A Fairy Tale in Red Times: Works from the White Rabbit Collection

Art Free
 (Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.)
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Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.
 (Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.)
2/11
Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.
 (Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.)
3/11
Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.
 (Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.)
4/11
Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.
 (Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.)
5/11
Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.
 (Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.)
6/11
Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.
 (Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.)
7/11
Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.
 (Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.)
8/11
Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.
 (Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.)
9/11
Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.
 (Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.)
10/11
Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.
 (Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.)
11/11
Installation view of A Fairy Tale in Red Times: Works from the White Rabbit Collection. Photograph: Tom Ross.

Time Out says

This exhibition brings together bold works from 26 Chinese contemporary artists

White Rabbit, a privately owned four-storey temple to 21st century Chinese art, is a big deal in Sydney. It shows Judith Neilson’s epic and eclectic collection to hordes of Sydneysiders every week, ranging from small-scale works to massive installations. This is the first time the collection is being shown at the NGV, with a selection of 26 artists, and several works never before seen in Australia, all of which paint a contemporary portrait of China.

Highlights include Zhu Jinshi’s ‘The Ship of Time’ (2018), a massive cylinder made of 14,000 sheets of xuan paper, 1,800 pieces of fine bamboo and 2,000 cotton threads. And yes, you can walk straight through the middle of it. There’s also Mao Tongqiang’s ‘Order’ (2015), a 45 square metre piece of mirrored stainless steel embedded with 2,000 bullets fired from a gun. And Yang Jiechang’s ‘Tale of the 11th Day’ (2012–14), an epic, 20-metre silk work depicting an imagined paradise.

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