loyalty, displacement and self-worth, doing so with humour and warmth.
Working from a script by Andrew Stanton and Stephany Folsom (as well as six other story contributors, including the ousted ex-Pixar chief John Lasseter), director Josh Cooley successfully balances all these elements – a noteworthy achievement considering the large cowboy boots he had to fill after the epic yet nuanced ‘Toy Story 3’, one of Pixar’s more perfect achievements. The reliable company of old friends certainly helps. Now happily living with a new kid, Bonnie (voiced by Madeleine McGraw), Tom Hanks’s pull-string pardner Woody, Tim Allen’s devoted Buzz Lightyear, Joan Cusack’s feisty Jesse and the rest of the gang are back. New to the clan is Forky (Tony Hale of ‘Veep’, adding nervy personality and genuine weirdness), an existentially confused spork with low self-esteem that the ever-imaginative Bonnie creates as a kindergarten craft project.
Convinced of his status as trash (an unusually raw class dilemma for a Pixar movie), Forky get a crash course on his toyness from Woody, himself thrown by a life crisis resembling that of a retiree. B