The Comedy Theatre

Australians of a certain generation know all about the fractious debate surrounding the worth of abstract contemporary art. There was a national conniption when the Whitlam government cleared the then-record-breaking $1.3 million purchase of Jackson Pollock’s ‘Blue Poles’ for the National Gallery of Australia in 1973. Two years later, after a double dissolution election, Governor-General John Kerr notoriously dismissed the Whitlam government on November 11, 1975.  The vanquished Prime Minister took an immortal swipe at his political executioner on the steps of Old Government House: “Well may we say, ‘God save the Queen,’ because nothing will save the Governor-General.” With ‘Blue Poles’ now valued at around $350 million, you might say that Whitlam had the last laugh on that front. But the spiritual battle for the arts continues apace, with some of Australia’s most vital institutions subject to savage budget cuts that endanger their very existence and the cultural wealth of our nation.  This raging debate around artistic worth is captured on a much more intimate scale in French playwright Yasmina Reza’s 1994 work, Art. Translated by Christopher Hampton, it receives a rollicking Australian production at the Comedy Theatre directed by Prima Facie’s Lee Lewis. What’s Art all about? Art is a ferociously funny chamber piece in which three so-called best mates come to metaphorical blows over a plain white painting. Only it’s not plain white, according to Damon Herriman’s arty...