The best gigs to see in Sydney this winter

So, you’ve ordered your elaborate lederhosen or dirndl online, but you can’t decide where to show off your Bavarian threads this year? Consider Oktoberfest in the Gardens. The huge beer-fuelled party will once again transform the Domain into a giant beer garden inspired by Germany's own Oktoberfest. The Bavarian-style festival will host two big top beer halls that can serve more than 6,000 punters, sideshow games, a silent disco, roving performers and bring back a massive dodgeball competition to the Sydney Oktoberfest tradition. You can expect to see circus performers, a 20-piece brass band, magicians, accordion players, yodellers and pretzel fräuleins roaming around the grounds, as well as live musicians and local DJs across the three festival stages. There’s prizes to be won throughout the day – we know you secretly want to be crowned Miss or Mr Oktoberfest – plus a sideshow of carnival rides and games. They’ll be pouring all the hard-to-pronounce European beers, plus ciders, wine and spirits for variety. And it wouldn't be a beer-drinking party without salty snacks, so they’ve organsied a menu of bratwurst, pork knuckles, woodfired flammkuchen (that's German pizza), cheese fondue and more to sedate rumbling tums.

There is a vibrant live music scene in Sydney today, despite what some contemporary nightlife tales tell. So if you dig the gigs happening every week in the city, you may be interested in investigating the history of Australian music. The Museum of Sydney’s Songs of Home exhibition provides insight into the music that was created and enjoyed by early colonists and the Indigenous people of New South Wales. It considers how these groups interacted and shared music, our limited knowledge of the musical world at this time, and the place of music in our society today. Artefacts exploring these ideas include the earliest transcripts of Aboriginal songs, the oldest surviving print music from the colony, the first Australian bagpipes, and a music box and barrel organ. Others come with intriguing tales, like a piano that was carried over the Blue Mountains by a Scottish family in 1843; a guitar owned by Napoleon that was given to a teenage girl who became a prominent Sydney socialite; and albums of music hand-copied by Jane Austen which reflect the top jams of the 18th and 19th centuries. Performance is also a central element of the exhibition. Hear special compositions from groups like Scotland’s Concerto Caledonia and the Sydney Conservatorium of Music, as well as a series created by Aboriginal artists in partnership with Ngarra-Burria First Peoples Composers initiative. The works will reflect on ideas explored in the exhibition.