May 2026 events calendar for Los Angeles

Every Sunday, you can find dozens of food vendors at this market at ROW DTLA, a Brooklyn import that boasts a mix of much-loved pop-ups and future foodie stars. Thirteen new vendors are joining the lineup this year: Feast on burgers and orange chicken sandwiches from Terrible Burger, Viennese street food from Franzl’s Franks, Neapolitan-meets-Persian pies from Mamani Pizza, plant-based corn dogs from Stick Talk and more. Wash it all down at the family-friendly beer garden. You’ll also find shopping stalls selling everything from framed vintage ads to jewelry made locally with ethically sourced gemstones. Entry and the first two hours of parking are free.

Ponyo loves Sosuke! And we love this exhibition at the Academy Museum dedicated to the wholesome Hayao Miyazaki film. Studio Ghibli donated more than 100 objects to the Academy Collection, and you’ll find everything from an animation desk to colorful art boards to dozens of frame-by-frame pencil drawings of the scene when Sosuke first finds Ponyo. Though you may recognize a couple of items from the museum’s debut Hayao Miyazaki retrospective, the vast majority of Ponyo pieces are new—and some have never been displayed in North America before. It’s also a colorful and super kid-friendly exhibition; you can watch clips of the gorgeously hand-drawn movie, recreate the wave-running scene and even make your own stop-motion animation. You’ll find it on the museum’s second floor, inside the first few galleries of the “Stories of Cinema’ space.

It doesn’t matter if you win by an inch or a mile—or if you’re more of a fan of the street racing and respect era or heists and hackers phase of Fast & Furious: There’s plenty of familiar motorized might to behold at this Petersen Automotive Museum exhibition honoring the high-adrenaline film franchise. You’ll find roughly 20 screen-used cars and production prototypes—including ones on loan from Vin Diesel’s private collection, as well as from the late Paul Walker—on display in the second floor of the Miracle Mile museum. It’s a very Fast & Furious kind of year in L.A. between Universal Studios’ roller coaster and this 25th anniversary exhibition. While the Petersen’s exhibition is certainly encyclopedic (the selections here span the entirety of the franchise, with a particular focus on the first three films), it’s not overly academic: Brief labels will let you know the story behind the stunt car you’re staring at, but this is ultimately an opportunity to ogle American muscle cars and custom Japanese imports (as well as the franchise’s melodramatic quotes about family). Highlights on display include the 1993 Toyota Supra “Stunt #3” and 1995 Mitsubishi Eclipse driven by Brian O’Conner (Paul Walker) in the original film, Dominic Toretto’s (Vin Diesel) 1968 Dodge Charger R/T and 1993 Mazda RX-7, and Suki’s (Devon Aoki) very pink 2001 Honda S2000.

Spend your Friday night amid dinosaurs and DJs. For two decades now, the Natural History Museum has been staying open late for its popular First Fridays series. And during this year’s 20th season, the KCRW-presented after-hours event is returning to its roots, filling the museum’s iconic diorama halls with live music from around the globe, DJ sets and dancing from February to May. A new discussion series, “Life, From Our Guts to the Galaxy: Rethinking the Living World,” will explore different topics each month. While you’re there, you can check out all the galleries and exhibitions, sip cocktails and order food from a revolving selection of local trucks. Check out the museum’s website for advance tickets and updates on lineups.

Perhaps the Los Angeles area’s most iconic flea market, this event around the exterior of the Rose Bowl is staggeringly colossal—but what else would you expect from a 90,000-seat stadium? The sheer size and scale of this flea market means that it encompasses multitudes: new and old, hand-crafted and salvaged, the cheap and the costly. On the second Sunday of each month, an odd mix of vendors populates the loop around the stadium: for every eye-catching artwork, there’s a ratty $5 T-shirt, and for each elegant craft there’s a competing “as seen on TV” demo. But you may have more luck in the rows and rows of old furniture, albums and vintage clothes and accessories that fill the adjacent parking lot. There are plenty of duds, to be sure, but come out early enough and you may go home with that perfect purchase. This destination flea market attracts bargain hunters, collectors, and antique aficionados from all over the county, so the organizers have instituted an extensive tiered entry/admission system, allowing professional and dedicated shoppers early access at a premium.

The reopened Getty Villa will descend into the underworld with this exhibition, which looks at the ritual spells and religious writings ancient Egyptians employed to garner favor with Re and Osiris in the afterlife. See the Getty’s collection of rare Book of the Dead rare hieroglyphics-adorned and illustrated manuscripts, dating back to around 1000 BCE, which were last displayed in 2023. The show should dovetail nicely with the museum’s “Sculpted Portraits From Ancient Egypt,” which runs through January 2027.

When I first stepped foot inside of this exhibition of decommissioned Confederate monuments and reflective contemporary art pieces, I was taken aback by the scale of it all. I’d seen the installation photos of the side-by-side statues of Confederate generals Stonewall Jackson and Robert E. Lee on horseback, but as I craned my neck up at these towering tributes, they felt awe-inspiring in the most dreadful meaning of the phrase. Most Angelenos don’t need to be convinced of the immoralities of the Confederacy—but most likely haven’t been forced to come face-to-face with such Civil War iconography either. “Monuments,” displayed almost entirely at MOCA’s Little Tokyo warehouse with a single Kara Walker installation at the Brick in East Hollywood, presents tangible proof that these monuments removed from public view over the past decade were not simple, somber remembrances for the recently deceased, these were larger-than-life celebrations of the Confederacy forged in the Jim Crow era and often financed by folks seeking to twist its history. Works from 19 artists respond either directly or thematically to the many statues on display, or in some cases physically alter them: Bethany Collins’s Love is dangerous chisels pieces of the granite pedestal of a Stonewall Jackson monument into Carolina rose petals. Other graffitied or paint-splattered statues speak for themselves: The Robert E. Lee monument at the center of 2017’s Unite the Right rally in Charlottesville, Virginia resides...

Step back into the era of grunge, supermodels and the dawn of the internet at this free exhibition at the ASU FIDM Museum in DTLA. This retrospective explores the decade’s spirit of rebellion and experimentation, featuring high-fashion couture from icons like Vivienne Westwood and Gianni Versace alongside the flannel shirts, slip dresses and bold prints that defined everyday style. Through a curated mix of garments, vintage magazines and video footage, visitors can trace how 1990s innovation continues to shape contemporary trends.

When Mexican director Alejandro G. Iñárritu made his debut feature, Amores Perros, over a million feet of film didn’t make it to the final cut (to put that into perspective, the finished two-and-a-half-hour movie used around 18,000 feet of film). Twenty five years later, some of these unearthed reels of celluloid now zip through a ground-floor gallery at LACMA as part of a multi-channel film installation. As much a piece of sculpture as it is film or video art, Sueño Perro assembles six 35mm projectors that pierce the hazy near-dark space with raw, nonlinear snippets of the movie, fed from a mesmerizing curtain of film stock speeding along sprockets. It’s an intense experience, both sonically (during the car crash that connects the feature’s storylines) and visually (dog fighting plays a pivotal role in the film, though you’ll see here some of the behind-the-scenes tricks that kept the production cruelty-free).

A display of over 30 mummified people and animals is back at the California Science Center; after the exhibition debuted there back in 2010, it traveled through the U.S. and Europe before returning to L.A., which is the final stop on its tour before the artifacts are returned to their lending museums. This time around, you can see a selection of specimens never before shown in Los Angeles. Mummies are, of course, most often associated with ancient Egypt, and while Egypt is represented here, you’ll also see mummified remains that were discovered in Germany, Hungary, Peru—even the University of Maryland, which in the 1990s carried out the first ancient Egyptian-style mummification performed in 2,800 years. Memorable artifacts include the two Peruvian “bundle” mummies making their West Coast debut, amulets and organ jars (just like you learned about in history class), an ancient Egyptian cat mummy and a shrunken (but still very cute) sloth head. Be warned, though, that as you make your way through the different rooms, the displays become more macabre and, dare I say, haunting, with mummified organs and babies—so make sure you (and any kids in attendance) know what you’re getting into before visiting the exhibition. The museum’s IMAX theater will be screening the complementary 40-minute Mummies 3D: Secrets of the Pharaohs, and if you buy combo tickets for both the exhibition and film, you get a small discount on both.