Things to do in Los Angeles today

Telling the story of Gorillaz, the animated band created by Blur’s Damon Albarn and British artist Jamie Hewlett, involves a bit of real-world history and a bunch of cartoon mythology. House of Kong manages to blend both of those into a truly transportive walkthrough that mixes an art-on-the-wall gallery show with a cartoon-come-to-life manifestation of one of this century’s most singular bands. The L.A.-by-way-of-London experience, which sets up in the Arts District’s Rolling Greens from February 26 to March 19, starts outside in front of a hulking statue of Pazuzu, a Mesopotamian demon-god and in-universe motif that’s been plastered with decades-spanning Gorillaz stickers. That’s about the only thing you can photograph until you reach the finish of this largely phone-free experience (the island model from Plastic Beach and a sizable gift shop greet you at the end). From there, you’ll be handed a pair of headphones and embark on a half-hour-plus audio-guided tour. House of Kong starts like a proper museum show; gallery lighting focuses on prints of early concept art of 2-D, Murdoc, Noodle and Russel before diving into relics that chart the rise of the band (including, ahem, a 2005 Time Out London magazine cover) and its world-building lore. From there, in the classic style of a Disneyland ride preshow, things go awry, and the following five sections (no spoilers) see guests traversing through lovingly cluttered sets just bursting with hazy homages to both the animated...

Ponyo loves Sosuke! And we love this exhibition at the Academy Museum dedicated to the wholesome Hayao Miyazaki film. Studio Ghibli donated more than 100 objects to the Academy Collection, and you’ll find everything from an animation desk to colorful art boards to dozens of frame-by-frame pencil drawings of the scene when Sosuke first finds Ponyo. Though you may recognize a couple of items from the museum’s debut Hayao Miyazaki retrospective, the vast majority of Ponyo pieces are new—and some have never been displayed in North America before. It’s also a colorful and super kid-friendly exhibition; you can watch clips of the gorgeously hand-drawn movie, recreate the wave-running scene and even make your own stop-motion animation. You’ll find it on the museum’s second floor, inside the first few galleries of the “Stories of Cinema’ space.

The masters of alfresco rooftop movie viewing have returned for another season of screenings to LEVEL in Downtown L.A. Known for excellent film choices and a steady supply of snacks and booze, Rooftop Cinema Club is your snazzy, comfortable and less stressful alternative to other outdoor movie screenings. You don’t even need to bring your own camping chair—Rooftop Cinema Club provides you with your very own comfy lawn chair (with optional blankets for purchase to up the coziness). And instead of listening to the movie over loudspeakers, you’ll get a set of wireless headphones so you never have to miss a word. Find the full schedule on their site, or in our outdoor movie calendar.

When Mexican director Alejandro G. Iñárritu made his debut feature, Amores Perros, over a million feet of film didn’t make it to the final cut (to put that into perspective, the finished two-and-a-half-hour movie used around 18,000 feet of film). Twenty five years later, some of these unearthed reels of celluloid now zip through a ground-floor gallery at LACMA as part of a multi-channel film installation. As much a piece of sculpture as it is film or video art, Sueño Perro assembles six 35mm projectors that pierce the hazy near-dark space with raw, nonlinear snippets of the movie, fed from a mesmerizing curtain of film stock speeding along sprockets. It’s an intense experience, both sonically (during the car crash that connects the feature’s storylines) and visually (dog fighting plays a pivotal role in the film, though you’ll see here some of the behind-the-scenes tricks that kept the production cruelty-free).

A display of over 30 mummified people and animals is back at the California Science Center; after the exhibition debuted there back in 2010, it traveled through the U.S. and Europe before returning to L.A., which is the final stop on its tour before the artifacts are returned to their lending museums. This time around, you can see a selection of specimens never before shown in Los Angeles. Mummies are, of course, most often associated with ancient Egypt, and while Egypt is represented here, you’ll also see mummified remains that were discovered in Germany, Hungarian, Peru—even the University of Maryland, which in the 1990s carried out the first ancient Egyptian-style mummification performed in 2,800 years. Memorable artifacts include the two Peruvian “bundle” mummies making their West Coast debut, amulets and organ jars (just like you learned about in history class), an ancient Egyptian cat mummy and a shrunken (but still very cute) sloth head. Be warned, though, that as you make your way through the different rooms, the displays become more macabre and, dare I say, haunting, with mummified organs and babies—so make sure you (and any kids in attendance) know what you’re getting into before visiting the exhibition. The museum’s IMAX theater will be screening the complementary 40-minute Mummies 3D: Secrets of the Pharaohs, and if you buy combo tickets for both the exhibition and film, you get a small discount on both.

Made up of a Melrose Avenue workshop and two galleries—including one designed by Frank Gehry—Gemini G.E.L. has been at the forefront of fine art printmaking for 60 years now, an accomplishment it’s celebrating in this show which doubles as a love letter to L.A. On display are innovative works by artists including David Hockney, Roy Lichtenstein, Ed Ruscha and Robert Rauschenberg—many of which haven’t been shown in decades—which are inspired by the atmosphere and streets of Los Angeles.

Don’t go in the water, but do go to the Academy Museum to see the largest exhibition ever dedicated to Steven Spielberg’s original summer blockbuster, Jaws—which is celebrating its 50th anniversary. The museum was already home to the last surviving model shark from filming, but now you can go behind the scenes and see some 200 original objects from the film across multiple galleries. Some highlights: a re-creation of the Orca fishing boat, the dorsal fin used both in Jaws and its sequels, costumes worn by the central trio and a room full of vintage film posters and merch promoting the film. There are interactive elements, too: You can have your own Chief Brody dolly-zoom moment (and see the lens used to film the famous shot), play the iconic John Williams two-note score and control a replica of the mechanical shark.

Whether or not you follow soccer, you probably know by now that Los Angeles is hosting eight matches of the World Cup in summer 2026. In celebration of its arrival, this LACMA show will display Lyndon J. Barrois Sr.’s ode to the world’s most beloved sport. The artist’s miniature “sportraits” re-create classic moments in both women’s and men’s soccer using materials like gum wrappers, glue and paint—even if you’re not a sports fan, the playful sculptures and stop-motion animations will win you over.

The beloved late singer, who’s ascended to music and fashion icon status since her untimely death in 1995, is the focus of a new show at the Grammy Museum. Co-curated by the singer’s sister, Suzette Quintanilla, the exhibition peeks behind the curtain of Selena’s life, artistry and career, exploring how her legacy continues as a symbol of empowerment for both young women and Latin communities. Though the exhibition is limited to a single gallery on the fourth floor, it’s packed with iconic items: You can see the singer’s personal artifacts displayed for the first time outside of the Selena Museum in Corpus Christi, Texas, including her Grammy Award, cellphone, hand-drawn fashions and microphone, still marked with her signature red lipstick. In preparation for the opening, artist Mister Toledo recently created a mural of the singer outside the museum.

The California Science Center is inviting kids to get in the game with a new 17,000-square-foot exhibition about the power of play and the human body in motion. Besides teaching about the science behind sports, it also offers interactive challenges and video coaching from a team of Los Angeles-based mentor athletes including dancer Debbie Allen, the Dodgers’ World Series hero Freddie Freeman, Olympic medalist softball player Rachel Garcia and more. And for the first time ever, the center has commissioned public art—all by local artists—to complement the exhibition, including a Dodgers mural by Gustavo Zermeño Jr. The free exhibition will run at the Science Center through the Los Angeles 2028 Olympic and Paralympic Games.