Things to do in Los Angeles today

Peruse altars in the plaza of El Pueblo de Los Angeles Historical Monument at this Day of the Dead celebration, which incorporates pre-Columbian, Aztec, Mayan and Catholic traditions. Expect plenty of festive wares from the merchants on Olvera Street, along with altars that go on display each morning and a candlelight procession every night for nine nights. Stop by during weekends for face painting (for a fee) and theatrical performances. And on Halloween, there’ll be a 5K race through the area, which you can register for here.

Head to Gloria Molina Grand Park for a two-week display of over a dozen altars created by professional artists and community organizations. The displays officially kick off on October 24, during Grand Ave Arts: All Access, complemented by an afternoon of face painting, paper weaving and sugar-skull decorating, plus live mariachi music (11am–4pm). On November 1, the event closes with Noche de los Muertos, which will feature cultural performances, local artisans selling goods at a mercado, and more family-friendly activities. All of the festivities are free.

You might have seen ads on Instagram over the past couple of months for Hospital of Emotions—a colorful, cartoony flyer that heralds a site-specific art pop-up located in a real hospital with the tagline “a place to heal your heART.” The conceit intrigued me off the bat: 70 artists (both local and international) given hospital rooms as a canvas to transform as they wished. Hospital of Emotions ads are also referring to it as “the experience of the year.” We’re only in May so that’s still TBD, but I do think the exhibition—which is inhabiting the former St. Vincent Medical Center in Westlake and is officially open to the public as of May 27—is well worth your time. While the entire experience is hospital-themed—you walk through a waiting room and are given an intake form and hospital wristband, employees are in doctors’ coats—it’s not the cheesy type of immersive exhibition (read: selfie factory) that you might expect. Instead you’ll find 80 rooms filled with thought-provoking, visually dazzling and, yes, eminently photogenic installations. But there’s both style and substance here. And though the tickets are definitely on the pricey side, there’s so much to see—I spent nearly two hours there during my visit—that it (almost) makes up for it. The rooms are organized by theme; you start at the top of the building in the “Resilience Department” and make your way through clusters of rooms inspired by feelings like joy, sadness, anger, grief, fear and hope. The emphasis on...

Right in time for Halloween season, the Academy Museum seeks to answer the question “Why do horror films matter so deeply to so many?” in this immersive look at the genre whose cultural cachet is always increasing. Knowingly employing horror tropes and exploring the lasting appeal of scary movies, the show is divided into six subcategories of horror—gothic, psychological, science, slasher, religion and ghosts. Expect re-creations of iconic settings where visitors will encounter creatures, monsters and objects from their favorite horror flicks and, in typical Academy fashion, a behind-the-scenes look at the storytelling and production processes of films from the original Frankenstein to The Shining to Get Out. After revisiting nearly every horror title (and slasher mask) you can think of, there’s only one way out of the exhibition—and it drops you into the middle of your own scary movie. At the end of a long hallway, you’ll find the Blood Room, a disconcertingly realistic re-creation of a slasher’s crime scene, with fake blood covering the walls and pooling onto the floor. The show is sure to be a huge hit with horror aficionados. And if you’re a horror hater? Well, according to Academy Museum President Amy Homma, you just haven’t found your horror yet. By splitting the genre into six wide-ranging categories, the exhibition shows that what qualifies as a horror movie isn’t one-size-fits-all. So if you, say, can’t handle anything with a ghost (guilty), you might be drawn...

Admire suspended sheets of textiles—including the metallic ones that would be incorporated into the curtains at the new David Geffen Galleries—along with colorful sketches and a recreation of Tokyo store NUNO at LACMA’s showcase of pioneering textile designer Reiko Sudō.

It feels like Oktoberfest all year round at Silver Lake’s long-running Red Lion Tavern, but it’s especially festive in the fall, when it celebrates the Bavarian tradition all the way through mid-November. Order the Oktoberfest platter—an epic array of pretzels, brats, schnitzel and sides—alongside a four-liter boot of beer. You’ll also find live music and stein-holding contests on select nights. Check the bar’s Instagram for programming updates.

The reopened Getty Villa will descend into the underworld with this exhibition, which looks at the ritual spells and religious writings ancient Egyptians employed to garner favor with Re and Osiris in the afterlife. See the Getty’s collection of rare Book of the Dead hieroglyphics-adorned and illustrated manuscripts, dating back to around 1000 BCE, which were last displayed in 2023. The show should dovetail nicely with the museum’s “Sculpted Portraits From Ancient Egypt,” which runs through January 2027.

The University Park theater’s 21st annual Day of the Dead block party includes a bunch of outdoor musical performances; La Sonora Show and Banda la Fastidiosa are on the lineup, as well as Aztec dance troupe Huitzilopochtli and ballet folklórico group Sol de Fuego, plus a procession led by ceremonial dancers. Also on offer at the lively celebration are carnival rides, homemade tamales, craft booths and more. 

It doesn’t matter if you win by an inch or a mile—or if you’re more of a fan of the street racing and respect era or heists and hackers phase of Fast & Furious: There’s plenty of familiar motorized might to behold at this Petersen Automotive Museum exhibition honoring the high-adrenaline film franchise. You’ll find roughly 20 screen-used cars and production prototypes—including ones on loan from Vin Diesel’s private collection, as well as from the late Paul Walker—on display in the second floor of the Miracle Mile museum. It’s a very Fast & Furious kind of year in L.A. between Universal Studios’ roller coaster and this 25th anniversary exhibition. While the Petersen’s exhibition is certainly encyclopedic (the selections here span the entirety of the franchise, with a particular focus on the first three films), it’s not overly academic: Brief labels will let you know the story behind the stunt car you’re staring at, but this is ultimately an opportunity to ogle American muscle cars and custom Japanese imports (as well as the franchise’s melodramatic quotes about family). Highlights on display include the 1993 Toyota Supra “Stunt #3” and 1995 Mitsubishi Eclipse driven by Brian O’Conner (Paul Walker) in the original film, Dominic Toretto’s (Vin Diesel) 1968 Dodge Charger R/T and 1993 Mazda RX-7, and Suki’s (Devon Aoki) very pink 2001 Honda S2000.

Just in time for silver screen starlet Marilyn Monroe’s 100th birthday, the Academy Museum is presenting a centennial celebration dedicated to the woman and her work, offering a look at the actress beyond her blond bombshell persona. In addition to posters, portraits, letters and rarely seen personal items—including decor from Monroe’s Brentwood home and the star’s makeup products—highlights from the exhibition include screen-worn costumes. Particularly noteworthy are the scandalous-at-the-time beaded dresses from Some Like It Hot and the rarely exhibited famous pink dress Monroe wore in Gentlemen Prefer Blondes—which is a show-stopper in a glitzy room of its own. Tucked into the back corner of the galleries, you can watch a compilation of the star’s onscreen work in CinemaScope—including the iconic subway grate scene. As a whole, the show provides a thoughtful look at Norma Jeane Baker’s transformation into Marilyn Monroe, her trials and tribulations, and why her star will never fade.