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best of 2016
Photograph: Courtesy Chad BatkaNatasha, Pierre & the Great Comet of 1812

The 20 best Broadway and Off Broadway shows of 2016

Our theater critics rank the best Broadway shows and Off Broadway plays and musicals of the year, from uptown to downtown

Adam Feldman
Written by
David Cote
&
Adam Feldman
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Last year at this time everyone knew that 2015 had been the year of Hamilton. Now the wealth is spread a bit more evenly. Broadway musicals continue to evolve and experiment: Witness the thrilling success of Natasha, Pierre & the Great Comet of 1812 (starring Josh Groban and Denée Benton) and Dear Evan Hansen (with a star-making turn by Ben Platt). Those shows will surely do battle at the Tony Awards next June. As for the rest of the list, it’s an excitingly diverse group: all-too-timely dramas about disgruntled factory workers (Sweat); Shakespeare in traditional form (King and Country) and radically re-imagined (Othello); fresh new playwrights (Sarah DeLappe with The Wolves); and great work from writers we’ve loved for years (Adam Bock with A Life). Below is our consolidated and ranked list, followed by honorable mentions. For David Cote's individual top-ten list, click here; for Adam Feldman's individual list, click here.

RECOMMENDED: Full guide to best of 2016

Best theater of 2016

David Hyde Pierce was poignantly lost in Adam Bock’s wise and shocking play, which began as a chamber piece and then pulled the floor out to offer a cosmic perspective on love, time and connection.
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  • Theater
  • Shakespeare
Daniel Craig’s reptilian Iago and David Oyelowo’s heroic but traumatized Othello were the main reasons Sam Gold’s production sold out, but the modern-day military staging is a thing of brutal beauty.
  • Theater
  • Drama
Opening five days before the election, Lynn Nottage’s gritty, big-hearted portrait of factory workers in rural Pennsylvania was a wake-up call about class, poverty and rage. Now the message goes to Broadway.
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  • Theater
  • Drama
Print journalism may be waning, but this sharp-elbowed, fast-talking satire from 1928 won’t go gentle into any good night. Exquisitely cast (Nathan Lane! John Slattery! Jefferson Mays!) Jack O’Brien’s revival gleefully broke the news—into pieces.
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Playwright Paula Vogel and director Rebecca Taichman conjured the ghosts of Yiddish theater in an evocative look at the history of Sholem Asch’s controversial 1906 drama God of Vengeance.

David Cote’s best (and worst) theater of 2016

Adam Feldman’s best (and worst) theater of 2016

Looking for more of the best Broadway shows?

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